策展方：Bovenbouw建筑事務(wù)所

“以尊重和創(chuàng)造性的方式對待城市的歷史積層，便會自然地形成關(guān)于社會的不同視角。在這個(gè)意義上，‘復(fù)合存在’通過建筑學(xué)科的核心，回答了策展人哈希姆·薩爾基斯提出的問題：我們將如何共同生活？”

——索菲·德凱涅，弗蘭德斯建筑研究所、“復(fù)合存在”總監(jiān)

“這個(gè)景觀模型以獨(dú)一無二的方式將佛蘭德城市規(guī)劃與建筑之間充滿活力的摩擦展現(xiàn)出來?！?/p>

——德克·佐默斯，“復(fù)合存在”策展人

城市與建筑如何共同繁榮發(fā)展？這是一個(gè)特征鮮明的、虛構(gòu)佛蘭德城市環(huán)境立體模型的核心問題。在歷史的長河中，佛蘭德和布魯塞爾的自生城市與其建筑形成了一種獨(dú)特的關(guān)系。在不同階段中形成的城市景觀顯示出歷史積層、形態(tài)特性和不可預(yù)見的空間沖突是當(dāng)代建筑永不枯竭的靈感源泉。上層建筑事務(wù)所為比利時(shí)國家館設(shè)計(jì)了由一組1:15的模型構(gòu)成的透視場景，以此展示一種城市景觀。這些模型被放在桌面的高度，以表現(xiàn)典型的佛蘭德城市環(huán)境蜿蜒曲折的線性景觀。

這個(gè)虛構(gòu)的景觀由50個(gè)在過去20年間各具特色的建筑項(xiàng)目組合而成。這種選擇體現(xiàn)出一種均衡的建筑生態(tài)，其中包含了多種多樣的風(fēng)格、功能和類型。許多都是翻新改造項(xiàng)目，代表著一系列不同的形式、時(shí)代和材質(zhì)。無論低調(diào)的改造還是高調(diào)的新建筑，這些項(xiàng)目共同構(gòu)成了一座混合而又均衡的城市。入選的項(xiàng)目也證明了當(dāng)前政策對于城市規(guī)劃和競標(biāo)的重要性。這一城市組合中的許多設(shè)計(jì)都源自城市建筑師、佛蘭德政府建筑師，以及佛蘭德和布魯塞爾以營造高質(zhì)量城市環(huán)境為目標(biāo)的相關(guān)公共機(jī)構(gòu)制定的程序。與佛蘭德政府建筑師團(tuán)隊(duì)一道，安特衛(wèi)普和根特的城市建筑師為“復(fù)合存在”項(xiàng)目提供了支持。通過萊奧·范布勒克（原佛蘭德政府建筑師）、克里斯蒂安·拉普（安特衛(wèi)普城市建筑師）、克里斯蒂安·博里特（布魯塞爾政府建筑師）、埃迪特·沃特（Ar-tur藝術(shù)總監(jiān)）和彼得·范登阿貝勒（根特城市建筑師）等人的貢獻(xiàn)，項(xiàng)目圖錄深入探討了建筑政策的這一特殊方面。□（尚晉 譯）

1 展覽實(shí)景/Exhibition

"Dealing in a respectful and inventive manner with the city's historical layers leads automatically to different perspectives on society. In that sense, Composite Presence draws on the core of the discipline of architecture to answer the question posed by curator Hashim Sarkis: how will we live together?"

-Sofie De Caigny, Flanders Architecture

Institute, commissioner of Composite Presence

"The model landscape is a unique illustration of the energetic friction between urban planning and architecture in Flanders."

- Dirk Somers, curator Composite Presence

How can the city and architecture flourish together? This question is at the centre of the three- dimensional layout of a fictional yet recognisable Flemish urban environment. In th e course of time, the informal city in Flanders and Brussels developed a unique relationship with its architecture. The staged urban landscape reveals how historical layers, morphological specificities and unforeseen clashes are an endless source of inspiration for contemporary architecture. For the Belgian pavilion, Bovenbouw Architectuur has designed a scenography that shows an urban landscape consisting of a series of models on a scale of 1:15. The models are laid out at table height and represent a linear, winding landscape of a typical Flemish urban environment.

Fifty different architecture projects of the past 20 years form the building blocks of this imaginary landscape. The selection shows a balanced architectural ecology in which different styles, functions and typologies come together. Many of the projects consist of refurbishments and adaptations that feature a spectrum of forms, times and textures. Whether the projects are modest repurposing or shiny new constructions, they all contribute to a cobbled-together yet balanced city. The selected projects also testify to the importance of the current policy in terms of urban planning and tendering. Many of the designs in this urban composition find their source in procedures set up by city architects, the Flemish Government Architect and related public institutions in Flanders and Brussels with the purpose of creating a highquality urban environment. Together with the Team Flemish Government Architect, the city architects of Antwerp and Ghent have lent their assistance to the Composite Presence project. The catalogue delves into this particular aspect of architectural policy through contributions by, among others, Leo Van Broeck (former Flemish Government Architect), Christian Rapp (Antwerp City Architect), Kristiaan Borret (Brussels Government Architect), Edith Wouters (artistic director Ar-tur) and Peter Vanden Abeele (Ghent City Architect).□

9-11 模型景觀/Model landscapes

12 模型景觀/Model landscape

項(xiàng)目信息/Credits and Data

委托方/Commissioner: Flanders Architecture Institute, Sofie De Caigny

策展方/Curators: Bovenbouw Architectuur

參展方/Exhibitors: 360 Architecten, Architecten Broekx-Schiepers, architecten de vylder vinck taillieu, architecten Els Claessens en Tania Vandenbussche, Architectenbureau Bart Dehaene, Arjaan De Feyter Interior Architects, Baeten Hylebos Architecten, BLAF architecten, Bovenbouw Architectuur, BULK architecten, Collectief Noord Architecten, COUSSEé & GORIS architecten, De Smet Vermeulen architecten, Dhooge & Meganck Architectuur, Dierendonckblancke architecten, DMT architecten, dmvA, Eagles of Architecture, FELT architecture & design, Frederic Vandoninck Wouter Willems architecten i.s.m. Dennis Tyfus, GRAUX & BAEYENS architecten, HUB, Marie-José Van Hee architecten, META architectuurbureau, murmuur architecten, OFFICE Kersten Geers David Van Severen, ono architectuur, Poot Architectuur, PULS architecten, RAAMWERK, RAAMWERK & VAN GELDER TILLEMAN architecten, Robbrecht en Daem architecten, Robbrecht en Daem & Dierendonckblancke in i.s.m. VK & Arup, Schenk Hattori Architecture Atelier, Stéphane Beel Architects, STUDIOLO architectuur i.s.m. Koen Matthys, tim peeters architecten, Tim Rogge Architectuur Studio, Tom Thys architecten, TRANS architectuur stedenbouw, AgwA i.s.m. met Ferrière Architectes, URA Yves Malysse Kiki Verbeeck, Vermeiren - De Coster Architecten, VERS.A ARCHITECTURE

展陳設(shè)計(jì)/Design Team/Scenography: Bovenbouw Architectuur, Dirk Somers, Esmeralda Bierma, Laurids Bager, Caroline Boeckx, Myrthe Geelen, Amelie Pretsch, Jakub Srnka

出品設(shè)計(jì)/Design Team/Production: Malgorzata Maria Olchowska; York Bing Oh; Jurgen Claesen, Ivo Claesen, Yosse Claesen, Stefaan De Maeyer, Frank de Wit, Leonie Mackenbach, Bas Maris, Elisabeth-Loura Wals (zoomin'); Ingrid Crauwels, Kris Delacourt, Vincent de Roover, Jef Merckx, Kilian Price, Sanne Roels, Renate Vlaeminck (VAK); Laurids Bager, Esmeralda Bierma, Jolien de Nijs, Myrthe Geelen, Amelie Pretsch, Jakub Srnka, Jules Verhaest, Sarah Adriaenssens, Marine Boey, Fred Meeuwens, Quinten Smolders, Mihran Topbas, Milo van Snick, Tuur Vermeiren (Bovenbouw Architectuur)

項(xiàng)目協(xié)調(diào)/Coordination: Nino Goyvaerts (Flanders Architecture Institute); Esmeralda Bierma, Myrthe Geelen, Alex Turner, Eva Wollaert (Bovenbouw Architectuur)

傳播策劃/Communication: Egon Verleye (Flanders Architecture Institute)

材料/Materials: 中密度纖維板，刨花板，定向纖維板，膠合板/MDF, chipboard, OSB, plywood

造價(jià)/Cost: EUR 135,000

設(shè)計(jì)時(shí)間/Design Time: 2019.10-2021.05

施工時(shí)間/Construction Period: 2021.01-2021.05

竣工時(shí)間/Completion Time: 2021.06

攝影/Photos: We Document Art (fig.4), Filip Dujardin (fig.1, 5, 6, 8, 9-12)