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        Korean Hip-hop Economy and Cultural Construction

        2013-08-15 00:54:11王麗娜
        科技視界 2013年5期
        關(guān)鍵詞:黃璐王麗娜體育部

        王麗娜

        (河北聯(lián)合大學(xué) 體育部,河北 唐山 063009)

        We intend to divide social situations that used to create research papers into three grades:the first grade is the lower grade,where the text performance is the text copied intact,at most develop into a patchworkstyle text copy games,writers are just in consideration of achieving a better life;the second grade is the intermediate grade,where the text performance is replaced by the viewpoint copy with text content replaced,at most develop into a patchwork-style viewpoint copy game,there is no new idea after the various views quotation,at the same time of consideration for a better life realization,the writers are showing the enthusiasm to follow scientific paradigm;the third grade is the advanced grade,where the text performance is the innovative features,put forward new ideas after the citation and derivation of view,the authors considerate of the persistent pursuit of science.United States as hip-hop noumenon culture and Korea as hip-hop variant culture will exist for having advantage of essential attribute elements.commercial-driven U.S.hip-hop action and political-driven Korean action movement have a similar production system in material selection,product processing,product packaging process,which variously,continuously produce fast food products to meet people in different races,colors,Chinese hip-hop action has undoubtedly become the customer to enjoy this fast-food products.

        Chinese hip-hop use desired look complemented with waiting strategy,expecting high-profile Americans and Koreans to throw tasty fast food products.In the treatment of movement part of hip-hop noumenon culture,Chinese and Korean have different attitude performances,the results are also different.We have to admit that Korean selection,processing,packaging of hip-hop action are similar to the advanced grade of research papers,running effect after production process establishment are not worse than the United States.Being display of hip-hop culture’s connotation,hip-hop groups played“from point to an area”role to promote the development of the hip-hop industrial chain,hip-hop group's industrial transformation is a naturally occurring process.Youth culture development system created by Korean government framed hip-hop culture into it,hip-hop groups’ industrial transformation process thrived in the guidance and support of the system,transited from industrialization germination stage to prototype stage,and quickly developed to mature patterns of cultural industrialization,being an important part of the“Korean Wave”culture.Korea has the courage to marry youth culture to social fashion from a political height,which characterized the extent of conscious identification of youth culture in Korean society.

        Korean society's process of conscious identification of youth culture is not“overnight”,but after a lengthy impact and blending process between different cultures (traditional culture and fashion culture,mainstream culture and non-mainstream culture,adult culture and youth culture,etc.).Fourth,inherent long-standing history abuse in existing public opinion system can not be timely cured,long-term way is extremely closing down to deal with the impact of new public opinion,led to broader question,boycott and anti-social mood,providing auxiliary power to distort the comments.Looking back,Zhang Yimou’s“A Simple Noodle Story”vulgar cultural event is not unique case of social controversy,but culture landscape of standardized production of new public opinion manufacturing system,different forms of the same nature,which is bound to manufacture public opinion in a more subtle,more sophisticated,more flexible way in the future,shaping a aesthetic distorted imitation of China.Determine whether a superstructure is advanced or backward,mainly to see whether it can promote the development of productive forces,whether it helps the growth and consolidation of production relations which adapt to productivity situation,impressive performance of Korean society nearly 30 years rightly reflects the good momentum of development.

        Ideology as a part of superstructure,youth culture industrialization is no doubt a reflection object of Korean superstructure.Developed Korean hip-hop variants culture persists ideological content which is very characteristic,sketched out the framework curve of Korea superstructure.Korean hip-hop variant culture didn’t focus on transformation of graffiti culture and tattoo culture,comparing to“song of the rustic poor”,popular art of American street culture,Korean government guide and standardize hip-hop noumenon culture to tend to aesthetic ideal of“Spring Snow”hip-hop stage culture shape,reflecting the uncoordination.Dialogue context of graffiti culture and tattoo culture can not simply performed as the culture reshaping of expression content replace,expressed as rewritten Korean national culture content in the dialogue context of American culture.Select youth culture as Korean international cultural industry,the early vision of a successful harvest is expected,which making Korea more confident to“intensively”create youth culture extract,enhance the quality,improve the types and integrate traditional culture content into youth culture development,service for the Korean economy and cultural construction.

        [1]黃璐.論韓國街舞文化的品格[J].山東體育學(xué)院學(xué)報,2006,22(5):45-50.

        [2]黃璐.街舞與健美操運動項目特征之比較[J].北京體育大學(xué)學(xué)報,2006,29(1):130-132.

        [3]黃璐.大型運動會真的太多了? [J].體育學(xué)刊,2012,19(1):7-9.

        [4]黃璐.林書豪如何成為了“媒體神話”[J].傳媒觀察,2012(8):14-16.

        [5]黃璐.林書豪媒體神話與美國夢[J].青年記者,2012,(7月下):88-89.

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