亚洲免费av电影一区二区三区,日韩爱爱视频,51精品视频一区二区三区,91视频爱爱,日韩欧美在线播放视频,中文字幕少妇AV,亚洲电影中文字幕,久久久久亚洲av成人网址,久久综合视频网站,国产在线不卡免费播放

        ?

        The image of shoes in The House On Mango Street

        2016-01-14 13:00:40周佳琪
        青春歲月 2015年13期
        關(guān)鍵詞:東吳大學(xué)希斯桑德拉

        周佳琪

        Abstract:Sandra Cisneros is one of the most prominent writers of American and Hispanic literary world. Her successful novel titled The House on Mango Street recounts the life, the milieu and the compelling experiences encountered by women from the eyes of Esperanza, the protagonist of the novel. There are a large number of resemblances between the image of shoes and the women figures.

        Key words:The House On Mango Street, shoes, feminism, foot

        I. Introduction

        Chicana refers to the women of Mexican decedents who live in the United States. Sandra Cisneros is one of the representative Chicana writers Cisneros early life experiences have influenced her writing to a large extent, especially reflected in her novel The House On Mango Street.

        In The House On Mango Street, there are a lot symbols, like the trees, the shoes, the poetry and the moon. These symbols carried out a much deeper and more vivid meaning under the scene. This thesis will focus on the exploring of the shoes image exist through the whole novel. As it easy to notice the female figures in this novel are most connected with the image of wearing the high-heeled shoes, even the young Esperanza, Rachel and Lucy. These images of high-heeled shoes show the femininity of woman, but no matter how charming they look, they still under the control of this male-centered society. On the other hand, the image of shoes also symbolizes escape. Shoes are used for walking or running, and running from the Mango Street is what Esperanza always dream to do. To begin with these two images of shoes, first it would be better to see whats the relationship between the shoes and footbinding.

        II. The Shoes and Foot Bondage

        Foot binding was practiced for precisely the reason: to make women weak. By make women physically unstable, men were able to forbid their movement and thereby prevent their sisters, wives, and daughters from engaging in any other affairs. “They ought to stay in their own house. If their feet are not bound, they go here and they go there with unfitting associates: they have no good name. They are like defective gems that are rejected”.. Thus a foot bound woman was virtually a homebound woman: for all practical purposes, she was cloistered.

        Interestingly, the women of the Mango Street are cloistered as well. There is a remarking scene when describe the women condition is that they lean out of windows. This implies that women cannot go outside; they are literally or figuratively made prisoners in their home. This scene is first used on Esperanzas great grandmother. Even though Esperanza told her as a wild horse of woman, the fate for her is “ my great grandfather threw a sack over her head and carried her off”. And the story goes, “she never forgave him. She looked out the window her whole life, the way so many women sit their sadness on an elbow. Rafeala, who is “getting old from leaning out the window so much, gets locked indoors because her husband is afraid Rafaela will run away since she is too beautiful to look at”. Sally has to go straight home after school, to a “house (she) cant come out from”. Minerva “has many troubles, but the big one is her husband who left and keeps leaving”—confining her to the home in effect by leaving her to raise two children all by herself. In short, the womans place is one of domestic confinement, not one of liberation and choice”.

        III. The Image of Shoes

        In literary history, the foot (as opposed to some other body parts) features so prominently in the tale. Why does Cinderellas fate hinge upon a shoe, instead of something else? Now when look back to The House On Mango Street, its hard to ignore that female feet and shoes are strangely and strikingly bound up with romance and sexuality.

        In the chapter “ The Family of Little Feet”, Esperanza and her friends seem excessively excited by the experience of prancing around in the high-heeled shoes which have been given to them: “ Do you like these shoes? Rachel says yes and Lucy says yes and I say these are the best shoes. We will never go back to wearing the other kind again.” Their resolution to “never go back to wearing the other kind” of shoe comes after they realize that the shoes make them sexually attractive to the men around them: Esperanza comments that they strut “down to the corner where the men cant take their eyes off of us”. They also appear to sense that their strutting has an effect on women as well: “ In front of the Laundromat six girls with the same fat face pretend we are invisible.

        This power is ultimately a trap for the women of Mango Street, however, and this is illustrated through Cisneros use of the shoe motif—most notably through the use of high heels. “High hells must have been a mans idea—their asses will look good and they will be crippled.” The responses of men to an attractive woman in high heels and to an attractive woman with bound feet are quite similar.

        IV. Conclusion

        The parallel that Cisneros draws between Cinderella and the women of Mango Street is obvious. Like Cinderella, the women of Mango Street are confined to a life of domestic trifles. Like Cinderella, their suitability as wives is symbolically determined by their shoes and feet.

        By revealing the image of shoes hidden behind the scene. In this process, it presents us with an opportunity to deepen understanding of women ‘s condition on Mango Street and also a better understanding of human nature, which is one of the highest goals a literary work can be hope to achieve.

        bliography

        [1] Cisneros, Sandra. The House on Mango Street. London: Bloomsbury Publishing,1991.

        [2] Ganz, R. Sandra Cisneros: Border Crossings and Beyond . MELUS 1994,19 (1): 19-29.

        [3] 石平萍. 開(kāi)辟女性生存的新空間——析桑德拉.希斯內(nèi)羅絲的《芒果街的房子》[J]. 外國(guó)文學(xué), 2005.

        [4] 許瑋芝. Growing up Chicano/a: A Study of Cisneros The House on the Mango Street. 臺(tái)灣: 東吳大學(xué), 2007.

        猜你喜歡
        東吳大學(xué)希斯桑德拉
        從館藏紅色檔案探析東吳大學(xué)地下黨組織的發(fā)展與活動(dòng)特點(diǎn)
        東吳大學(xué)音樂(lè)社團(tuán)活動(dòng)述評(píng)(1901—1952)
        大法官桑德拉:做出決定,就絕不回頭
        莫愁(2019年13期)2019-05-29 08:29:12
        大法官桑德拉:做出決定,就絕不回頭
        英已故前首相遭40余起性侵男童指控
        請(qǐng)?jiān)徫胰圆涣?xí)慣告別
        東吳大學(xué)學(xué)生愛(ài)國(guó)活動(dòng)研究(1901
        —1952)
        布拉格天空飛過(guò)荊棘鳥(niǎo)
        女士(2009年11期)2009-11-10 07:33:30
        我家的守護(hù)神
        熟妇人妻无乱码中文字幕av| 无码精品国产午夜| 天天综合色中文字幕在线视频| 国产精品久久免费中文字幕| 亚洲午夜福利在线视频| 免费一区二区三区在线视频| av网址大全在线播放| 亚洲国产丝袜久久久精品一区二区| 欧美精品videosex极品| 美女胸又www又黄的网站| 久久精品综合国产二区| 精品久久中文字幕系列| 国产麻豆精品一区二区三区v视界| 在线中文字幕有码中文| 日韩最新av一区二区| 亚洲第一幕一区二区三区在线观看 | 日本特黄a级高清免费大片| 成人爽a毛片免费网站中国| 亚洲无av在线中文字幕| 久久婷婷香蕉热狠狠综合| 日韩精品欧美激情国产一区| 久久亚洲乱码中文字幕熟女| 特黄做受又硬又粗又大视频小说| 久久精品久久精品中文字幕| 一区二区三区四区在线观看视频| 美利坚日韩av手机在线| 国产sm调教视频在线观看| 久久婷婷色香五月综合激情| 国产三级韩三级日产三级| 老子影院午夜伦不卡| 玩弄放荡人妻一区二区三区| 风流少妇一区二区三区| 人妻少妇中文字幕在线观看| 亚洲综合区图片小说区| 国产av专区一区二区三区| 一区二区三区四区黄色av网站| 正在播放强揉爆乳女教师| 97性视频| 国产91大片在线观看| 中文字幕日韩人妻在线视频| 自拍偷自拍亚洲精品播放|