業(yè)主單位：格拉斯哥慈善組織

設計單位： 約翰·麥卡蘭建筑事務所

首席建筑師： 約翰·麥卡蘭

景觀設計： 約翰·麥卡蘭建筑事務所

結(jié)構工程： 大衛(wèi)·納洛聯(lián)合公司

總承包商： 基爾建筑施工公司

項目經(jīng)理：Gardiner amp; Theobald

聲學顧問：桑迪·布朗聲學事務所

項目負責人：保羅·伊斯特

設計團隊：Chris Ravenscroft， Heather Macey， Katherine Watts， Tom Roberts， Paddy Pugh， Hannah Lawson

建筑面積：13 253平方米

竣工年份：2022年

項目攝影：Hufton+Crow

Client： Glasgow Life

Architects： John McAslan + Partners

Lead Architect： John McAslan

Landscape Desgin： John McAslan + Partners

Structural Engineer： David Narro Associates

Main Contractor： Kier

Project Manager： Gardiner amp; Theobald

Acoustic Consultant： Sandy Brown Acoustics

Project Lead： Paul East

Design Team： Chris Ravenscroft， Heather Macey， Katherine Watts， Tom Roberts， Paddy Pugh， Hannah Lawson

Area： 13 253 m2

Year： 2022

Photographs： Hufton+Crow

巴勒珍藏館是歐洲最好的博物館之一，也是為數(shù)不多的A類蘇格蘭戰(zhàn)后建筑之一。珍藏館擁有約9 000件精美和裝飾性的藝術作品，極其豐富的藏品來自的年代橫跨 6 000 年。

1983年，巴勒珍藏館被置于由三位年輕劍橋建筑師學者巴里·加松、布力特·安德烈森和約翰·梅烏涅爾設計的、廣受好評的博物館建筑中。這座20世紀開創(chuàng)性的建筑由紅色鄧弗里斯郡砂巖、拋光混凝土、不銹鋼、木材和玻璃建成，位于距格拉斯哥市中心4英里的波洛克郊野公園的環(huán)境中。2016年，代表格拉斯哥市議會提供文化、體育和學習活動的慈善機構 格拉斯哥慈善組織指定約翰·麥卡蘭建筑事務所為建筑師和景觀設計師，負責博物館的五年翻新和提升項目。

建筑師與專家團隊合作，著重關注三個關鍵目標：借助“結(jié)構優(yōu)先”的翻新方法以無縫修復建筑物并改善其環(huán)境性能；加強建筑物的公園環(huán)境；在經(jīng)過仔細考慮后于內(nèi)部開辟選定區(qū)域，以通過畫廊空間表達水平和垂直運動，繼而在任意時間實現(xiàn)收藏比例的大大增加。

建筑師在保留的現(xiàn)有入口東側(cè)增加了一個獨立入口，可從毗鄰的鋪砌廣場進入，營造了一個體驗增強的自然環(huán)境，游客還能于此放松和野餐、享受從東南角咖啡館溢出的環(huán)境氛圍。建筑師還在入口序列旁用一個全新的定向體塊將博物館與上側(cè)的夾層畫廊和下方全新開放的花園串聯(lián)在一起；后者目前容納了一個展覽空間和一個與可見藝術存儲空間、工作室、煥然一新的咖啡館以及一個與遠處公園相連的活動畫廊。

約翰·麥卡蘭建筑事務所還為巴勒收藏博物館設計了景觀空間，事務所景觀與都市設計工作室總監(jiān)安迪·哈里斯全程操刀。他描述道：“建筑、公園和林地之間的關系是1980年代最初設計方案中的標志性表述。由此，我們對景觀空間的‘更新’尊重了原始的設計愿景，并細致整合了全新元素以吸引新一代游客。”

就畫廊空間而言，參觀者將看到按主題策劃分類的藏品，而沉浸式敘事手法也是該收藏博物館策展的指導愿景。總的來說，與早先的展覽安排相比，本次設計增加了35%的畫廊空間，并且大部分藏品都可于現(xiàn)場觀摩，采用了輪換倉儲的方式。更新后的巴勒收藏博物館還獲得了BREEAM（英國建筑研究院環(huán)境評估方法）的優(yōu)秀評級，使該博物館躋身英國節(jié)能建筑前10%的行列，這對A類保護建筑的翻新和保護來說是一項重大成就。

The Burrell Collection is one of Europe’s finest museums housed in one of the very few Category-A listed post-war Scottish buildings." Its extraordinarily rich collection consists of 9 000 works of fine and decorative arts spanning 6 000 years.

In 1983 it was housed in a critically acclaimed museum building designed by three young Cambridge architect-academics - Barry Gasson， Brit Andresen， and John Meunier. Made of red Dumfriesshire sandstone， polished concrete， stainless steel， and timber and glass， the seminal 20th-century building occupies a sylvan setting in Pollok Country Park four miles from central Glasgow. In 2016， Glasgow Life， the charity that delivers cultural， sporting， and learning activities on behalf of Glasgow City Council， appointed John McAslan + Partners as architect and landscape designer to lead the museum’s five-year renovation and enhancement.

Working with a team of specialists， John McAslan + Partners focussed on three key project aims： to seamlessly repair the building and improve its environmental performance by a “fabric first” approach to its renovation; to strengthen the building’s parkland setting; and， after careful consideration to open up select areas of the interior to articulate the horizontal and vertical movement through the galleries， so that a greatly increased proportion of the collection can be enjoyed at any one time.

A discrete entrance has been added to the east of the retained existing entrance accessed from an adjoining paved piazza that creates an enhanced natural setting where visitors can also relax or picnic or spill out from the café at its southeast corner. Adjoining the entrance sequence， a new orientation volume connects the museum levels up to the mezzanine galleries and down by a stepped seating arrangement to the newly opened-up garden-level floor below. The latter now accommodates an exhibition and events gallery connected to a viewable art storage space， workshops， the rejuvenated café， and parkland beyond.

John McAslan + Partners designed the landscape for The Burrell. This was led by Andy Harris， Head of John McAslan + Partners’ Landscape and Urban Design Studio. He describes the practice’s approach， “The relationship between building， parkland， and woodland was an iconic narrative in the original 1980s design proposal." Our ‘updating’ of the landscape respects the original design vision whilst carefully integrating new elements to engage with a new generation of visitors..”

Back in the galleries， visitors will encounter the collection that is now curated thematically and using immersive narrative as the guiding vision for the Collection’s museography." In total， an additional 35 percent of the gallery space has now been added from the previous arrangement and with the great majority of the collection on-site for accessible storage and to assist with its rotation. The renewed Burrell Collection has achieved a BREEAM rating of Excellent putting the museum in the top 10 percent of energy-efficient buildings in the UK， a significant achievement for the refurbishment and conservation of a Category-A listed building.