1. Introduction

William Wordsworth， George Gordon， Lord Byron and Percy Bysshe Shelley are regarded as three greatest romantic poets in England. And Shelley is known for his lyric poetries and imagination. At Eton， his schoolmates called him “Mad Shelley”， and in judgment of the world he remained “mad Shelley” to the end of his life. In this poem， the poet expressed the deep love for the nature and celebrated the spirit of the west wind who destroyed old things and gave birth to new things.

2. Appreciation

In the five magnificent stanzas of the poem， Shelley addresses the west wind directly as a force that is both destructive and creative. He focused on three natural objects of the winds power： the autumn leaves in stanza 1， the clouds in stanza 2， and the waves in stanza 3. Stanza 4 marks a crisis in the poem. In stanza 5， Shelley discovers his true relationship to the west wind. He would be the winds “l(fā)yre” receiving its “mighty harmonies” like a wind harp or like the forest itself. These images changed into words to predict and to awaken a rebirth of human imagination.

3. Symbols in the Poem

Shelleys west wind is a symbol of “spirit”， “the breath of autumns being”. It is destroyed on earth， in sky and sea in order to revive in the spring. Around this central symbol， the poem describes various cycles of death and regeneration， which are nature， human， and divine.

4. Structure

In this poem， Shelley used “terza rima”， an Italian measure first used by Dante in his “The Divine Comedy”. Like a sonnet， each stanza is fourteen lines long. Shelleys rhyme scheme for his stanzas may be represented as “aba bcb cdc ded ee”. The middle rhyme of each triplet becomes the first and third rhyme of the next triplet： aba， bcb， and so on. It is written in iambic tercets. This scheme creates a sense of disordered， circulating activity of the wind as it drives and tosses the leaves， clouds， and waves.

5. Conclusion

The “West Wind” and Shelley himself are the main characters of the ode. The “West Wind” represents liberty， the power of nature for Shelley. The wind is the changing part in nature， which also controls heaven and the sea. It can stand for death， but at the same time it means life. On the one hand， the wind is simple in its function， but on the other hand， it is a mystical thing. Shelleys poems are pure， praising democracy and freedom， longing for the ideal society， supporting revolutionary ideas. It can fully be called the best work of Shelleys.

Reference

[1]. Northrope Frye. Anatomy of Criticism [M]. Princeton University Press， 1957.

[2]. 吳偉仁. History and Anthology of English Literature [M]. Foreign Language Teaching and Research press， 2006.

[3]. 郭沫若. 《沫若譯詩集》[M]. 北京：新文藝出版社，1953.

[4]. 徐廣聯(lián). 《論雪萊<西風(fēng)頌>的復(fù)義性》[J]. 湘潭師范學(xué)院學(xué)報(bào)（社會(huì)科學(xué)版）， 2009（1）.

[5]. 楊晶晶. 《細(xì)處著眼論真知： 對(duì)詩歌<西風(fēng)頌>的文學(xué)文體分析》 [J]. 文教資料，2009（6）.

作者簡(jiǎn)介：

王文靜（1990- ）女，山西陽泉人，山西財(cái)經(jīng)大學(xué)經(jīng)貿(mào)外語學(xué)院。