Asia is the Same Situation？—Asian Art Market

In comparison with European countries， Asian areas with glorious traditions of religion， culture， art， have been experiencing the economical and political revolutions when entering into modern society， which makes Asian countries develop unevenly under the impact of modernization and this situation more vividly lies in Asian contemporary art. Originally these areas of Asian contemporary art have formed their own art market game rules characterized with strong regional style.Whether the Asian art market does have the unified law of development and the tendency? How to establish a common value of Asian art? How to create a positive contemporary art market?

相比歐洲國家，亞洲各地區(qū)悠久的宗教、文化、藝術(shù)的傳統(tǒng)，以及在進(jìn)入現(xiàn)代化社會(huì)時(shí)所經(jīng)歷的經(jīng)濟(jì)和政治革命軌跡，使得亞洲國家在現(xiàn)代化的沖擊下呈現(xiàn)不平衡的發(fā)展趨勢。這種不平衡更直接地體現(xiàn)在亞洲的當(dāng)代藝術(shù)中。從發(fā)韌之日起，亞洲當(dāng)代藝術(shù)的各個(gè)地區(qū)就形成了極具地域特色的藝術(shù)市場游戲規(guī)則。日本是最早建立起成功的當(dāng)代藝術(shù)市場的國家，但是社會(huì)結(jié)構(gòu)轉(zhuǎn)型的時(shí)候藝術(shù)的突然崛起，導(dǎo)致整個(gè)新興藝術(shù)環(huán)境過度以市場為依歸，最終造成泡沫的泛起，至今仍沒有擺脫低迷的陰影；中國、印度、韓國等新近亞洲當(dāng)代藝術(shù)發(fā)達(dá)國家，在西方世界的關(guān)注之下蓬勃崛起，同時(shí)也面對(duì)國際市場的價(jià)格哄抬以及地區(qū)內(nèi)投機(jī)者的炒作，市場中崩塌或惡性發(fā)展的苗頭若隱若現(xiàn)；而晚近形成的東南亞地區(qū)藝術(shù)市場仍在尋找摸索的道路上，崛起依舊有待時(shí)日。那么，亞洲藝術(shù)的市場是否存在統(tǒng)一的發(fā)展規(guī)律和趨勢？亞洲藝術(shù)的共同價(jià)值該如何建立？如何建立良性的當(dāng)代藝術(shù)亞洲盤？