設(shè)計：schneider+schumacher (Till Schneider)

攝影：? J?rg Hempel

空間雕塑“棱鏡”-德語中的棱鏡-是為紀念施耐德和舒馬赫對肖恩多夫市的貢獻，展出于2019 年Remstal花園展。四點六線的幾何最小體設(shè)計聚焦于雷姆斯塔爾特別的自然景觀，是觀察、流連和凝視遠方的好去處。

為順應自然規(guī)律，四面體形狀的棱鏡體建在大片葡萄樹線性結(jié)構(gòu)的中間，堡壘底部上升一定角度，并采用集成材面板建造。景觀兩面設(shè)計截然不同：水平開口朝向山谷，可以望到肖恩多夫教堂。垂直的開口為入口處，面向葡萄園小路，斜坡和上方的樹林。

最初入口朝西，山谷方向的來客不能進入。外部的實用性與內(nèi)部明亮色彩形成截然對比。外部為中規(guī)中矩的木板造型，堪稱廣泛可見的地標，而內(nèi)部為紅色涂層，營造了親密和溫暖感。兩道狹縫光線照亮空間，畫框一般凸顯了自然景觀，從而強調(diào)框架部分的感知。

The spatial sculpture "Prisma"–prism in German–is schneider+schumacher's contribution to the city of Schorndorf as part of the Remstal Garden Show 2019.The design focuses on the special landscape space of the Remstal and,with the geometric minimal body consisting of four points and six lines,forms an accessible place to discover,linger and gaze into the distance.

In the midst of the linear structure of the vines,halfway up the slope,the tetrahedron-shaped prism rises on a found bastion,which,in order not to compete with nature,is constructed of glulam panels.It takes up two opposite references to the landscape:The horizontal opening is oriented towards the valley with a view towards the Schorndorf church.The vertical opening creates the entrance and faces the vineyard path,vineyard slope and the forest above.

Access to the interior–initially hidden from visitors coming from the valley–is from the west side.Exterior and interior effects are formulated as contrasts and underlined by the materiality and colorfulness.To the outside,the room sculpture presents itself as a widely visible landmark with a comparatively ordinary wooden boarding,while inside it creates intimacy and warmth with a red coating.The space is lit through the two slits,which,like picture frames,focus the views of the landscape and thus emphasize the perception of the framed sections.