亚洲免费av电影一区二区三区,日韩爱爱视频,51精品视频一区二区三区,91视频爱爱,日韩欧美在线播放视频,中文字幕少妇AV,亚洲电影中文字幕,久久久久亚洲av成人网址,久久综合视频网站,国产在线不卡免费播放

        ?

        A Comparative Study of Symbolism in Araby and The Dead

        2016-05-30 10:25:26李錦蔣佳琦
        西江文藝 2016年6期
        關(guān)鍵詞:李錦

        李錦 蔣佳琦

        【Abstract】: This paper explores the comparative study of symbolism in two short stories written by James Joyce. One is named Araby, a short story about a boys hazy love for a girl who dies in the face of reality. The other one is The Dead, which is about an Irishmans knowing about his wifes true emotion and then feels depressed. Araby indicates the love in adolescence while The Dead depicts the love in adulthood. Coincidently, these two short stories are both settled in the background of Ireland in the early 20th century, when the society is dark and hopeless. At the end of these two short stories, the main characters encounter the surprising events, which reflect the same theme of the coldness and distance between people in the Irish society, and a search for a national identity.

        【Key words】: Araby, The Dead, Symbolism, Settings, Characters

        1. Introduction

        Araby(1914)and The Dead(1914) are part of the collection of short stories——Dubliners(1914). Dublinersis(1914) a collection of fifteen short stories written by James Joyce, first published in 1914. The author used epiphany and symbolism in the stories to show the disillusionment and the identity of human nature.

        2.Symbolic Settings in Two Short Stories

        2.1. Symbolic Settings in Araby

        Dublin is the living, symbolic background of the story. The gloomy atmosphere of North Richamond Street actually shows what lies ahead for the little boy in the bazaar of Araby.

        At the beginning of the story, the first sentence immediately shows us a “blind”street. A quick scan of the important adjectives in the first paragraph —“blind”, “quiet”, “uninhabited”, “imperturbable”—immediately shows a world that is practical, simple, and stultifying. The boys are able, somehow, to discover some beauty and wonder even from these simple surroundings, but also they must become connoisseurs of darkness. The description of the street and the lives the boys live on it serve as the background that we will use to understand how much more imaginative the Araby market will or will not be.

        2.2 Symbolic Settings in The Dead

        In winter, the flowers wither; the trees are bare; the animals hibernate. Everywhere is lifeless. This lifeless atmosphere is in correspondence with the main theme of death in the story. Dublin is a city in winter, both realistically and spiritually. There is a stagnant atmosphere in the entire city and even in the whole country, and it is hard for new life to survive. Oppositely, the heavy snow outside at the end of the story brings new and fresh air to people. The snow contains hope. It makes people energetic and awake in the cold season.

        2.3 The Similarities of the Settings in Two Short Stories

        Both of the two short stories are set under disappointing surroundings. In Araby, the author uses dark and gloomy references to create the mood or atmosphere. James Joyce uses darkness to make the boys reality more believable through more vivid, precise descriptions. The ending of the story is filled with images of darkness and light. James Joyce uses the lights of the bazaar to illustrate the boys confrontation with reality. This is when the boy finally realizes that life is not what he has dreamed it to be.

        In The Dead, Monkstown and Nuns Ireland both symbolizes a place without love, where people are spiritually dead. The continent represents the advanced culture of Europe, especially Britain, while the west of Ireland stands for Irish culture and Irish identity.

        3.Symbolic Characters in Two Short Stories

        3.1 SymbolicCharacters in Araby

        The little boy in Araby is ignorant and innocent. At the beginning of the story, he lacks the understanding ability necessary for evaluation and perspective. Having fallen in love with the girl, he is still interpreting the world in the images of his dreams. It is only after he comes to Araby that he realizes he has placed all his love and hope in a world that does not exist except in his imagination. The boys experience is not restricted to youths encounter with first love. Rather, it is a portrayal of a continuing problem all through life: the incompatibility of the ideal, of the dream as one wishes it to be, with the bleakness of reality.

        3.2 Symbolic Characters in The Dead

        The story begins with the caretakers daughter Lily running off. The girl named Lily must be pure and innocent like the pure white flower—lily. However, in the story, Lily was “a slim, growing girl, pale in complexion and with hay—colored hair”. The appearance of the girl indicates she may be ill. This illness might be both physical and spiritual.

        3.3 The Similarities of the Characters in Two Short Stories

        The main characters in the two stories go through the disillusion of their dreams and find out the reality of the world. The boy, who enters the new experience of first love, treats this love at the degree of religion. The quest ends when he arrives at the bazaar and realizes with slow, tortured clarity that Araby is not at all what he imagined. The male character----Gabriel---- has an ideal wife and they should have been the most perfect couple. However, in his wifes heart, there always exists another man who died years ago. His dream of marriage was shattered.

        4.Conclusion

        Dubliners begins with disillusion of a young boys love and ends up with the disillusion of marriage. The dark settings in these two stories also symbol the dead endings. The little boy and the married man are the representatives of people in different ages in real society. James Joyce has used symbolism to support the theme of the stories—spiritual paralysis of the people and the disillusion of dreams. In the meanwhile, he wants to awake peoples awareness and hope someone to bring new, fresh air to the society.

        Works Cited:

        [1]Sun Yang. Dreams and Reality—About Impression and Epiphany in Araby. Overseas English[J]. 2012: 187-188.

        [2] Yu Chaoqin. The Application of Symbolism in James Joyces The Dead. English on Campus[J]. 2012(09): 115.

        [3] Liu Ying. The Recycling of Death and Rebirth in The Dead. Proceedings of the Third Northeast Asia International Symposium on Language, Literature and Translation. 2014(01).

        [4] Shi Xiaojing. Analysis of James Joyces Araby. Overseas English[J]. 2013(19): 189.

        猜你喜歡
        李錦
        “定金”還是“訂金”,以合同為準(zhǔn),還是以轉(zhuǎn)賬備注為準(zhǔn)?
        愛心兒媳“改造”奇葩婆婆
        婦女生活(2024年9期)2024-09-14 00:00:00
        羌族藝術(shù)的特征與當(dāng)代價值
        羌族藝術(shù)的特征與當(dāng)代價值:李錦
        自遣
        蝶戀花·寂夜
        棕櫚樹
        水鄉(xiāng)早春
        老友(2020年2期)2020-03-08 14:25:40
        The Study on Verb Form in the Headline of English News
        西江文藝(2016年6期)2016-05-30 03:49:09
        從公關(guān)小姐到“盒飯女王”
        職業(yè)(2016年2期)2016-03-01 09:24:26
        久久久久无码精品国| 欧美裸体xxxx极品少妇| 国产成人精品成人a在线观看 | a级毛片无码久久精品免费| 国产美女网站视频| 国产区高清在线一区二区三区| 日韩人妻精品视频一区二区三区| 熟女人妇 成熟妇女系列视频| 亚洲av无码乱码国产精品fc2| 精品国产91久久久久久久a| 亚洲一区二区蜜桃视频| 超碰97人人射妻| 亚洲欧洲日产国码无码久久99| 麻豆国产VA免费精品高清在线| 高清国产国产精品三级国产av| 女人高潮内射99精品| 牛鞭伸入女人下身的真视频| 欧美精品高清在线xxxx| 激情亚洲不卡一区二区| 国产午夜手机精彩视频| 亚洲国产精品久久久久久久| 国产美女自拍国语对白| 亚洲av日韩一卡二卡| 国产精品欧美一区二区三区| 91久久国产精品视频| 人妻露脸国语对白字幕| 久久精品国产字幕高潮| 97精品伊人久久大香线蕉| 日日噜噜夜夜狠狠久久av| 丰满人妻中文字幕一区三区| 成年免费视频黄网站zxgk| 综合无码综合网站| 国产精品毛片一区二区三区| 亚洲午夜久久久久久久久久| 成人无码午夜在线观看| 日本精品一区二区三区在线播放| 黄片视频免费在线观看国产| 国产亚洲人成a在线v网站| 亚洲AV秘 片一区二区三区 | 中文字幕无码不卡一区二区三区| 色yeye在线观看|