設計單位：隆吉建筑師事務所

主持設計師：路易斯·隆吉

設計團隊：Carla Tamariz,Christian B?ttger

施工單位：Héctor Suasnabar

監(jiān)理：隆吉建筑師事務所

場地面積：545 平方米

建筑面積：650 平方米

功能：海灘別墅

攝影：Juan Solano

Architect:Longhi Architects

Principal in charge:Luis Longhi

Project Team:Carla Tamariz,Christian B?ttger

Construction:Héctor Suasnabar

Supervision:Longhi Architects

Site area:545 m2

Built area:650 m2

Program:Beach House

Photography:Juan Solano

我們尋求的是這樣一種理解，即設計是跟隨神圣決策的指引，（Signum=指示，DiVini=神），專注于尋找屬于我們自己的語言，我們想首先把它與秘魯建筑師在上個世紀所做的嘗試聯(lián)系在一起，然后將它稱之為“新印加21 世紀”。

從這個角度來看，我們所呈現(xiàn)的不僅是房屋的設計，而且是這種探索的具像化實施過程，我們在實踐中遵循了一些基本原則，例如：

-自然與人工的和諧統(tǒng)一讓我們最終與這個地方建立起了聯(lián)系，借助自然之勢引入人工雕琢之美，是我們對自然的尊重，也是自然對人類的回饋。

-擁有秘魯血統(tǒng)的現(xiàn)代人（兩個世界的混合體）將秘魯文化與現(xiàn)代元素通過建筑的形式表現(xiàn)的淋漓盡致。

-除了與客戶基本的溝通對話之外，通過情感的共鳴與感知來詮釋客戶的夢想，不僅可以幫助客戶圓夢，同時我們也收獲了一個不可預知、意料之外的驚喜傳承之作。

是這樣的感知將我們引向實踐之路，在這種實踐中，我們試圖從自己的本性角度來理解地域的本性和使用者的本質，從而將建筑定義為“自然的本性”。

維羅妮卡之家只是這個“概念”的具像化呈現(xiàn)，是對其所在地域本質的回饋，是對石山的回饋，前哥倫比亞時期的漁民曾經(jīng)在依石山而形成的小海灣處勞作，而如今這個地方已是新秘魯人的度假圣地，其本性已難尋蹤跡。

從我們自己的本性出發(fā)，我們創(chuàng)造了如畫的景觀：依山而建，順勢而為，就地取材，盡心匠造，服務客戶，這樣的服務理念一直指引我們要將其最本心的內(nèi)容表現(xiàn)出來：即展示繼往開來當代秘魯人的風采。

Our search from the understanding that designing is the act of making divine decisions(signum = signal.Divini = divine),has focused on finding our own language that we would like to associate in the first instance with the attempts made by Peruvian architects in the last century,to call it “Neoinca XXI century”.

From this perspective,what we present is not only the design of a house but the materialization of this search,where we highlight some fundamentals in our practice such as:

- The happy marriage between the natural and the artificial,thus the relationship that we finally established with the place gives us the guidelines to make a respectful intervention in that place.

- The acceptance of our origin as modern Peruvians (a mixture of two worlds) guides us to express ourselves with identity.

- The interpretation of the dreams of our clients through the gift of emotional perception in addition to the traditional dialogue,in order to respond to the commission not only with correct architecture but above all with non-predictable,unexpected architecture,one that can move.

They lead us to a practice in which we try to understand the nature of the place and the nature of the user from our own nature to define architecture as the "Nature of Nature".

The Verónica house is only the materialization of that "thought",it is the response to the nature of the place,to the stone hills that form a small bay in which pre-Columbian fishermen once carried out their work,a place in which today it is to accommodate the summer activities of the new Peruvian elite whose nature is hard to find.

From our own nature we have invented circumstances such as:sculpting the hill,caressing it with architecture,using materials that seem to have always belonged to the place to serve and meet the user's claims,which guided our design towards what we believe is the most representative for it:contemporary Peruvian of that social stratum.

剖面圖 Section

一層平面圖 First plan