酒店由Laurent Bardet和 Laurence Jean擔(dān)任創(chuàng)意總監(jiān)，另一對夫妻Thierry Martin 和ThibautFron操刀室內(nèi)設(shè)計(jì)，四人耗時(shí)近三年才完成白水仙水療酒店的設(shè)計(jì)工作。

主題一經(jīng)確立，想象力得以圍繞著展開，有序落地。在黑、白、香檳色三種色調(diào)的大堂內(nèi)，水仙花圖案構(gòu)成了大理石地磚表面、接待處柜臺(tái)表面、背景墻和上方天花浮雕的裝飾元素，黑白風(fēng)格內(nèi)斂卻點(diǎn)題。接待處左側(cè)的電梯間由黃銅色的枝葉狀金屬外墻包覆，電梯門兩側(cè)的扶手為透明水晶球，內(nèi)嵌水仙，花開六瓣，同樣的設(shè)計(jì)還見于客房衛(wèi)生間的水龍頭把手，花朵采用黑白兩色來區(qū)分冷熱水，給人優(yōu)雅純凈之感。

最動(dòng)人的水仙花出現(xiàn)在床頭，香檳色的花朵或濃或淡，全部由設(shè)計(jì)師親自手繪而成，造型上細(xì)微的差別使朵朵與眾不同，姿態(tài)仿佛漂浮在風(fēng)中。此外，水仙花圖案還隱秘地出現(xiàn)在床罩的面料之上，只有細(xì)看才能分辨出來。

克麗歐小姐的照片裝飾在走廊等公共空間的墻上。值得一提的是，墻上的肖像并非老照片，而是設(shè)計(jì)師從現(xiàn)實(shí)中尋找到一位神似她的女孩。這位女孩生活中穿Alexander McQueen或Vivienne Westwood牌子的衣服，照片中的服裝則由設(shè)計(jì)師找專人按歷史原貌訂做，再經(jīng)設(shè)計(jì)師本人拍電影般完成攝影。如此費(fèi)盡周折，只因設(shè)計(jì)師想用現(xiàn)代感的視角和手法來詮釋歷史感，達(dá)到時(shí)尚而懷舊的效果。此外，客房內(nèi)優(yōu)雅的裝飾線條靈感來自克麗歐小姐佩戴的珍珠項(xiàng)鏈。

With Laurent Bardet and Laurence Jean as creative directors， and another couple Thierry Martin and Thibaut Fronas as interior designers， the four took nearly three years to complete the design work of Le Narcisse Blanc Spa.

Once the theme is established， the imagination spreads out in order. In the lobby under three-color tones of black， white and champagne， the pattern of narcissus constitutes the decorative elements of the marble tile floor， the reception counter surface and its back wall and the ceiling above， in a restrained style of black and white. The lift on the left side of the reception is covered by leaves-shaped brass wall， handrails on both sides of the elevator door were installed transparent crystal ball with six-petal Narcissus embedded. The same design was also to be found in the guest bathroom faucet handle， with black and white flowers indicating hot and cold water， giving forth a sense of pure elegance.

The most beautiful narcissus appears above the headboard. The champagne-color flowers of all shades were all hand-painted by the designer， with subtle differences as if floating in the wind. In addition， the subtlest pattern also appears on the bedspread fabrics， you can tell only when you look close.

Miss Cléo's picture hung on the walls of public spaces， such as the corridor. It is worth mentioning that the portrait on the wall is not the old photos of Miss Cléo， but of a girl in real life with high resemblance found by the designers. The girl is dressed in Alexander McQueen or Vivienne Westwood in her life， but for the hotel photo here， the designer had her clothes specially customized according to the historical appearance， then proceeded to take photo shoot like making movies. Such time consuming process was taken since the designers wanted to use modern expressions to convey the sense of history， with fashionable and nostalgic effect. In addition， the rooms are decorated with elegant lines inspired by Miss Cléo's Pearl necklace.