TCL景觀設(shè)計(jì)公司 ARM建筑公司

TCL景觀設(shè)計(jì)公司與ARM建筑公司合作，設(shè)計(jì)和創(chuàng)造了珀斯新濱海區(qū)—伊麗莎白碼頭。伊麗莎白碼頭的設(shè)計(jì)通過將現(xiàn)有的城市格局回歸水系，發(fā)展并創(chuàng)建一個(gè)臨水城市的入口空間，實(shí)現(xiàn)了重新建立城市和天鵝河之間的歷史聯(lián)系的目標(biāo)。大型入口由一個(gè)錯(cuò)層式長廊環(huán)繞，提供了多樣化的城市子空間，讓不同的團(tuán)體開展各種活動(dòng)，包括娛樂、餐飲和休閑。

新的開發(fā)地點(diǎn)和配套的街道網(wǎng)絡(luò)構(gòu)成了城市入口，并將容納未來的建筑物，包括發(fā)展住宅、零售、商業(yè)和酒店等。

1 在碼頭的中心是一個(gè)29m高的藝術(shù)品，名為Spanda，由國際知名藝術(shù)家Christian de Vietri創(chuàng)作。它的設(shè)計(jì)代表了漣漪，連接了天鵝河、陸地和天空At the centre of the Quay is a 29-meter tall artwork titled Spanda by internationally-renowned artist Christian de Vietri. Its design represents ripples and links the Swan River, land and sky

2 ARM建筑事務(wù)所和TCL景觀設(shè)計(jì)公司共同設(shè)計(jì)的伊麗莎白碼頭將天鵝河帶到珀斯中央商務(wù)區(qū)，創(chuàng)造了一個(gè)充滿活力的濱水區(qū)Elizabeth Quay, by ARM Architecture and TCL (Taylor Cullity Lethlean), brought the Swan River to the Perth CBD creating a vibrant waterfront precinct

這個(gè)長廊可通過樓梯、傾斜的走道和提供上下層之間的公共通道的座位露臺(tái)進(jìn)入。在上部露臺(tái)旁邊，有一個(gè)醒目且明確的樹帶作為過渡到更低步行空間的標(biāo)志。并且為了使鋪裝圖案更加動(dòng)感，長廊鋪有2種互為對比色的石材。其邊緣由一系列組件組成—一個(gè)集成了照明和網(wǎng)格“飛濺甲板”的鋼制城市藝術(shù)邊緣元素。長廊的圖案形成了不斷轉(zhuǎn)變方向的邊緣。城市藝術(shù)邊緣元素為長廊提供了堅(jiān)實(shí)的邊緣，保護(hù)人群在長廊上行走時(shí)的安全，不會(huì)掉入水中。

碼頭則成為了海濱入口整個(gè)北側(cè)的邊緣。它的靈感來自于天鵝河原始河岸，給人們提供了一直行進(jìn)到有船停泊水邊體驗(yàn)起伏和有機(jī)的機(jī)會(huì)。

這些木制露臺(tái)后面是一個(gè)充滿活力的活動(dòng)空間，能夠容納一系列公共活動(dòng)，包括戶外電影、臨時(shí)體育展覽、表演帳篷、市場和各種音樂會(huì)。

設(shè)計(jì)師從大陸挖掘一塊土地，堆成了一座新的島嶼。該島旨在為所有參觀者提供引人入勝的景觀體驗(yàn)，這是捕捉所有人的年輕想象力的獨(dú)特場所，有機(jī)會(huì)利用步行長廊從島上抵達(dá)水邊與水接觸。

這個(gè)島上栽種著西澳大利亞的西南地區(qū)的各種本土植物。這個(gè)地區(qū)種植著多種類型的花卉，并引起了全球人們的興趣。對植物的保護(hù)和研究吸引了像天鵝這樣的本土野生動(dòng)物棲息在島上。

成熟的樹木給島嶼帶來直接的影響不僅在島內(nèi)，而且從海濱長廊來看，郁閉的林冠（Canopies）為周圍的發(fā)展提供了大量舒適的自然環(huán)境。與保羅 湯普森（Paul Thompson）公司合作設(shè)計(jì)了蜿蜒的小路，讓參觀者可以對植物設(shè)計(jì)和景觀設(shè)計(jì)有親密接觸的機(jī)會(huì)。位于盛開的花壇之間的是建于1927年的聯(lián)邦手工藝品風(fēng)格的佛羅倫薩哈默斯頓亭。亭子實(shí)際上是一個(gè)咖啡廳，并為所有來島游客提供公共的無障礙廁所。在大樓周圍有一個(gè)大面積的露天用餐空間環(huán)繞著亭子。在橋的著陸點(diǎn)和島嶼北部的高點(diǎn)可以回頭看到長廊和觀景城市天際線。

3 伊麗莎白碼頭已成為珀斯市的新前景Elizabeth Quay has become the new foreground to the city of Perth

4～5 充滿活力的水上游樂空間深受在珀斯炎熱的夏季來到這里享受清涼的家庭和兒童的歡迎A vibrant water play space is popular with families and children who come here to cool off in the hot Perth summers

BHP水上公園與JML巴塞羅那合作設(shè)計(jì)了巨大的標(biāo)志性水景。這個(gè)公園是從伊麗莎白碼頭（Elizabeth Quay）火車站進(jìn)入碼頭的入口，主要樹種為無花果樹，人們在這里碰面和約會(huì)，并以高大的棕櫚樹包圍形成“天堂植物”的氛圍。在澳大利亞西部的景觀中，梯形的座位邊緣環(huán)繞著水景，代表著重復(fù)出現(xiàn)的干濕湖泊。噴嘴經(jīng)過編程設(shè)計(jì)，可以通過噴霧器和燈光激活水景，將空間轉(zhuǎn)變?yōu)檫m合所有年齡段人群的富有戲劇性體驗(yàn)的場所。

伊麗莎白碼頭重建項(xiàng)目是珀斯成為活躍多樣的生活、文化、創(chuàng)意、學(xué)習(xí)、娛樂和商業(yè)的國際中心時(shí)代的象征。

項(xiàng)目設(shè)計(jì)：TCL景觀設(shè)計(jì)公司，ARM建筑公司

地點(diǎn)：珀斯CBD，西澳大利亞

客戶：MRA——大都會(huì)重建局

合作方：ARM建筑公司，ARUP，保羅 湯普森，JML事務(wù)所

預(yù)算：4.4億美元

面積：10hm2

獎(jiǎng)項(xiàng)：2017年 國家城市設(shè)計(jì)獎(jiǎng)?wù)?/p>

2017年 UDIA西澳城市更新優(yōu)秀獎(jiǎng)

2017年 AIA西澳城市設(shè)計(jì)獎(jiǎng)

2016年 AILA城市設(shè)計(jì)國家獎(jiǎng)

2016年 AILA西澳城市設(shè)計(jì)獎(jiǎng)

圖片來源：圖1、4～9?Peter Bennetts；圖2、3?Lofty Visions

6 小型游艇和渡輪經(jīng)常穿過伊麗莎白碼頭的避風(fēng)水域Small yachts and ferries frequent the sheltered waters of Elizabeth Quay

TCL has worked in collaboration with ARM Architecture on the design and documentation of Perth’s new waterfront—Elizabeth Quay.

The design of Elizabeth Quay achieves the objective of re-establishing the historic connection between the City and the Swan River by returning the existing City grid towards the water and creating an inlet that brings water back to the city’s doorstep. The large inlet surrounded by a split level promenade offers a diverse mix of urban sub-spaces allowing differing groups to engage in an assortment of activities including recreation,dining, play, entertainment and relaxation.

New development sites and supporting street networks frame the inlet and will house future buildings, including residential, retail, commercial and hotel developments.

The promenade is accessible via stairs,inclined walkways and seating terraces which provide public access between the upper and lower levels. A strong def i nitive ribbon of trees fl anks the upper terrace and marks the point of transition to the lower promenade. The promenades is paved with two stone types of contrasting colours that follow a dynamic paving pattern.

The edge is made from a series of components—a steel and urban art edge element with integrated lighting and mesh “splash decks”. The continuously changing direction of the edge is driven from the generative patterning of the promenade. The urban art edge element provides a solid edge to the promenade,allowing crowds to occupy the promenade and feel secure that they will not fall into the water.

The landing forms the edge to the entire northern side of the waterfront inlet. It is inspired by the idea of the original edge of the Swan River,an undulating and organic experience offering the opportunity to get right down to the water’s edge,which is decorated by boat moorings.

Behind these timber terraces is a dynamic event space, able to accommodate a range of public events including an outdoor cinema, temporary sporting exhibitions, performance tents, markets and various musical concerts.

7 新的草坪區(qū)和大量的綜合座位為公眾提供了在珀斯市中心享受這個(gè)新公共空間的空間New lawn areas and plenty of integrated seating provide space for the public to enjoy this new public space at the heart of Perth

A new island has been created by excavating a section of land from the mainland. The island is designed to be an engaging landscape experience for all visitors, a unique place to capture the youthful imagination of all, where opportunities to access and engage with the water distinguishes the island from the promenade.

8～9 專業(yè)的照明設(shè)備在夜間照亮碼頭，為全天候的活動(dòng)提供了空間Specialist lighting illuminates the Quay at night, allowing for 24/7 activation of the space

The island is planted with a wide array of plants indigenous to the South-west of Western Australia, a region of great floral diversity and international interest. This botanical tribute to the state encourages native wildlife like the swans, which inhabit the river to the island.

Mature trees give the island immediate impact; not only within The island itself, but visually from the promenade the canopies provide a generous volume of green amenity for the surrounding development. Meandering paths allow visitors to experience an intimacy within the planting and the landscape design in collaboration with Paul Thompson. Set amongst flowering gardens beds, is the Florence Hummerston kiosk, a federation arts and crafts style building, originally constructed in 1927. The kiosk functions as a cafe and include public, universally accessible toilets for all island visitors. A substantial paved alfresco dining space surrounds the building, wrapping the kiosk in the sweeping island pattern.

Views back to the promenade and city skyline can be experienced at the high points from the bridge landing and at the northern part of the island.

BHP Water Park has a huge iconic water feature design collaboratively with JML Barcelona.The park acts as an entry point to the Quay, for people entering from the Elizabeth Quay train station.

Here people are invited to meet, gather and enjoy the park framed by figs trees and punctuated by tall palms with an understory of ‘paradise planting’. A terraced seating edge surrounds the water feature which represents recurring wet and dry lakes in the Western Australian landscape. Programmable jets,misters and lighting activate the water feature transforming the space into a theatrical play element for people of all ages.

Elizabeth Quay Redevelopment is a symbol of Perth’s coming of age as a lively and diverse international centre of living, culture, creativity,learning, entertainment and business.

Design:TCL, ARM Architecture

Location:Perth CBD, Western Australia

Client:MRA—Metropolitan Redevelopment Authority

Collaboration:ARM Architecture, ARUP, Paul Thompson and JML

Budget:$440M

Size:10hm2

Awards:2017—National Urban Design Awards Commendation

2017—UDIA WA Urban Renewal Award for Excellence

2017—AIA WA Urban Design Award

2016—AILA National Award for Urban Design

2016—AILA WA Urban Design Award

Photography Credit:Fig. 1, 4～9?Peter Bennetts, Fig. 2, 3?Lofty Visions