酒店客人中最特別最忠誠的一位當(dāng)數(shù)大畫家薩爾瓦多·達(dá)利。自1950年起，達(dá)利每年都有一至數(shù)月會來巴黎住進(jìn)莫里斯酒店，每來必住套房102 -103號，竟達(dá)三十年之久。藝術(shù)家是需要追逐新鮮事物來保有好奇心的，何況不羈的達(dá)利。

淘氣的達(dá)利讓酒店員工去對面的杜樂麗皇宮花園捉蒼蠅，每捉到一只，他就支付五法郎買下來。還有一次，他要求把幾只羊放進(jìn)他的房間，見到羊后他掏出手槍就打，放的卻是空槍。接著是一匹馬、一輛哈雷摩托車，各種古怪的玩藝兒都被他要求放進(jìn)房間。

通過上述“劣跡”可以猜想，達(dá)利在某些時刻是無聊的，他在試探酒店能否包容他的乖張，所幸他的要求都被滿足了。這才是達(dá)利把莫里斯酒店當(dāng)成家的原因，他感到自由。后來達(dá)利和酒店的員工成為朋友，還將親筆簽名的版畫作為圣誕禮物送給他們。

或許這正說明了莫里斯酒店恒久文化和深厚底蘊形成的過程。直到如今，達(dá)利仍然與莫里斯未解前緣。

由于達(dá)利，莫里斯酒店至少獲得兩樣饋贈。服務(wù)方面，酒店環(huán)境中特別是首層“達(dá)利餐廳”中出品的細(xì)致精美的甜點美食和百變獨創(chuàng)的冰淇淋讓客人們滿意之外更加驚喜。設(shè)計方面，達(dá)利激發(fā)了當(dāng)代設(shè)計巨匠菲利普·斯塔克的靈感，他攜女兒阿拉·斯塔克一起，在2007年和2016年兩次酒店公共區(qū)域的翻新設(shè)計中向達(dá)利致敬。

人們看到華麗典雅的酒店大堂中，水晶大吊燈已從天花正中消失，卻轉(zhuǎn)而出現(xiàn)在入口旋轉(zhuǎn)門內(nèi)的正上方；進(jìn)門右側(cè)靠墻樹立一面兩米多高的冰雪磨沙鏡，不銹鋼框內(nèi)的畫板自帶制冷系統(tǒng)，表面全是一層細(xì)細(xì)的冰砂，客人可以隨意在上面用手指寫字畫畫，或者簽上自己的大名；還有，最受歡迎的首層“達(dá)利餐廳”里的手繪軟布大天花，環(huán)繞餐廳四周16枝近三米高的長臂“吊壁燈”……這些斯塔克創(chuàng)造的新玩意兒和高大空間里原有的路易十六皇家裝飾風(fēng)格居然巧妙混搭，天衣無縫。這樣的設(shè)計幽默、巧妙、親和，不僅讓客人覺得興奮有趣而自由自在，也規(guī)避了破壞建筑做施工的困難。

在莫里斯酒店中，傳統(tǒng)、經(jīng)典和優(yōu)雅，與年輕、時尚和鮮活共生。

巴黎莫里斯酒店是第一家獲得法國酒店業(yè)評選的巴黎“宮殿級酒店”，這是當(dāng)前法國酒店公認(rèn)的最高殊榮。

One of the hotel's most outrageous guests is the surrealist painter Salvador Dalí， who spent at least one month per year at Le Meurice since 1950， and he would always stay in Suite 102-103.

His behaviour could also be surrealistic： once he demanded that a herd of sheep be brought to his room， and upon their arrival， Dalí took out his pistol and shot at them. Luckily， the gun was filled with blank bullets. Another time， he requested a horse， and even a Harley Davidson. Yet another time， he asked the staff to capture flies for him in the Tuileries Garden， paying them five francs （around one euro） per fly.

Perhaps Dalí was bored at some point and he was testing the limit of the hotel. When all the eccentricities were accepted， he treated Le Meurice as his home. He became close to certain members of the staff， whom he would give autographed lithographs of his work as a Christmas tip.

Perhaps this explains the long process of cultural formation in Le Meurice. Until now， Dalí is still a deep influence in the hotel.

Through Dalí， the hotel has gained at least two gifts. The delicate desserts and ever-changing ice cream in the restaurant Le Dalí surprise every guest. Contemporary design master， Philippe Starck and his daughter Ara Starck have paid homage to Dalí through public space renovations in 2007 and 2016.

In the gorgeous and elegant lobby， people can see that the crystal chandelier has disappeared from the ceiling， but appeared at the entrance of revolving door instead； on the right side of the door is a two meter high snow frosted mirror （miroirgivré）， with a stainless steel frame. With the surface covered in a thin layer of ice sand， guests can freely draw or to sign their names with fingers； the most popular items include the hand-painted soft cloth covering the ceiling of \"Le Dalí\" restaurant， along with 16 three-meter longlamps set up around the restaurant...... All these Stark-inventions have blended perfectly with the Louis XVI deco， turning it into a space of excitement and humor， without destroying the original architecture.

In Le Meurice， tradition， classic and elegance coexist with the youth， fashion and chic.

Le Meurice Paris is the first Parisian hotel to receive the title of \"Palace Hotel\"， graded by French hotel industry， currently the highest recognition of hotel in France.