亚洲免费av电影一区二区三区,日韩爱爱视频,51精品视频一区二区三区,91视频爱爱,日韩欧美在线播放视频,中文字幕少妇AV,亚洲电影中文字幕,久久久久亚洲av成人网址,久久综合视频网站,国产在线不卡免费播放

        ?

        On the using of flashback approach at the beginning of Nettles

        2017-07-13 21:50:01劉子華
        校園英語·中旬 2017年6期
        關(guān)鍵詞:敘事學(xué)北京大學(xué)社會(huì)科學(xué)

        劉子華

        【Abstract】Nettles, published in 2001 by Alice Munroe, is very popular for its narrative style. With space-time transformation, especially the use of flashback structure, the author displays us a middle-aged womans confusion and understanding of love. Flashback means, the outcome or the most prominent part of a story is placed in the beginning of the article, and the remaining part is described according to chronological order. Instead of following a linear line, the author begins her story in a rather extraordinary way. Taking the beginning part of Nettles as example, this essay would talk about the key roles of using a flashback approach.

        【Key words】Nettles; flashback; suspense; lasting appeal

        1. Set up the suspense

        Todays literary works often use suspense to attract audiences, and suspense is often created through changes in space and time. In Nettles, Munroe starts her narration from 1979 in the brief beginning paragraph. “I” met a man who “I” had already known before in “my” friend Sunnys house. With such a sort of floating suspense, the author successfully pricks readers interest. As readers, we would ask why the author wrote it in this way. Who is the man? What is the relation between he and “I”? What will happen between us?

        Famous French dramatist Baker has made a clear explanation of suspense. He indicates that suspense represents continuous interest and urgent requirements to know what will happen later. When we come to doubt and show our attractiveness for this story, suspense is playing its role.

        There is a big time gap between the narration in the first paragraph and the second one since the author switches to “years afterward” in the second paragraph immediately. In the whole story, the author doesnt mention what happened in the intervening years. Consequently, readers dont know what was really going on during this time. In this, the plot is more intricate and full of interest, once again leaving some room to the imagination. We can employ our imagination to judge and deduce what has happened on the leading character over the years. Whats more, in the second paragraph where there is no access to specific information, it is not clear why “I” look for the house. Perhaps, based on different understandings, every reader would have his own unique answer. The proper use of imagination and analysis can propel ideas in the directions people desire. Whatever the true idea of Munroe is, she has successfully achieved her aim to keep readers being curious from beginning to end. All of these questions just like magnets push us to move on to seek for the reason as well as explore the cause of the incident.

        2. Be realistic

        The special arrangement brings interjected scene which takes the narrative back in time from the current point in the story. One can back up into the distance past easily and appreciate it as if we are experiencing it ourselves.

        In the film writing, people also often use this method to create a better sense of reality. The famous romantic movie Titanic directed by James Cameron is told in flashback. It begins with a group of present-day treasure hunters exploring the wreckage of the Titanic (which results in some brilliant underwater footage). They find and old safe thats completely empty safe for a drawing of a woman. An elderly woman suddenly phones them and says shes the woman in the picture. She then tells the divers and her granddaughter the main plot of the film. By handling content in this manner, the film looks even more intense and realistic from which the audience is easily to enter into the plot that has been designed.

        We have already heard of the “stop at frame” of the methods of making movie. It is no difference with what the two paragraphs has shown to us. Furthermore, the whole story breaks through the common narrative method, starting with the intermediate phase and back to the distant past and then continue to follow the beginning of the story. When it comes to the first phase, people seem to feel a deja-vu at once. At the same time, a sort of “real effect” that Roland Barthes once said has been produced.

        From opposite perspective, if the author follows the time order strictly, this kind of “real effect” would not so obvious. That is to say, readers have been always keeping an invisible distance from the story, since the past time is too distant to catch with the authors mind. Thus, such an arrangement is the best choice, namely, it is where Munroes wisdom lies.

        3. Highlight the theme

        In literary creation, a good beginning is essential to good writing. It often highlights the theme and fully expresses the theme. And, at this point, Munroe succeed to do this at just the right level.

        “I walked into the kitchen of my friend Sunny s house near Uxbridge, Ontario, and saw a man standing at the counter, making himself a ketchup sandwich.” This sentence seems to be simple, but there are several important things which echo the theme fitly. That is, one time, one place, and two people. Superficially, no relationship is embodied with the theme for this short sentence. But when we investigate it we find out that it tightly connects with the theme. The year 1979 is quite something revealing events that will occur in the future on account of in the latter part of this story “‘I meet my puppy love Mike by chance in 1979” is mentioned. The author devotes a great deal of the narration to the events in Sunnys house in 1979. From reading and doing further research, we get to know that her new understanding of love and her thought on complexity of human emotions were generated then.

        It is easily to accept that the scene is set in Sunnys house according to our relationships as good friends the author has referred. The other figure is a man, more specifically, a sight of the mans back. The author doesnt show us his name even his face so we have no idea of who he is. However, the unique motion of making a ketchup sandwich is of great concern. In the latter part of the story about “my” recollection of childhood, “I” remembered clearly that “he” likes to put ketchup on “his” bread. Despite all of the years, “I” never forget “him” and recognize “him” at first glance. It stands to reason that the importance of the man to “me”. Therefore, we get to know what we should pay attention to when continuing reading.

        Everything she has mentioned intentionally has meanings. They dont occur at random or with no reason and relationships. As a matter of fact, Munroe applies flashback method to begin with so many unknown things so that her illustration of the themes is served, which is a triumph of artistic craftsmanship. The theme is becoming more and more distinct in this way. In the end of the story, she expresses her epiphany—a moment of sudden intuitive understanding, a flash of insight.

        4. Conclusion

        Adapted a distinctive flashback approach, Nettles lays a deep impression and lasting appeal on us readers. In reality, many of Munros works applies flashback approach skillfully, which gives us a direction when we are going to do more research on her other works as well.

        References:

        [1]申丹.敘事形式與性別政治——女性主義敘事學(xué)評(píng)析[J].北京大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版),2004(01).

        猜你喜歡
        敘事學(xué)北京大學(xué)社會(huì)科學(xué)
        一部女性成長與救贖的見證錄——《證言》的女性主義敘事學(xué)闡釋
        《云南社會(huì)科學(xué)》征稿征訂啟事
        《河北農(nóng)業(yè)大學(xué)(社會(huì)科學(xué)版)》2021年喜報(bào)
        北京大學(xué)首都發(fā)展新年論壇(2021)舉行
        就任北京大學(xué)校長之演說
        敘事學(xué)經(jīng)典/后經(jīng)典劃分爭議20年考辨:后經(jīng)典敘事學(xué)存在合法性論略
        Le r?le de la lecture dans la formation desétudiants de langues vivantes
        La solitude
        數(shù)學(xué)在社會(huì)科學(xué)中的應(yīng)用
        敘述結(jié)構(gòu)和聚焦多重性——讓·埃什諾茲《我走了》和《一年》的敘事學(xué)解讀
        亚洲中文有码字幕青青| 狠狠噜天天噜日日噜无码| 久久久国产打桩机| 男人扒开女人双腿猛进视频| 2021久久精品国产99国产精品| 午夜片无码区在线| 8090成人午夜精品无码| 国产偷国产偷亚洲高清| av高清在线不卡直播| 国产成人精品综合在线观看| 久久久久久久久久久熟女AV| 玩弄极品少妇被弄到高潮| 国产一区二区三区亚洲avv| 色噜噜狠狠综曰曰曰| 欧美另类视频在线| 一区二区三区在线蜜桃| 日韩中文字幕素人水野一区| 九九久久自然熟的香蕉图片| av无码精品一区二区三区四区| 国产成人精品cao在线| 青青久在线视频免费视频| 欧美亚洲日本国产综合在线美利坚| 色窝窝免费播放视频在线| 18禁国产美女白浆在线| av在线高清观看亚洲| 在线天堂www中文| 欧美精品中文| 男女啪啪免费视频网址| 亚洲av无码国产精品色软件| 99久久精品费精品国产一区二区| 欧美乱人伦中文字幕在线不卡| 91久久国产精品综合| 小妖精又紧又湿高潮h视频69| 成人小说亚洲一区二区三区| 久久国产香蕉一区精品天美| 日韩精品一区二区免费| 国产无遮挡又黄又爽免费网站| 巨爆乳中文字幕爆乳区| 日本在线一区二区三区视频| 亚洲精品一区二区三区麻豆| 夜爽8888视频在线观看|