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        阿布扎比大清真寺

        2019-10-28 07:56:48阿拉伯聯(lián)合酋長(zhǎng)國(guó)
        世界建筑導(dǎo)報(bào) 2019年5期
        關(guān)鍵詞:阿布扎比清真寺燈具

        阿拉伯聯(lián)合酋長(zhǎng)國(guó)

        建設(shè)單位:阿布扎比市農(nóng)業(yè)部

        建筑設(shè)計(jì):Spatium Architects

        執(zhí)行建筑師:Halcrow

        照明設(shè)計(jì):Speirs + Major

        攝影:? Allan Toft & Speirs + Major

        Client: Department of Municipalities and Agriculture, Abu Dhabi

        Architect: Spatium Architects

        Executive Architect: Halcrow

        Lighting Designer: Speirs + Major

        Photography: ? Allan Toft & Speirs + Major

        阿布扎比大清真寺是一座非常特殊的建筑,特別重視光的象征意義。我們需要為建筑物創(chuàng)造出一個(gè)整體照明形象,包括室內(nèi)和室外。我們的設(shè)計(jì)對(duì)城市具有里程碑意義,展現(xiàn)出文化深厚的意蘊(yùn)及宗教內(nèi)涵。伊斯蘭歷法基于28天的月運(yùn)周期,因此月亮的圓缺周期成為了照明設(shè)計(jì)的靈感源泉及統(tǒng)一元素。就像月亮對(duì)潮汐的影響一樣,我們希望月亮也以相同的方式影響著建筑。

        這種想法源于滿(mǎn)月給人們留下的詩(shī)意印象,隨著月運(yùn)周期的推移,幾縷浮云緩緩飄落在圓月前,清真寺也隨之變幻。滿(mǎn)月時(shí),建筑物籠罩于冷白色的光芒之中,光照映射出其表面的凹凸紋理,隨著月亮在周期中漸虧,每?jī)蓚€(gè)晚上顏色都會(huì)發(fā)生變化,燈光逐漸變?yōu)樗{(lán)色,且愈來(lái)愈深。到了第十四個(gè)晚上,清真寺被映照在最深的藍(lán)色燈光之中,這象征著黑暗——然而觀眾卻永遠(yuǎn)無(wú)法察覺(jué)出建筑顏色的變化。

        室內(nèi)照明使復(fù)雜的建筑與室外保持一致,相得益彰。19,000個(gè)燈具創(chuàng)造出明亮的空間并突出建筑特色。燈具大多被隱藏起來(lái),被融合至穹窿、壁龕、壁架中,musharabia (有雕刻的木格)背后也隱藏著很多光源,建筑本身看起來(lái)宛如自然發(fā)光。

        The Grand Mosque of Abu Dhabi is an extraordinary building that attributes particular symbolic importance to light. We were approached to produce an entire lit vision for the project, inside and out, and the result we delivered provides a huge landmark impact for the city, as well as deep cultural and religious sensitivity.

        With the Islamic religious calendar based on the 28-day lunar cycle, we looked to the moon as our source of inspiration, and this became a unifying element in the lighting design. In much the same way as the moon in fl uences the tides, we wanted the moon to shape the experience of the building.

        Starting with the poetic impression of a full moon with wisps of cloud moving across its face, as the lunar cycle progresses, so the building also alters in character. Fromthe textured cool white of the full moon, there is a subsequent shift in colour every two evenings, growing gradually bluer as the moon wanes. By the fourteenth evening, the mosque is lit in deepest blue to signify darkness - and yet the viewer is never able to perceive the building changing from one colour to the next.

        Internally the lighting lends coherence to the complex architecture. Nineteen thousand luminaires are used to light the space and highlight the special individual features. These are mostly concealed, integrated into coves, niches, ledges and behind musharabia (carved wooden latticework) details, creating the impression that the building itself is glowing with natural luminance.

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