建筑設(shè)計(jì)：倫-哈格姆建筑師事務(wù)所

信息學(xué)院，奧斯陸，挪威

建筑設(shè)計(jì)：倫-哈格姆建筑師事務(wù)所

信息工程學(xué)院二期（IFI2）設(shè)計(jì)的重要原則是：

建筑一座個(gè)性鮮明、功能靈活的大學(xué)校園建筑；

通過(guò)在一期與二期工程之間建立基本的交通連接，形成信息工程學(xué)院大樓的單一體量；

加強(qiáng)建筑與布林登高地（布林登高地為奧斯陸大學(xué)主校區(qū)所在地點(diǎn)——譯者注）和大學(xué)主校區(qū)之間的聯(lián)系；

積極地將高斯塔德溪谷地區(qū)（高斯塔德溪谷地區(qū)屬于奧斯陸市北阿克爾區(qū)，集中分布著諸多高等院校與研究機(jī)構(gòu)——譯者注）的環(huán)境融入項(xiàng)目。

最終形成一座170m長(zhǎng)、4～5層高的建筑，其北端包含一座10層高的塔樓。

新建筑的色彩要素取自于布林登高地的周邊環(huán)境，其建筑形式也力求與高斯塔德溪谷地區(qū)現(xiàn)有的周邊建筑相協(xié)調(diào)。我們的建筑材料采用了該地區(qū)固有的色彩和表面材質(zhì)。在兩座報(bào)告廳的室內(nèi)外都出現(xiàn)了紅磚。樓層地面則采用拋光的混凝土板，與周邊校園室外環(huán)境中出現(xiàn)的混凝土地面相呼應(yīng)，它也出現(xiàn)在了朝向池塘和高斯塔德溪流的半圓劇場(chǎng)。主樓梯間的墻面和梯段踏步都采用清水混凝土。所有鋼結(jié)構(gòu)的細(xì)部都十分簡(jiǎn)潔，采用黑色啞光飾面。報(bào)告廳內(nèi)部廣泛使用黑橡木作為地面、墻面、天花和門扇飾面。室內(nèi)門扇也使用相同的黑橡木。所有不含特殊結(jié)構(gòu)的吊頂都采取開(kāi)放形式，并以單一色彩貫穿整個(gè)樓層——黑色、銀色或白色，具體顏色根據(jù)所在樓層的功能決定。地面以上樓層都采用白色的斑點(diǎn)橡膠樓面?！酰ㄐ熘m 譯）

When designing IFI2 it was important to:

·create a flexible university building with a clearly defined identity.

·establish an Informatics block with functional connections between IFI1 and IFI2.

·reinforce the connection to Blindernplat?et and the main University campus.

·actively integrate Gaustadbekkdalen in the project.

This has resulted a 170 meters long 4/5-storey

high building with a 10-storey tower at the north-end.

The character of the new building picks up colours from Blindernplat?et, as well as adapting to the existing neighboring buildings in Gaustadbekkdalen. We use materials with inherent color and surface qualities. Red bricks have been used both internally and externally around the two auditoriums. The ground floors are polished concrete to correspond with the concrete surfaces in the outdoor campus areas and in the amphitheatres towards the ponds and Gaustadbekken. Both the walls and stairs in the main stairwells are in exposed concrete. All steel has simple details and is in a matt black finish. Inside the auditoriums blackened oak is used extensively on floors, walls, ceiling and doors. The same blackened oak has been used for internal doors. All general ceilings are open and of one color throughout the floors; black, silver or white, depending on the function of the floor in question. The floors above ground level have white, speckled rubber flooring.□

項(xiàng)目信息/Credits and Data

客戶/Client: Statsbygg

項(xiàng)目團(tuán)隊(duì)/Project Team: Einar Hagem, Tom Erik Aschehoug, Ellen Sjong, Svein Lund, Mette R?sbekk, Per Suul, Nelson Ferreira, Pl Ring Giske, Arvid Pedersen, vegar voraa

建筑面積/Floor Area: 28250m2

建筑造價(jià)/Construction Cost: 1500M NOK

攝影/Photos: Ivan Brodey (Fig.2, 4), Arne B. Langleite (Fig.3), Byggenytt (Fig. 5)

評(píng)論

趙仲貴：一座理性、高效的科研建筑。嚴(yán)肅、又不乏開(kāi)放，工業(yè)化和手工化并存。構(gòu)成既多樣又平衡，通透的底層中和了黑色主體材料帶來(lái)的沉重，底層突出的紅磚體量讓緊張的立面得以放松。報(bào)告廳外立面的磚墻紋理立即讓人想起阿爾托的實(shí)驗(yàn)住宅，給建筑帶來(lái)一點(diǎn)復(fù)古意味。

青鋒：底層架空容納大體量的公共空間，上部提供規(guī)整的房間單元，這種經(jīng)典的勒·柯布西耶式布局仍然是大學(xué)建筑——為不同規(guī)模的教學(xué)研究活動(dòng)提供多樣化的場(chǎng)所——最優(yōu)秀的解決方案。在氣質(zhì)上，現(xiàn)代主義語(yǔ)匯與啟蒙理性的血緣關(guān)系也使得人們樂(lè)于接受一種成熟、樸素，但也堅(jiān)定、沉著的建筑氛圍。磚的細(xì)膩與溫暖則提醒我們北歐現(xiàn)代主義為人熟知的親切感。

Comments

ZHAO Zhonggui: A rational and efcient institutional project: rigid yet open and industrial simplicity happily coexisting with craftsmanship. The composition is balanced and dynamic. A largely transparent base neutralizes the apparent weight of the dark upper floors and the extruded red brick mass breaks the tension of the facade. The brick pattern on the auditorium's exterior wall is reminiscent of Alvar Aalto's Muuratsalo Experimental House, a nod to the master of Scandinavian modernism.

QING Feng: A large feld of public space on the open ground floor with small units above, this classic Le Corbusierian arrangement is still the most used in the world of university architecture, a world whose priority is to provide diverse spaces for activities of diferent sizes. The kinship between the languages of modernism and enlightenment rationality helps people to accept buildings with this mature, simple, frm and calm architectural tone. The warmth and subtlety of bricks reminds us of the special intimacy northern Europe added to the modernist canon.

5 內(nèi)景/Interior view

Institute for Informatics, Oslo, Norway, 2010

Architects: Lund Hagem Arkitekter