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        蘇州御窯遺址園暨御窯金磚博物館,蘇州,中國

        2020-06-13 12:35:20建筑設(shè)計家琨建筑設(shè)計事務(wù)所
        世界建筑 2020年5期
        關(guān)鍵詞:磚窯相城區(qū)御窯

        建筑設(shè)計:家琨建筑設(shè)計事務(wù)所

        蘇州陸墓御窯遺址公園位于蘇州市相城區(qū),主要功能為御窯遺址保護,金磚等文物的陳列展示及相應(yīng)的文化研究與交流。博物館意在通過建筑的組織和景觀營造,保護珍貴的文物遺跡,展現(xiàn)御窯金磚的歷煉過程,感觸御窯金磚的歷史文化內(nèi)涵。

        采用周邊圍合的布局方式,營造園林式的內(nèi)向型空間,使核心保護區(qū)面積最大化。基地北面臨橋設(shè)林蔭道,隔絕喧囂,營造氛圍,借助體量高度遮擋南邊小區(qū)。內(nèi)部利用生產(chǎn)用房和窯群的分布組織視線,流線設(shè)計迂回曲折,曲徑通幽,移步換景。

        博物館主體建筑是對磚窯和宮殿的綜合提煉,體量雄渾,出檐平遠(yuǎn),以現(xiàn)代手法演繹傳統(tǒng)意蘊。它不是磚窯,也不是宮殿,而是兼具“磚窯感”和“宮殿感”的當(dāng)代公共建筑,展現(xiàn)出“御窯”的精神內(nèi)涵。

        博物館建筑群使用當(dāng)代廣泛應(yīng)用的各種磚料構(gòu)筑,層層遞進,烘托出金磚。它不僅僅是關(guān)于金磚的博物館,也是一部從古至今的磚的編年史。

        景觀設(shè)計突出遺址感,以自然荒野的景觀設(shè)計手法隱喻歷史,同時更好地保護御窯遺址原貌。公園內(nèi)部通過整窯、半窯、殘窯等多種狀態(tài)的窯,形成群體感,再現(xiàn)當(dāng)時金磚生產(chǎn)場景盛況,并可從多方面了解窯的構(gòu)造與金磚的生產(chǎn)過程,擴充博物館本身的知識性。

        Suzhou Imperial Kiln Ruins Park & Museum of Imperial Kiln Brick is located in Xiangcheng District in Suzhou. It is kept intact and currently used mainly to preserve the historical ruins, to display cultural relic such as Jin Zhuan (the literate translation is the Golden Brick) for related cultural investigation and communication. The museum aims to display the entire manufacturing process of Jin Zhuan through the blending of architecture and landscape, as well as offering a vivid experience of the cultural and historical essences of the imperial kiln.

        The development of the city has surrounded this land. In order to create an immersive historical atmosphere for tourists, the museum adopts an encircled planning. Buildings and the boulevard block noise, while the circuitous colonnade connects scattered buildings forming a centripetal space that echoes to the introversive space of a traditional Chinese garden and maximises the area of the protection section.

        The main body of the museum is an abstract summary of the imperial kiln and the imperial court with a forceful mass and a formal plainness inspired by the protruding eaves of traditional Chinese architecture. The internal space is divided into three parts - the abstraction of the palace; the production,transportation and the use ofjin zhuan(imperial brick), and the abstraction of the brick kiln.

        The museum is neither a kiln nor an imperial court, but a contemporary public architecture that combines the embodiment of both.

        The architectural complex employs a variety of widely applied contemporary constructions with bricks that highlight the presence ofjin zhuan. The architecture presents more than a museum ofjin zhuan, but also the annals of bricks from the past to the present.

        The landscape design pictures a sense of wilderness so as to emphasise the condition of ruins and to keep the original status of the site. The complete, half and broken kilns inside the park are arranged to form a sense of community that evokes visitors' imagination of the heyday of the production ofjin zhuan. The museum endeavors to enhance its academic performance by providing an opportunity to learn about the structure of the kiln and the production process ofjin zhuan.

        1 御窯金磚博物館序廳/Preface hall of the Museum

        2 總平面/Site plan

        3 御窯金磚博物館北立面/North side of the Museum

        4-6 剖面/Sections

        項目信息/Credits and Data

        業(yè)主/Client: 蘇州市相城區(qū)文化體育局/Suzhou Xiangcheng District Culture and Sports Bureau

        主創(chuàng)建筑師/Principal Architect: 劉家琨/LIU Jiakun

        設(shè)計團隊/Design Team: 田申,王璽,劉速,楊鷹,林宜萱,王凱玲,張瞳,蘇思輝,許皓,毛煒希,李靜/TIAN Shen, WANG Xi, LIU Su, YANG Ying, LIN Yixuan, WANG Kailing, ZHANG Tong, SU Sihui, XU Hao, MAO Weixi, LI Jing建筑面積/Building Area: 15,326m2

        基地面積/Site Area: 38,875m2

        設(shè)計時間/Design Period: 2012.05-2014.12

        施工時間/Construction Period: 2013.11 - 2016.05

        攝影/Photos: 姚力,存在建筑-建筑攝影/YAO Li, Arch-Exist

        7 首層平面/Ground floor plan

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