The expression of Oriental thought is more implicit. The beauty of implements should be in the charm that its own place has not only，still have its to natural ground tolerance and acceptance degree. Generally speaking，if we study the flower wares from the perspective of the wares，we will always focus our research on the objectively existing features of the wares：shape，color，volume and so on. But in fact，flower ware is not a kind of display that blooms brilliantly alone. As the ancient Chinese scholars have always maintained the aesthetic of flower wares，flower wares and flowers can not be separated. The flowers are set off by the flower apparatus，which is the finishing touch of flower arrangement art. As pointed out in Heidegger's famous theory of "appliance factor of appliance"，ceramic products as an appliance have its own real existence，and when its internal space is placed into the flower，it can be endowed with the meaning of flower ware. A good ceramic flower implement can perfect fusion with flower，realize the artist "in the sometimes-complex mix-and-match，I and you" compatible with each other and the creation of the idea，the fundamental reason lies in its shape and spirit can with later flower arranging composition to achieve the perfect coordination，the flowers to the viewer in the subconscious is the "ontology" and the "object" flower mix together. In general，a good flower is not about the visual impact of its appearance itself，but about whether it can reproduce the uniqueness and roots of the soil placed in the flower. But in fact，to do this is not too easy，at the moment for most of the ceramic art creators，simple and practical of buy flower does not see more，artists are more inclined to implements itself on the connotation of the excavation，and doesn't really consider to experience this，especially with floral organ function implements after insert put flowers on how to show another kind of hidden beauty. That is to say，if you are ready to create a really will be applied to ceramic flower flower，flower arrangement is an art that the potters itself should be slightly of，it can be more clear forecast this floral organ can be suitable for what kind of flower arrangement form，or is he did spend in color，shape，texture，has a great tolerance，can meet the flower arranging art form as much as possible，at this point，inside collect implicit Oriental aesthetic potters may have more experience.

From the aesthetic point of view，the most obvious manifestation of the change of times in ceramic design is the introduction of new ideas. The so-called new concept is actually the variation of mainstream thought caused by the changes of social aesthetic consciousness，market economic environment and political system. To analyze this phenomenon from the psychological level，the main reason is that no matter which era，the mainstream consumer groups in the middle and lower levels of the society have been "looking up" to observe the upper society's aesthetic and consumption concept，that is，the so-called "upper down effect". In the process of imitation，mainstream consumers' thoughts also follow those elites with higher aesthetic taste to change. Today，the "elite class" may be defined more broadly，but in general，they are a group of "fashionable" people. Xu Min explained the entry of "fashion" in the book "Key Words in Western Literary Theory"："Fashion，or fashion，fashion，fashion... It is a form of life of modern people，it reflects，performance and construction of modern People's Daily life form and its spiritual world… "Fashion is first and foremost a western phenomenon，and Chinese fashion is following the trend of westernization." The fashionable elite class has the supreme social status，their aesthetic preferences are based on good education，they are well-informed in their daily life，and their taste in art is sharp and unique，so they naturally become the objects that the middle and lower classes are eager to imitate and imitate. As Jonathan Berger has said，"No charm could exist if social envy of the individual did not develop into a universal and universal emotion. Industrial society is the ideal society to produce this kind of emotion." Because the middle and lower class consumers yearn for the elite group life，they also unconditionally accept the elite's aesthetic concept，which becomes the fundamental reason for the rapid popularity of "fashion". Therefore，the new concept we need to grasp is actually this "fashion". However，due to the deviation of understanding consciousness，many people now think that fashion is a luxurious style，which is associated with grandiosity and magnificence，and is an aesthetic style based on money. This understanding is actually incomplete. In the 21st century，the connotation of fashion is richer. It can be the continuation of traditional elements or the comprehensive expression of designers' personal feelings and ideas.

Wang Guowei in "human words" in once said："the environment is not only that scenery also. Joy，anger，sorrow，also one of the realm in the heart. So can the scenery，true feelings，that there is a realm，Otherwise，it is beyond bounds." This is a traditional Chinese aesthetic way，the so-called environment to write the feelings，the meaning of the feelings is such. In the evaluation system of traditional Chinese art value，it has long been an important index to measure the success of artistic creation whether it can properly show the elegant and far-reaching aesthetic conception. Ceramic flower ware full of humanistic temperament is facing a brand new scene in the 21st century. Maintaining such internal temperament does not mean blindly inheriting the tradition. The new society will naturally have new forms to show the new literati character.

作者簡(jiǎn)介：

黃春明（1996.04-），女，漢族，山東省濟(jì)南人，齊魯工業(yè)大學(xué)（山東省科學(xué)院），2018級(jí)研究生，碩士學(xué)位，專(zhuān)業(yè)：藝術(shù)設(shè)計(jì)，研究方向：裝飾藝術(shù)設(shè)計(jì)，指導(dǎo)老師：劉木森。

（作者單位：齊魯工業(yè)大學(xué)（山東省科學(xué)院））