項(xiàng)目地址：四川省眉山市東坡區(qū)

業(yè)主單位：萬(wàn)科眉州置業(yè)

用地面積：12 000 平方米

建筑面積：2 760平方米

設(shè)計(jì)單位: XAA建筑事務(wù)所詹濤工作室

主創(chuàng)建筑師: 詹濤

方案設(shè)計(jì)：田望、王夢(mèng)宇、鄔超、李梔、林爍、

林希騰，黃娘新，黃曉煒

幕墻設(shè)計(jì)：張德強(qiáng)，唐杰鴻，譚琨

結(jié)構(gòu)/機(jī)電設(shè)計(jì)：廣州瀚華建筑設(shè)計(jì)有限公司結(jié)構(gòu)所

室內(nèi)設(shè)計(jì)：廣州燕語(yǔ)堂裝飾設(shè)計(jì)有限公司

景觀設(shè)計(jì)：笛東規(guī)劃設(shè)計(jì)（北京）股份有限公司

效果圖：XAA建筑事務(wù)所CG工作室

設(shè)計(jì)時(shí)間：2018年

竣工時(shí)間：2019年

攝影：九里建筑、鄔超、路徑建筑攝影、形在建筑空間攝影

Project location: Dongpo District, Meishan City, Sichuan, China

Client: Vanke

Site Area: 12 000 m2

Build Area: 2 760 m2

Design Firm : Janson Xian Architect+Associates (Xaa)

Lead Architects: Zhan Tao

Design Team: Tian Wang, Wang Mengyu, Wu Chao, Li Zhi, Lin Shuo, Lin Xiteng, Huang Niangxin, Huang Xiaowei

Facade Consultant: Zhang Deqiang, Tang Jiehong, Tan Kun

Structure/Engineering Design: Guangzhou Hanhua Architects+Engineers Co.,Ltd

Interior Design: Enjoy Design

landscape Design: DDON

Rendering: XAA-CGSTUDIO

Design Date: 2018

Completion Date: 2019

Photographer: ix-miles , Wu Chao, Lujing Photography, Here Space Photography

尋

“大江東去，浪淘盡，千古風(fēng)流人物。”——蘇東坡《念奴嬌·赤壁懷古》

眉山，緊鄰省會(huì)成都，車程約1小時(shí)，有半小時(shí)高鐵直達(dá)，交通便利。其悠久的人文歷史，可追朔至1500年前，在唐宋年間尤為興盛。公元1037年，蘇軾生于四川眉山。史載，兩宋300年間，眉山得進(jìn)士者近千人，而“三蘇”蘇洵、蘇軾、蘇轍更為眉山才子典范，宋仁宗曾感嘆“天下好學(xué)之士多在眉州（眉山）”。

“眉山出三蘇，草木為之枯?！泵贾莸母咐相l(xiāng)親們對(duì)蘇氏父子的喜愛(ài)埋在了骨子里。尤其是對(duì)蘇軾，鄉(xiāng)親們實(shí)在詞窮了，就干脆說(shuō)他是文曲星下凡，儼然已經(jīng)把他當(dāng)作自己家鄉(xiāng)的不二代言人。萬(wàn)科，將東坡書院選址于眉山岷江畔。致敬這位偉大的文人，表達(dá)對(duì)眉山這片土地和人民的熱愛(ài)。

Opening

Meishan city, where is one hour’ s drive away from the capital city of Sichuan. The city is proud of its 1500 years long humanity history and especially the high light time from Tang to Song Dynasty.

Around 1037 A.D., Susi (who is one of greatest litterateur, politicians and poetics in China’s history) born in Meishan city. According to written history, there were nearly a thousand Meishan inhabitants were selected to serve the emperor of country because of their outstanding literacy just during the 300 years of Song dynasty. It shows how the people in Meishan city love literature.

形

“橫看成嶺側(cè)成峰，遠(yuǎn)近高低各不同?！薄K東坡《題西林壁》

一位詩(shī)人說(shuō)過(guò)：“詩(shī)是開(kāi)創(chuàng)形式的靈魂”。

書院并未拘泥于傳統(tǒng)建筑形式，而是受到詩(shī)的啟發(fā)，以簡(jiǎn)練奔放折躍的屋面表達(dá)出建筑的性格和空間張力，如同蘇軾不拘一格的豪邁個(gè)性。延綿起伏的屋頂呼應(yīng)峨眉山起伏的山勢(shì)，借湖光水影，水陸交替，靜臥湖邊。

建筑連續(xù)的坡屋面有效地營(yíng)造了連續(xù)的外廊空間，成為訪客提供靜坐品茗、憑欄眺望的場(chǎng)所，也是建筑與環(huán)境過(guò)渡、融合、室內(nèi)外情景交替的空間。

屋頂三大片天窗為室內(nèi)的博物陳和閱讀提供了良好垂直自然光線，與屋檐下四方落地的連續(xù)玻璃面一起，創(chuàng)造了一個(gè)通透、自由而連續(xù)的空間，讓視線可以肆意穿越，建筑也由此 “浮”于水面。

感

我們希望對(duì)事物的認(rèn)知不僅停留于視覺(jué)，對(duì)建筑亦是如此。一座能通過(guò)手來(lái)“閱讀”，因“觸摸”而感知的建筑應(yīng)該是有溫度的。于是，書院的屋頂便延伸到了地面，路過(guò)的人可隨時(shí)觸碰和撫摸屋面墨色的瓦，用觸覺(jué)感知墨色的質(zhì)感和溫度，觸發(fā)內(nèi)心深處“瓦”的記憶。

由于借鑒了傳統(tǒng)木結(jié)構(gòu)的建構(gòu)體系，整體采用鋼結(jié)構(gòu)體系，使得近人尺度的豎向支撐體系得以采用鋼、木兩種材料混合運(yùn)用，木質(zhì)的溫潤(rùn)與鋼、玻璃的涼意形成的反差，加強(qiáng)了人的存在意識(shí)。踩著木質(zhì)外廊，伴隨咿呀作響的腳步聲，人可行至石階邊，拾級(jí)而下，水面近在眼前，疊水之聲與湖面漫起水的霧氣，讓人仿佛置身水墨畫卷。

意

“白露橫江，水光接天?？v一葦之所如，凌萬(wàn)頃之茫然。浩浩乎如馮虛御風(fēng)，而不知其所止；飄飄乎如遺世獨(dú)立，羽化而登仙?！薄K東坡《前赤壁賦》

正如中國(guó)哲學(xué)大家朱光潛先生所說(shuō)：“美不僅在物，亦不僅在心，它在心與物的關(guān)系上面?！蔽覀兿Ｍ竭@里的人在親近自然的同時(shí)，更能通過(guò)身體的全面感知，能將自己融入這熟悉的東方水墨場(chǎng)景。書院的存在，也在眉山這片土地上，因?yàn)闃?gòu)建了與人的一種新的交流關(guān)系而變得更美。

Among all these outstanding people in Meishan City’s history, the local people especially love Sushi and they metaphorically say Sushi was God of literature descend to earth. Therefore,they memorized him and have made him the symbol of Meishan City. The city developer pioneer, Vanke, is going to build academy architecture beside the MIngjian river of Meishan city. In order to salute to Sushi and express the love for the people and land of this place.

Forms

One poetics had said, poem is the soul for creating the form.

Unlike the general modern architecture, inspired by poems from Sushi, the architecture shows the strong personality and space tension by its mountainous roof.

The consistency of roof has cultivated, created proper atmosphere forvisitors with different activities. It is also a transitional space between outdoors and indoors.

Natural lights can go through the architecture freely because three large scale roof windows and all the light penetrable surrounding glass curtain wall. And because the application of glass curtain wall, it makes the building fl oating above the lake in front of it.

Sense

As architects, we hope we can do more than the matter of visual.

By applying steel structure instead of concrete, visitors can sense the warm of architecture because the scale of construction is friendly to human, it also remains visitors the traditional wooden building. However, the usage of glass and metal materials provide the surprising cool touch for visitors and such contrast will enhance the impression of being in the moment.

Bonding

Borrowed from the philosopher, Zhu Guangqian, beauty is not just exist in the object itself or the observer, but also existing in the connection.

The existence of this architecture had establish a kind of connection between local people and culture, nature, we hope some beautiful things had been brought to Meishan city because it.