李俊琪

Zheng Hannong is a famous calligrapher of China who was fond of calligraphy at the age of eight and practiced many copybooks of Chinese ancient masters， such as Wang Xizhi， Wang Xianzhi since an early age. He is is very modest and honest， paying much of his efforts pursuing the artistic achievements not the fame and wealth. He has ever participated in various exhibitions at home and abroad and won grand prizes. Many of his artworks have been collected by famous museums， organizations and individuals.

近日，友人寄來(lái)一件書(shū)法家的資料，是山東書(shū)法家鄭漢農(nóng)先生的書(shū)法作品復(fù)印件和藝術(shù)簡(jiǎn)介。我對(duì)鄭漢農(nóng)久有所聞，對(duì)其作品也極為贊賞。友人囑我為他的書(shū)展寫(xiě)幾句話，我當(dāng)然樂(lè)于從命，以作為引玉之磚。

鄭漢農(nóng)是山東省蘭陵（原山東蒼山）人，書(shū)圣王羲之是山東臨沂人，兩地相距僅幾十里。鄭漢農(nóng)出生于書(shū)香門第，8歲習(xí)書(shū)，首先從二王入手。他青少年時(shí)期，經(jīng)常去書(shū)圣故里瞻仰前賢遺跡和追尋英氣遺風(fēng)。研貼二王之后，他又精研顏真卿諸貼，并兼及漢隸《曹全碑》。他的書(shū)體，學(xué)習(xí)、繼承、研究、發(fā)展比較全面，正、行、隸、篆諸體皆能俊邁有逸氣，結(jié)構(gòu)嚴(yán)整，筆力遒勁，意態(tài)精密俊爽，頗得張芝、鐘繇的氣象。他循基二王，旁及顏柳，再融漢隸、魏碑，扎實(shí)推進(jìn)，觸類旁通，全面開(kāi)花。他用篆書(shū)筆意寫(xiě)楷書(shū)，婉麗清爽，用筆厚重雄勁，莊而不拘，正而不板，豐偉遒勁，筆勢(shì)剛勁多姿，自然超逸；他的行書(shū)筆致圓融遒逸，外柔內(nèi)剛，自開(kāi)面貌；他的隸書(shū)亦結(jié)構(gòu)謹(jǐn)嚴(yán)，點(diǎn)畫(huà)俯仰變化自如，令人玩味不盡。

鄭漢農(nóng)所取得的可喜成就已在同道中引起了積極反響。他多次獲得很有影響的書(shū)畫(huà)大賽的一等獎(jiǎng)，并到韓國(guó)、法國(guó)、美國(guó)等國(guó)家和臺(tái)灣等地區(qū)進(jìn)行文化交流，其作品被多國(guó)收藏機(jī)構(gòu)及個(gè)人收藏。

鄭漢農(nóng)為人謙虛、誠(chéng)實(shí)、低調(diào)。他以“與世無(wú)爭(zhēng)，誠(chéng)實(shí)低調(diào)”為座右銘砥礪自己，并與大家共勉。

Zheng Hannong was born in Lanling county， Shandong Province in 1945 and graduated from Shandong University with the major of archaeology. He is a member both of China Archaeology Association and Chinese Museums Association， President of Shanghai Haner International Calligraphy and Painting Research Institute， Director of Shanghai Creation Center of China Calligraphy and Painting Research Institute， specially invited professor of Shanghai Grading Test of Chinese Calligraphers Association， etc. He has devoted himself to the creation and education of archaeology for many years， and various media have ever reported his story.

鄭漢農(nóng)，1945年生，山東蘭陵人，畢業(yè)于山東大學(xué)歷史系考古專業(yè)。80年代初，先后在中央美院、故宮博物院、北京榮寶齋、國(guó)家文物局學(xué)習(xí)中國(guó)古書(shū)畫(huà)鑒定和文物保護(hù)等相關(guān)專業(yè)。中國(guó)考古協(xié)會(huì)會(huì)員、中國(guó)博物館學(xué)會(huì)會(huì)員、中國(guó)漢畫(huà)學(xué)會(huì)會(huì)員、中國(guó)收藏家協(xié)會(huì)會(huì)員、中國(guó)工藝美術(shù)學(xué)會(huì)會(huì)員、上海漢爾國(guó)際書(shū)畫(huà)研究院院長(zhǎng)、《書(shū)法報(bào)》上海書(shū)法創(chuàng)作中心主任、中國(guó)書(shū)畫(huà)院上海創(chuàng)作中心主任、中國(guó)書(shū)法家協(xié)會(huì)上?？技?jí)中心特聘教授、古書(shū)畫(huà)鑒定家。長(zhǎng)期從事教育和文物工作。

山東省人大科教文衛(wèi)委員會(huì)副主任委員，書(shū)法家朱紹陽(yáng)曾寫(xiě)詩(shī)贊譽(yù)他：“亦書(shū)亦畫(huà)亦詩(shī)文，知古知今知假真。恰如岸邊觀流水，清澈見(jiàn)底有幾人?！鄙綎|電視臺(tái)等新聞媒體對(duì)其藝術(shù)做過(guò)多次專題報(bào)道。