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        從女性主義淺析《冰與火之歌》中的女性形象

        2020-09-10 12:15:54李亞嬌
        新教育論壇 2020年10期
        關鍵詞:女性主義

        李亞嬌

        摘要:隨著社會的發(fā)展,女性權益保障事業(yè)日益完善,女性主義研究對中國性別研究的影響力越來越大,許多學者借用女性主義者所倡導的概念來推進爭取婦女權力的努力。要借鑒西方女性主義理論來分析中國的實際問題,就要探討女性主義理論方法論的意義,并用這些方法去分析實際問題。因此,女性主義的研究就顯得尤為重要。本文主要介紹了長篇小說《冰與火之歌》中的社會背景,試圖從女性主義的角度分析了長篇小說《冰與火之歌》中女性們的蛻變過程。她們在陰謀、在苦難的洗禮下,堅韌、頑強的特點顯露無疑,在男人都在為權利而你死我活的爭斗的時候,她們身上的溫情,讓人格外感動。她們追尋自由,獨立的過程,就是女性主義的最好體現(xiàn)。本論文列舉了眾多滿懷女性主義色彩的女性形象,她們通過自己的努力實現(xiàn)了人生價值,獲得了社會認可,體現(xiàn)了女性主義對人類社會發(fā)展的重要性。

        關鍵詞:《冰與火之歌》;女性主義;思想啟蒙;思想解放

        1. Feminist Image in A Song of Ice and Fire

        A. Cersei Who Pursues Political Rights

        Beauty, family and wealth are women's existence in a patriarchal society capital, which has a beautiful Lin, through the politics become queen, and mastered the power of the original. But Cersei soon discovered that, though she was a queen, she had few political opportunities, and that her husband Robert used her only as a token of his alliance with Casterly rock and as an instrument of sexual desire. Thurman heated her husband's indifference and roughness, and retaliated with extreme measures. She murdered her husband, and launched a coup. The children of her incest with her brother Jamie, Joffrey, and Tommen, were successively elected to the throne as Robert's successor, and she ruled the country as they regency queen mother. Heather takes extreme measures to obtain the power she desires, but she cannot use it. Her exercise of power is only an unsuccessful imitation of her father and husband. She hated the patriarchy for hunting her, but when she had power, she hurt other women in the same way and became an abuser. Her perversion and the arrogance led to her eventual downfall. You can despite her politics, you can despite her arrogance, you can you can despise her fate, you can despite her vision. But she is a self-conscious woman who grew up aware of the gender inequality. As a boy, Jamie was raised to great expectations as an heir. Born female, she was educated to be a lady and had good manners. She looked down on the IQ of their own Jamie, she wants to become the heir, she played a trick, let Jamie become a king knight, deprived of his identity as heir. Cersei become green and used the prestige of the land ministers to gain the information and military power of King's landing.

        She had a great sense of political participation, and when Joffrey came to the thrones, she made herself king. When Joffrey and Tywin died, she began to feel that the seven nations were hers, and she wanted to realize her political ambitions. She felt most like her father, a woman's Tywin. She made full use of the two magic weapons of women her power or political means or the use of female characteristics, the use of beauty to win over the public, the use of family money of adoring Adonis. But she is at last standing on the high ground of power.

        B. Sansa Who is not Attached to Masculinity

        The eldest daughter of the guardian of the north and Edward stark, the duke of Winterfell, Sansa was good-looking, modest, courteous, good at music and working women, and she met all society's requirements for aristocratic women. Naturally, Sansa, a handsome knight, longing for romantic love, and looking forward to the romantic life in the ballads, never wanted to join the power struggle, but her birth doomed her to be unable to escape the vortex of power struggle. To win over the north, king Robert made Lord Edward prime minister, and Sansa was able to get engaged to prince Joffrey and go to king' landing with her father. In spite of the way to king's landing, exposed, and in the fight ayah cucina in violent nature, the queen was ling also show a cruel side, ice Wolf lady killed innocent is to let Sansa heart- broken, but it failed to wake her, she continued to escape from reality, fantasy cucina will become the prince in their songs. After her father is killed, she becomes the daughter of a traitor from the duke's daughter; in the queen's watch and king Joffrey beat hard to survive. Cruel reality shattered all her fantasy, she found her love prince joffrey is actually evil and cruel monster; she found that the selfless and fearless knight who protected the weak did not exist in the songs.

        Even the best knight of the seven kingdoms, the kings’ guard, would feel helpless at the command of Joffrey. She found that the noble knights shunned her like bats when she was alone and helpless. Sansa bloody in the residual power struggle, get to know the heart sinister in the murky environment to learn how to see through intrigue, but of the patriarchal society fair maiden type passive rely on male power culture made her only no resistance and independent survival ability character of passive and Confucianism weak that she doesn't have the courage to fight for their rights, she can only hide their feelings, and do the shield with the politeness and lie, as pawns of mercy, disciplined by others. Sansa is a typical representative of westerofian maidens. Society and family teach them to rely on men. Their education is also needlework for housework or etiquette and music for pleasing others. But once they lose the bottom guard, they can only be passive and controlled, and it is difficult to achieve personality independence.

        C.Arya Who has a Brave Heart even with a Small Body

        “Ladies shouldn’t play with swords

        I'm not playing and don't want to be a lady.”

        Be not playing and don't want to be a lady."Because she's arya, arya is in her heart. The whole song of ice and fire, the most admirable and distressed, is arya, the appearance of people confused tomboy. She did not want or despise her sister's daily stitch-ups and ladylike education. Her dream was to become a knight of soil.She had been resolute and upright since childhood. The righteous blood of the Starks flowed through her. What she does not know, however, is that the world is never fair, especially in a world where the hierarchy is clear and winners and losers seek power. As a child, she had an enlightened father, a loving and supportive brother. All the happiness and lost 50 unexpectedly. The moment stark went north to king's landing was the beginning of the family's misfortune.The elder sister is controlled, experience the father that loves to be cut off by enemy personally the head is angry, unwilling, however impotent despair. From that moment on, her heart, only revenge, who dares to move her love of the family, she must die to let it pay the price. It doesn't matter how powerful the enemy is, how powerful the enemy is, how many armies there are, met Jia Kun by accident and inevitably the burning fire of revenge combustion is increasingly vigorous, in order to learn the real thing, and tortured in the stick again and again don't let go she returned to the light, began to learn the power of god, and of thousands of surface seems to have forgotten the past myself, really but I firmly believe that she or her, or like the girl with perseverance. She came back, at this time of her, is no longer that young ignorance, rampage little Wolf girl, experienced so many hardships, she learned not only a mask of a martial arts and for bearance and calculation, and hatred gave her vicious, strong and brave, a righteous, Look at her revenge, really is very happy.

        D.New Female Daenerys Who Pursues PersonalityIndependence

        The dragon mother started out as a jittery little girl slowly growing into a long line of titles for the queen. The dragon mother in the eyes of a strange man is a silly little girl who doesn't understand. The dragon mother grew up in the environment that made her, plus her grasp of the environment her experience, the achievements of this unique queen. As the saying goes, a person how much glory, and how much responsibility she is. At the age of thirteen, he was sold by his brother to a tall and powerful alien. He had to learn to please him. After her husband died, her children miscarried and left a mess that she would have to bear. She has a plug, her dragon, that allows her to get preferential treatment in a city, but also has all kinds of traps and betrayals. With the death of her brother and husband, Daenerys broke away from the attachment to male power and began to lead her own life. She knew what people said, had her own set of governance philosophy and never forgot her original intention, and won successively. Despite occasional setbacks, a queen has grown up. The dragon mother is a woman who did not abandon the female characteristics, and did not use the female characteristics, and did not use the female characteristics, but by virtue of their own charm, wisdom, strength to take over the world. She hatches the dragon which has already died out for a hundred years from the flame, relies on own “the dragon mother” and “does not burn” the strength, conquer the troops, had own iron alliance guard and the Khalasar, became the first to hold the dominion the kali to shine. After witnessing the darkness of slavery, she resolutely conquered the three slave states of AshapoorYuankai and Meereen, overthrew the slavery system, liberated all the slaves, and became the formidable queen of Meereen. Daenerys by being at the mercy of a cowardice, girl gradually grow into a hand heavily the queen liked by his subjects, become the most powerful women, in the process, Daenerys realized the radical transformation, she became more and more powerful, feed from the control of male power and control, truly realized the personality independence.

        Bibliography:

        [1]Awino, Okech. On Feminist Futures and Movement Imperatives. Cambridge: Cambridge University Press, 2015

        [2]Gao, Shang. “Some of the origins of the religions in A Song of Ice and Fire”.Cinematography(9 June 2015),3

        [3]Jonathan, Schaffe. “Social construction as grounding for feminists”. Boston: H-oughtonmifflin, 2017

        [4]Peter, Huang. “Material feminismand ecocriticism”. New York: Bowker, 2017

        [5]Theodore, Sider. “Substantivity in feminist metaphysics”. Philosophical Studies ( 9July 2015), 5-6

        [6]羅婷,謝鵬主編《生態(tài)女性主義與文學批評》,北京:外語教學與研究出版社,2004。

        [7]梁煜,“《權力的游戲》的平等敘事和懸念設置”,《當代電視》2017(6),第1—2頁。

        [8]劉志輝,“西方文學中的女性主義思考”,《女性主義文學》2015(4),第5-7頁。

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