【摘要】作為亨利·詹姆斯的一篇著名的中篇小說(shuō)，《黛西·米勒》自出版以來(lái)就引起學(xué)界的一陣轟動(dòng)。小說(shuō)描寫(xiě)了美國(guó)姑娘黛西·米勒游歷歐洲時(shí)的遭遇，她天真浪漫、熱情開(kāi)朗的性格招來(lái)了許多誤解和麻煩，最后客死他鄉(xiāng)。正是美國(guó)和歐洲之間的道德文化沖突，釀成了黛西·米勒的悲劇故事。本篇論文旨在運(yùn)用原型批評(píng)的理論集中探討女主人公黛西·米勒的悲劇成因，并指出她其實(shí)是兩種文化沖突下的替罪羔羊。

【關(guān)鍵詞】黛西·米勒；原型批評(píng)；替罪羔羊

1. Introduction

Daisy Miller， a story which is developed around the protagonist Winterbournes confusion as to how to evaluate the heroine Daisy Miller， is simple but meaningful. Winterbourne encounters a beautiful American girl Daisy Miller who is traveling with her mother and her brother in a little town of Vevey in Switzerland and is attracted by her charming appearance and strange behavior. Later， he finds out that there is much rumor about this girl， who is said to be always going around improperly with men. Winterbourne is puzzled， for the girl seems to him an extraordinary mixture of innocence and audacity. After seeing Daisy Miller going around frequently with a third-class Italian Giovanelli， especially their improper visit to the Colosseum at midnight， Winterbourne makes his final judgment that the girl is a disrespectable one. But after Daisy dies unexpectedly of “Roman fever” contracted that midnight， he discovers regretfully that she is the most innocent in the world.

2. Archetypal Criticism

According to Jung， the collective unconscious is “a part of psyche” （42） and it is a second psychic system of a collective， universal， and impersonal nature which is identical in all individuals. This collective unconscious does not develop individually but is inherited. It consists of pre-existent forms， the archetypes （43）. “Scapegoat” is just a kind of archetype. The word “Scapegoat” originates from Tindales Bible. It is the name of one of a pair of sacrificial goats. According to the famous psychologist Erich Neumann， there are usually three kinds of scapegoats. The first kind is the alien； the second kind belongs to those who are the “ethically inferior”， that is to say， those people who fail to live up to the absolute values of the collective； and the third class of victims consists of personalities who are actually superior among others. Usually， it is a custom to sacrifice some people， especially the alien， the ethically inferior， and the superior to purify the community through the scapegoat ritual in human history （Neumann 124）.

3. Daisy Miller： A Tragic Scapegoat

In the novella Daisy Miller， the heroine is just a character that owns such three features. As a representative of American girl， she is enthusiastic， innocent and charming. She sticks to her own personalities when traveling in Europe， doing some unusual things that shock those Europeanized American ones. Her living style forms a sharp contrast with those Europeans. Therefore， she is banished and unaccepted. At last， she becomes the tragic victim of their scapegoats.

Throughout the whole novella， Daisy Miller is depicted to be as a girl of extraordinary beauty， innocence and grace. At the beginning of the novella， when Daisy first appears at the backyard of Hall， Winterbourne is immediately attracted by her， she is dressed in white， with all kinds of “frills”， “flounces”， “ribbons”， making her look like a flower in full bloom. Apart from her physical beauty， she is also unique and has a graceful behavior，“she sat in a charming， tranquil attitude. She had a soft， slender， agreeable voice， and her tone was decidedly sociable” （James 5）. Here the simplicity and grace of Daisy is presented vividly. Besides， in the later plot of this novel， we also get that she ignores those who are staring at her and casually goes around with men in public， which makes her criticized by many. Actually， in her simple mind， she does not think there is anything improper in her going out with a friend. And she has no idea what rules she is violating in doing so.

However， to Mrs. Costello and Mrs. Walker or even paradoxical Winterbourne， they are all Europeanized Americans and guardians of the social norms of European society. In front of them， all the innocence， beauty and grace of Daisy are twisted and misunderstood. To some degree， this just fit for Jungs archetypal theory， according to Jung， “the concept of the archetypes…indicates the existence of definite forms in the psyche which seem to be present always and everywhere” （Jung 42）. To those American expatriates， they try hard to enter into European culture and abandons their native culture， however， just as Jungs explanation， culture exists in a form of various kinds of archetypes and its impossible for them to completely escape from their original culture. Therefore， they try hard to build and defend their identities， and are hostile to every factor that may challenge their identities. Correspondingly， Daisy， who fails to do things according to their norms is criticized and isolated， becoming the alien. A lovely， innocent and unique girl， however， is misunderstood by people and finally dies of ill. In this sense， Daisy actually serves as the scapegoat of those Europeanized Americans.

4. Conclusion

In some way， from the beginning， Daisy dooms to be the victim and be the scapegoat. Just as one word goes， “only those recognizable excellences are real excellences.” However innocence and beauty Daisy is， if no one recognizes her， all will be in vain. In this novel， under the circumstance where the majority American is deeply Europeanized， Daisys persistence to be herself will unavoidable be a failure.

【References】

[1] James， Henry. Daisy Miller. London： Penguin Classics， 1879.

[2] Jung， G. G. The Archetypes and The Collective Unconscious. Beijing： China Social Science Publishing House， 1999.

[3] Skrupskelis， I. K. The Correspondence of William James. United States： University of Virginia Press， 1878.

[4] Neumann， Erich， ed. The Origin and History of Consciousness. Princeton： Princeton University Press， 1954.

【作者簡(jiǎn)介】

李可（1990—），女，漢族，陜西省西安市周至縣人，現(xiàn)就讀于西安外國(guó)語(yǔ)大學(xué)研究生部2013級(jí)英語(yǔ)語(yǔ)言文學(xué)專(zhuān)業(yè)。主要研究方向：英美文學(xué)。