編輯_羅元廷

戲PLAY

戲里戲外

話劇《戲臺(tái)》

民國(guó)時(shí)期，軍閥混戰(zhàn)。時(shí)值洪大帥剛進(jìn)占京城不久，聞名全國(guó)的五慶班將攜大名角兒金嘯天在德祥大戲院里進(jìn)行為期三天的演出。五慶班侯班主和大戲院吳經(jīng)理正在后臺(tái)帶著伙計(jì)們預(yù)備演出，二人正沉浸在戲票皆已售罄的喜悅之中，卻不想一系列意外接連而至。送包子的伙計(jì)、來視察的大帥、出逃的六姨太、黑幫劉拐子、大名角兒金嘯天等這些似乎八竿子打不著的人物全都陰差陽(yáng)錯(cuò)的糾葛在一起……

Inside and Outside the Play

Tangled warfare went on among warlords in the Republic Period of China. Not long after Commander Hong takes over Beijing, Wuqing Troupe,well-known throughout the country, will do a three-day performance in Dexiang Grand Theatre with the famous actor Jin Xiaotian included.Master Hou of Wuqing Troupe and Manager Wu of the theatre are preparing for the performance with other guys at the backstage. When the two of them are immersed in the joy that the tickets have been sold out, they run into a chain of accidents.

The guy who delivers steamed bread, Commander in his tour of inspection, the sixth concubine on the run, the lame Liu of the gangster and the famous actor Jin Xiaotian, seeming to be totally unrelated to each other, are entangled together by accident, which leads to a total mess at the backstage

展EXHIBITION

如影隨形

中華藝術(shù)宮藏皮影藝術(shù)展

皮影藝術(shù)的歷史最早記載是西漢時(shí)期，漢武帝時(shí)已出現(xiàn)影人。在廣大農(nóng)村、山區(qū)皮影戲起著娛樂、教育的作用，影響深遠(yuǎn)。本陳列展出了中華藝術(shù)宮收藏的秦晉皮影、北方皮影及河南、浙江、湖南、湖北等地區(qū)皮影。它們有著濃郁的地方色彩和強(qiáng)烈的藝術(shù)特色。皮影藝術(shù)以其豐富的歷史、戲曲、美術(shù)、民間文學(xué)、民俗、宗教內(nèi)涵，展現(xiàn)了勞動(dòng)人民在藝術(shù)創(chuàng)造上的天賦，供今天的人們細(xì)細(xì)研究和欣賞。

Shadowing

The art of shadow play can be traced back to the West Han Dynasty. Shadow play artist appeared as early as in the period of Emperor Wu of Han. In the vast area of rural area and mountain area, shadow play acted an important part in both entertainment and education and cast far-reaching and profound affect. Jin-qin Shadow Play, North Shadow Play as well as those in Henan, Zhejiang, Hunan, Hubei regions housed in China Palace of Fine Arts are displayed in this exhibition. They feature rich local colours and strong artistic characteristics. The art of shadow play, with its abundant connotation of history, traditional opera, fine art, folk literature, folk culture and religions, presents the gift of working people on artistic creation to the people today for their research and appreciation.The art of shadow play has made great achievement in China’s ethnic art history,which will cast beautiful reflections on today and

“人生如戲，戲如人生，戲比人生更精彩?！?/p>

音 MUSIC

光陰的故事

羅大佑“當(dāng)年離家的年輕人”巡回演唱會(huì)

家，在最初與最終。離家的年輕人那時(shí)倔強(qiáng)的頭也不回，終于成就今世的經(jīng)典?？倳?huì)有一首歌曲，唱著生命某個(gè)階段的故事。你珍藏的羅大佑，會(huì)是哪一首？《童年》陪你長(zhǎng)大；《亞細(xì)亞的孤兒》陪你迷惘；《戀曲1990》陪你熱戀與受傷；《鹿港小鎮(zhèn)》陪你狂放與流浪……在人生的某個(gè)片刻，你再次聽見《明天會(huì)更好》，還能憶起有那樣一段日子，我們都還相信希望。

Story of Time

Home is both the outset and destination. The stubborn young man left his home decisively without turning back and created classics for today finally. There is always a song for a certain period of the life. Which is your beloved song of Lo Tayu? You grew up with “Childhood”;you got as confused as “Orphan of Asia”; you loved and got hurt like “Love Song 1980”and you had your wild and wandering days like "Lukang,the Little Town"… At certain moment of your life,when you hear“Tomorrow will be Better”,you will recall such period of time when we still believed in hope. Let the classics

舞 DANCE

心靈的舞步

現(xiàn)代舞《春之祭》

如果此生只看一部現(xiàn)代舞，那一定就是《春之祭》。芭蕾不只有美，更有力量?！洞褐馈肥敲兰砹_斯作曲家斯特拉文斯基創(chuàng)作的一部芭蕾舞劇。這是迄今為止最后一部從傳統(tǒng)意義上進(jìn)行編舞的作品，標(biāo)志著戲劇手段的不斷極端化和逾越對(duì)傳統(tǒng)舞蹈的理解，這一發(fā)展過程的結(jié)束點(diǎn)和轉(zhuǎn)折點(diǎn)。這是一段東方與西方舞者的相遇之旅；一部備受歷代大師鐘愛的經(jīng)典之作。

If you can only see one modern dance performance in your life, let it be The Rite of Spring. Ballet has not only got beauty but also power. The Rite of Spring is a ballet and orchestral concert work by the Russian composer Igor Stravinsky.It is the last work whose choreography was made by traditional mean so far. It symbolizes the end point and turning point of the process where dramatic devices are becoming increasingly extreme and people have gone beyond the understanding of traditional dance. This is a journey where the oriental and western dancers meet; this is a classic favored by masters of generations; this is a reversal and