建筑設(shè)計(jì)：華金·貝拉斯科·魯維奧

丹麥399，塞羅潘廷，帕爾瓦萊索，智利

建筑設(shè)計(jì)：華金·貝拉斯科·魯維奧

1 外景/Exterior view

前丹麥領(lǐng)事館建于20世紀(jì)早期，坐落在神廟山東側(cè)的山坡上，緊鄰國(guó)家遺產(chǎn)中心和由古瓦爾帕萊索城墓地構(gòu)成的國(guó)家遺產(chǎn)區(qū)。

更新項(xiàng)目“丹麥399” 啟動(dòng)于2014年6月，以使2011年開(kāi)放的瓦爾帕萊索文化公園擁有更豐富的活動(dòng)內(nèi)容。在公園中，具有鮮明市民文化特征的文化中心用于舉辦多種多樣的文化與藝術(shù)節(jié)活動(dòng)，神廟山則成為承載自發(fā)活動(dòng)的場(chǎng)所。因此，作為補(bǔ)充的“丹麥399” 需要定位為開(kāi)放的聚集場(chǎng)所和交流空間，以創(chuàng)造歡樂(lè)友好的文化氛圍。

“丹麥399”的一系列辦公室和會(huì)議室用于出租，提供職業(yè)合作空間。開(kāi)放的簡(jiǎn)餐咖啡廳同時(shí)被工作人員和客人共享，多元的創(chuàng)意暢想在這里變?yōu)楝F(xiàn)實(shí)。作為一個(gè)開(kāi)放的獨(dú)立產(chǎn)業(yè)孵化中心，該建筑既完成了對(duì)遺產(chǎn)建筑的更新，又創(chuàng)造了滿(mǎn)足當(dāng)?shù)匦枨蟮亩鄻踊x擇。

“丹麥399” 更新項(xiàng)目從傳統(tǒng)與技術(shù)的對(duì)話出發(fā)，對(duì)上世紀(jì)早期丹麥領(lǐng)事讓·蒂埃里設(shè)計(jì)的歷史建筑立面保持了充分的尊重。當(dāng)時(shí)的蒂埃里是一位成功的醫(yī)生，并致力于推動(dòng)城市問(wèn)題的改善，他希望探索將雙層磚砌外墻的優(yōu)良特性與當(dāng)?shù)貍鹘y(tǒng)木質(zhì)隔墻相結(jié)合、將俄勒岡松木梁與櫟木板鋪地相結(jié)合的方法，因而在結(jié)構(gòu)材料中增加了當(dāng)時(shí)十分前衛(wèi)的鋼筋混凝土，并希望自己的結(jié)構(gòu)設(shè)想能夠震動(dòng)整個(gè)20世紀(jì)。在尊重歷史的前提下，改造應(yīng)用現(xiàn)代手法，通過(guò)碳素鋼金屬薄片在現(xiàn)有結(jié)構(gòu)內(nèi)部勾勒出靈活而明亮的空間?，F(xiàn)在的 “丹麥399”擁有涵蓋建筑、計(jì)算機(jī)科學(xué)、設(shè)計(jì)、工程、視聽(tīng)產(chǎn)品、遺產(chǎn)保護(hù)等多個(gè)領(lǐng)域的14家工作室、2間木工坊、1家打印店，以及對(duì)公眾開(kāi)放的用于研討會(huì)議等文化活動(dòng)的80座禮堂?！酰愜?譯）

2 地段位置/Location

項(xiàng)目信息/Credits and Data

合作者/Collaborators: Cristian Soza, Angela García, Flore Brochet, David Díaz

工程師/Engineer: Luis Della Valle Solari

開(kāi)發(fā)商/Developer: Inmobiliaria Meli Ltda

功能/Program: 14間辦公室，5個(gè)工作室，合作空間，活動(dòng)空間，2個(gè)會(huì)議室，咖啡/酒吧，廚房，衛(wèi)生間，露臺(tái)/14 offices, 5 studios, co-work space, events space , 2 meeting rooms, cafeteria/bar, kitchen, bathroom, terrace

材料/Materials: 鋼，玻璃，混凝土/Steel, glass, concrete

基地面積/Land Area: 2045.30m2

建筑面積/Floor Area: 985m2

攝影/Photos: Aryeh Kornfled

3 外景/Exterior view

4 內(nèi)景/Interior view

6 首層平面/Floor 0 plan

5 二層平面/Floor 1 plan

Built in the early twentieth century, the renovated house of the former Consul of Denmark is located in the eastern hillside of Pantheon hill, next to the National Heritage complex integrated by the oldest cemeteries of Valparaiso city.

In operation since June 2014, Dinamarca 399 was initially conceived as a complement to the activities of the Cultural Park of Valparaiso, which opened in late 2011 in the neighboring hill. This park features a cultural center for various cultural and arts festivals with a clear civic and cultural cut which, in combination with other autonomous initiatives that took place at Pantheon hill, has defined the role of Dinamarca 399 as a meeting space focused on convivial culture.

Dinamarca functions as a vocational collaborative space that offers offices and meeting rooms for rent. It also has an open cafe-restaurant shared by members and guests. The idea is to provide a space to help manage and make concrete different visions of the creative industries. Conceived as an open cloister for independent production, it involved the committed recovery of a heritage building and the development of professional alternatives arising from the local region.

The renovation of Dinamarca 399 is based on a dialogue between tradition and technology, always respectful of the volume of the historic facade built early last century by the Danish consul Mr. Jean Thierry. The contemporary intervention plays with metal sheets of carbon steel that generate flexible and luminous spaces inside the existing structure. In his days, Jean Thierry, widely recognized as a successful doctor and benefactor of the city, ventured to combine the nobility of a double wall perimeter brick with local traditional partitions made of oak and adobillo, the Oregon pine beams and oak slates for the parquet floor. To all this he added an avant-guard constructive material: reinforced concrete. Thus Thierry anticipated what would become an earthquake constructive solution throughout the twentieth century. Casa Dinamarca hosts today 14 offices dedicated to architecture, computer science, design, engineering, audiovisual production, conservation and other areas. It also includes two carpentry workshops, and a secretarial room and a meeting room for 80 people which hosts seminars, conferences and other cultural events open to the public.□

7 內(nèi)景/Interior view

8. 9 內(nèi)景/Interior views

評(píng)論

饒小軍：銹蝕的鋼板、殘破的混凝土、裸露的清水磚，以及精致的收邊，這些既有材料的肌理共同組成了“丹麥399”文化中心項(xiàng)目鮮明的建筑性格——材料和工藝所賦予的一種強(qiáng)烈的地域感和歷史感。在空間上，原有建筑的空間與頂部加建的空間形成鮮明對(duì)比，通過(guò)新舊材料的轉(zhuǎn)換和延續(xù)，使其功能空間置換成可容納文化交流活動(dòng)的新的空間類(lèi)型，并獨(dú)具個(gè)性。

王舒展：從光鮮精確的現(xiàn)代材料到斑駁粗舊的磚墻粉灰，老房子豐富的時(shí)間印跡，暗合著“文化產(chǎn)業(yè)”那種散漫、蕪雜、表面激烈、實(shí)則需要緩慢沉淀的內(nèi)在節(jié)奏。

這個(gè)作品在 “新”與“舊”之間，建立了柔和的梯度。碳鋼板，隨著時(shí)間流逝而銹蝕變色，在新建的一刻就開(kāi)始老去。它提供了一個(gè)中間調(diào)，使“新”與“舊”的并置，不因?qū)Ρ冗^(guò)于尖銳而產(chǎn)生“臨時(shí)感”和“廉價(jià)感”。 它建立了時(shí)間的連續(xù)，悄然完成了建筑身份的轉(zhuǎn)換。從“貴族”到“平民”，從“私宅”到“共享空間”， “歷史”沒(méi)有淪為一個(gè)醒目的噱頭，沒(méi)有淪為新生活的“炫耀”或“玩物”；而是作為必然之物，被悄然編織進(jìn)室內(nèi)環(huán)境的肌理；設(shè)計(jì)的當(dāng)代感，也就不那么直白淺薄。

10 剖面/Section

11. 12 內(nèi)景/Interior views

Comments

RAO Xiaojun: Eroded steel plate, dilapidated concrete, bare simple bricks and delicate edge trimming, these existing materials with their various textures jointly constitute the distinctive architectural characters of the Dinamarca 399 project, i.e. its strong sense of regionalism and historicism endowed by materials and craftsmanship. The built-out space at the top forms a sharp contrast to the original architectural space, which, through transition and extension of old and new materials, transforms the building's functional space into a characteristic new type that accommodates cultural exchange activities. WANG Shuzhan: From precise, polished modern materials to raw, mottled bricks and plaster, the old building's rich traces of time implicitly echo a discursive, disorderly inner rhythm which, despite its superficial intensity, needs to be settled down slowly.

This project established a soft gradation between clearly defined "old" and "new". As time goes by, Carbon steel plates would rust and change colors; the process of aging begins when the construction is finished. The design created an intermediate tone so as to moderate the otherwise abrupt juxtaposition of "old" and "new", and to spare the "cheap" sense of "temporality" resulted from sharp contrast of materials. The temporal continuity it established implicitly helps complete the building's identity transition. From "nobility" to "civilian", from "private home" to "collaborative space", the architects did not relegate "history" to an eyecatching stunt, a "toy" or "pomp" of new life; instead, they take it as an indispensable architectural element and quietly weave it into the interior texture; thus the contemporary sense of the design is spared of bluntness and shallowness.

Dinamarca 399, Cerro Panteón, Valparaíso, Chile, 2014

Architect: Joaquín Velasco Rubio