徐增芝

92 歲的劉煥章在 70 多年的藝術(shù)生涯中，見(jiàn)證了中國(guó)當(dāng)代藝術(shù)發(fā)展的許多重 要階段。他的才華在中國(guó)家喻戶(hù)曉，他的作品為人們更好地了解中國(guó)當(dāng)代藝術(shù) 的發(fā)展提供了重要的機(jī)會(huì)。

1In the recent history of Chinese art， the story ofone particular sculptor stands out. With an artistic ca-reer over seven decades， 92-year-old Liu Huanzhanghas witnessed many important stages in the evolutionof Chinese contemporary art. Liu Huanzhang，s talentsand experiences are well known inChina. His exhibition offers a great opportunity for many to better understand the development of contemporary Chinese art.

2Fond of sculpture since childhood， Liu Huanzhang got a fortunate break early in his career. In the 1950s and 1960s， a number of sculpture departments or majors， were estab- lished in art academies across the country. Liu was invited to enroll and he earned his posi -tion.

3 Because of the training in the Central Academy of Fine Arts， he learned how sculptors who studied modernism in Europe in the 1920s and 1930s worked. At thesame time， he also witnessed how his classmates studied and made their creations. This ex- perience was important to him. In 1959， Beijing saw the building of a number of important structures， including the Great Hall of the People.

4Another was the Beijing Workers ， Stadium， and this still features one of Liu ， s best known works. As his reputation grew， Liu Huanzhang started to think about how he could build on his talents. In the early 1960s， he decided to hit the road， to find out more about how the ancients practiced sculpture. Later， Liu created one of his masterpieces， called

Young Lady.

5 The 1980s was an important decade for Chinese artists. Through the China ，s re-form and opening -up policy， they began to seek change as well as innovation and it was in those years that Liu Huanzhang moved to a higher level. Most of his works are relatively small， largely because he preferred to work on his own， and he only had a bicycle to move. Since Liu turned 60， if anything， his new pieces seemed to be closer to reality， as if they，re learning from the world around him. These works have recorded Liu Huanzhang，s observations of the world. And， for many， they form an album of the past seven decades.

1. What can we know about Liu Huanzhang？

A. He has set up several art academies in China.

B. He started to enjoy sculpture from an early age.

C. He laid a foundation for Chinese contemporary art.

D. He is the most important famous sculptor in China.

2. What experience deeply influenced Liu Huanzhang，s career？

A. Studying modernism in Europe.

B. Constructing the Great Hall of the People.

C. Being admitted into the sculpture departments.

D. Being trained in the Central Academy of Fine Arts.

3. What did Liu Huanzhang turn to when he became famous？

A. Ancient sculpture.B. Foreign sculpture.

C. Modern sculpture. D. Abstract sculpture.

4. Why did Liu Huanzhang，s works turn relatively small later？

A. He preferred to create more.

B. He wanted to work by himself.

C. He couldn，t find enough materials.

D. He thought they were close to reality.

Ⅰ. Difficult sentences in the text

1. Because of the training in the Central Academy of Fine Arts， he learned how sculp - tors who studied modernism in Europe in the 1920s and 1930s worked. 由于在中央美術(shù) 學(xué)院接受的訓(xùn)練，他了解了二十世紀(jì)二三十年代在歐洲研究現(xiàn)代主義的雕塑家是如 何工作的。

【點(diǎn)石成金】本句中，Because of...the Central Academy of Fine Arts 作狀語(yǔ);how 引導(dǎo) 的是一個(gè)賓語(yǔ)從句;who 引導(dǎo)的是定語(yǔ)從句，在從句中作主語(yǔ)，先行詞為 sculptors。

2. Through the China ， s reform and opening - up policy， they began to seek change as well as innovation and it was in those years that Liu Huanzhang moved to a higher level. 通 過(guò)中國(guó)改革開(kāi)放的政策，他們開(kāi)始尋求變化和創(chuàng)新，劉煥章也正是在這些年走向 了更高的水平。

【點(diǎn)石成金】本句中的 Through the China，s reform and opening-up policy 為介詞短語(yǔ)作狀語(yǔ);it was in those years that Liu Huanzhang moved to a higher level 為強(qiáng)調(diào)句。

Ⅱ. Text-centered chunks

stand out 突出;顯眼

be fond of 喜歡……

a number of 很多;大量

hit the road 上路;出發(fā)