設(shè)計范圍：招待所/藝術(shù)家住宅

設(shè)計單位：史蒂文·霍爾建筑師事務(wù)所

設(shè)計團(tuán)隊：Steven Holl (design architect),Dimitra Tsachrelia (design architect, project architect), Yuliya Savelyeva, Ruoyu Wei(project team)

結(jié)構(gòu)工程：Robert Silman Associates

用地面積：28 英畝

建筑面積：918 平方呎

時間: 2014年 - 2016年

Program: Guest House / Artist Residence

Architect: Steven Holl Architects

Design Team: Steven Holl (design architect), Dimitra Tsachrelia (design architect, project architect), Yuliya Savelyeva, Ruoyu Wei (project team)

Structural Engineer: Robert Silman Associates

Site Area: 28 acres

Floor Area (Square Feet): 918sf

Year: 2014 - 2016

過去的“內(nèi)部”住宅是對空間語言的探索，旨在討論空間和特定地點(diǎn)能量的共鳴——同時質(zhì)疑當(dāng)前建筑設(shè)計和商業(yè)化的陳詞濫調(diào)。過去的“內(nèi)部”住宅是從 2014年 6 月以來，斯蒂文霍爾建筑事務(wù)所的“內(nèi)”研究開發(fā)項目的一個具象化體現(xiàn)。

在二十八英畝（約 11 公頃）的森林和巖石的場地上，建立了被稱為“T2 保護(hù)區(qū)”的實驗拓?fù)渚坝^區(qū)。原本被劃分為五個郊區(qū)房屋的地塊被合并成一個自然保護(hù)景觀。整個建筑壓縮成 918 平方英尺（約 85平方米），建在二十八英畝（約 11 公頃）的原始郊區(qū)土地上，建筑作為現(xiàn)代主義郊區(qū)的住宅“在大地上無限的蔓延”的替代。過去的“內(nèi)部”住宅是壓縮和內(nèi)部體塊的體現(xiàn)。

建筑的體量是由球體和長方體梯形體相交而形成的內(nèi)部空間。在入口門廊即可感受到球面交叉的幾何結(jié)構(gòu)；根據(jù)建筑體積雕刻出的木制球體時刻靜候著訪客的到來。截面的變化使內(nèi)部空間極富動態(tài)，不同的幾何體重疊在一起，圍繞一個主體量通向第二層，廚房位于中心，潛移默化地改變著空間使用模式。雖然沒有臥室，但可提供5 個個人空間。建筑采用地?zé)峁┡?，代替了化石燃料。電力來自太陽，而不是電網(wǎng)。將 SoloPower 薄膜光伏電池連接到 Sonnen 電池儲能系統(tǒng)，使建筑實現(xiàn)能源獨(dú)立。所有的燈具都是用聚乳酸玉米淀粉基生物塑料 3D 打印的。玻璃和木材都來自當(dāng)?shù)亍?/p>

建筑幾乎完全由建筑工人使用原材料建造而成，采用了桃花心木實木門窗框和門框，以及桃花心木樓梯和樺木膠合板墻。沒有用到任何石膏板。球形交叉空間也是通過彎曲薄木制成的。所有天然的青木油和膠合板內(nèi)飾無處不體現(xiàn)著貧窮藝術(shù)主義的用材和日式侘寂的精神。

The Ex of In House explores a language of space, aimed at inner spatial energy strongly bound to the ecology of the place - questioning current clichés of architectural language and commercial practice.The house is a built manifestation of the research and development project Explorations of "IN" under development at Steven Holl Architects since June 2014.

On twenty-eight acres of forested rock outcropping, the site named ‘T2 reserve’ has been established as an experimental topological landscape.Slated to be a subdivision with five suburban house plots,the site was joined into one natural preserved landscape.As a compressed form of 918 square feet on a site of twenty-eight preserved rural acres, the house serves as an alternative to modernist suburban houses that “sprawl in the landscape”.Instead, the Ex of In is a house of compression and inner voids.

The house’s geometry is formed from spherical spaces intersecting with tesseract trapezoids intended as a catalyst of volumetric inner space.The geometry of the spherical intersections begins to be felt at the entry porch; an orb of wood carved out of the house volume welcomes the entrant.The shift in section of the house alters internal space with vertical dynamic spatial overlap.Situated around one main volume, open to the second level, with the kitchen placed in the center, alternative use patterns are created.There are zero bedrooms, yet the house can sleep five.Instead of fossil fuel, the house is heated geothermally.Instead of grid power, the house has electricity from the sun.Thin film SoloPower photovoltaic cells are connected to a Sonnen battery energy storage system, allowing the house to be energy independent.All light fixtures are 3D printed in PLA cornstarch-based bioplastic.Glass and wood are locally sourced.

The house was made almost entirely from raw materials by the builders, crafting solid mahogany window and door frames, a mahogany stair and birch plywood walls.There is no use of sheetrock.The spherical intersection space was also crafted in curved, thin wood layers.All natural oiled wood and plywood interior finishes are part of the arte povera materiality and economy of this place of wabi-sabi.