天津市開發(fā)區(qū)

建筑師：滑際珂

項目地點: 中國天津

設計團隊：滑際珂，武超，田園，宋楊

完成時間：2015年6月

基地面積：2 400平方米

建筑面積：948平方米

攝影：姚力

Architect:HUA Jike

Location: Tianjin, China

Design Team: HUA Jike，Wu Chao, Tian Yuan, Song Yang

Completion: Jun. 2015

Site Area: 2,400 m2

Gross Area: 948 m2

Photographer: Yao Li

在格調臨泉會館的建筑設計中，建筑師嘗試將密斯·凡·德·羅式的現(xiàn)代流動空間和傳統(tǒng)中國私家園林的游走流線柔和在一起。在迷你的庭院空間里，不同層次的風景組織在游走的線路上。建筑師力圖用當代材料去構建傳統(tǒng)感覺。

格調臨泉中運用園中園的手法來引導注意力，從而使居住者得到比較舒適的體驗。中國傳統(tǒng)文化常以小見大，在小空間中擺布合適居住尺度的園林結構，特別適合城市中產階級在都市鋼筋水泥的叢林中找尋一灣心靈的寧靜之所。

入口一層屋檐用現(xiàn)代的材料鋼管，模擬瓦屋面滴水和瓦當?shù)男Ч蓍芟碌姆履句X合金格柵模擬傳統(tǒng)屋檐的椽子的立面效果。鋼管與方鋼形成檐下的雙層肌理形成傳統(tǒng)木結構建筑檐下豐富的光影效果。瓦當?shù)难b飾在這里轉化為鋼管斷面的項目案名圖案。會館主體L形建筑二層水平挑檐深遠，一層與二層雙層水平檐下的豐富的構件強化了庭院水平方向，路徑和序列的設置強化居民進入社區(qū)的人視高度的視覺體驗。正如傳統(tǒng)園林和繪畫空間的水平序列的徐徐展開，有意和都市高密度的社區(qū)形成強烈的對比，以回避了住宅高層的壓迫感。在建筑東面和面向內庭院的北立面設計了拉索式金屬垂幕。在二層室外走廊形成了半室外半透明的空間，其意在建筑和城市空間之間設置一層視線過濾。

In the architectural design of Gediao Linquan, the architect attempts to combine the idea offiowing space coined by Ludwing Mies van der Rohe with thefiowing lines usually seen in traditional Chinese private dardens. In the miniature courtyard space, landscape of different levels is organized along the route of travel. The architect tries to create a traditional sense with contemporary materials.

Gediao Linquan utilizes the technique of garden within garden to attract people's attention and ti give the residents a cosy experience. Chiese traditional culture emphasizes showing big things through small things. Garden structure thatfits the scale of the residence is deployed in a small place, which is suitable for the urban ordinary middle class to see a peaceful place for the soul in the forest of steel and concrete.The modern material steel pipe used in the eaves of the entrance is used to simulate the effect of water dripping and tile roof. The wooden aluminum alloy grating under the eaves simulates the facade effect of the rafters of the traditional eaves. Steel pipe and square steel formed the double layer texture under the eaves to form the rich light and shadow effect under the eaves of traditional wooden structures.Here, the decoration of walden is transformed into the project name pattern of steel pipe section.The horizontal overhanging eaves on the secondfioor of the main L-shaped building of the hall are farreaching. The rich components under the horizontal eaves of thefirst and secondfioors strengthen the horizontal direction of the courtyard. As the horizontal sequence of traditional garden and painting space

總平面圖 site plan

一層平面圖 1stfioor plan

二層平面圖 2ndfioor plan

空間組織：會館主要功能是臨時售樓處對格調林泉項目的展示銷售辦公空間，同時也兼具整個林泉社區(qū)的人行出入口。在整個小區(qū)的設計中，考慮2.0的容積率，建筑師想創(chuàng)造出傳統(tǒng)中式園林的庭院感與高密度社區(qū)的結合的考慮，把會館和社區(qū)人行口放在小區(qū)用地的東南角尺度較小，周邊密度相對較低的翠園西路一側，用二層低矮的水平尺度引入人流，通過會館庭院空間景觀的處理，把都市的速度和尺度通過入口庭院降下來。

會館在狹小的空間內建筑師試圖借鑒傳統(tǒng)園林的小中見大，借景，空間滲透等處理手法，使有限的空間處理成無限的感覺。從入口空間開始，從外看到內，從內到外，利用半透明的玻璃，鏤空的景墻，垂直拉索的設置，增加空間的縱深感和模糊性。入口綠植墻穿插在屋檐下的白墻之中，在翠園西路較小的街道尺度下減弱了會館的尺度，增加街道的豐富性和復合性。綠植墻考慮到北方冬季的效果，使用鏤空的編制肌理在不同的季節(jié)下的效果。材料選用適于綠植生長的透氣高強度呼吸混凝土砌塊砌筑，形成縷空的效果。樓梯在平面中居于核心位置，放在室外，更多的體會是空間游走的樂趣。樓梯的二段踢跑運用了不同的坡度，第一個踢跑較為平緩的15度，近似坡道的游走式的感受。第二段踢跑30度，形成空間行走的變奏。為了體現(xiàn)樓梯的輕盈感，樓梯踏面和梯面選用了穿孔鋁板；為了強調空間的朦朧感和含蓄性。

unfolds gradually, it is intended to form a strong contrast with the high-density urban community, so as to avoid the sense of pressure on the high-rise residential buildings.In the east of the building and facing the north facade of the inner courtyard, a metal curtain of lasso type was designed.The outdoor corridor on the secondfioor forms a semi-outdoor translucent space. It means to set a layer of line of sightfiltering between the building and the urban space.

Space organization: The main function of the guild hall is to display and sell the office space of the temporary sales office for the project of style Lin quan. In the design of the whole community, consider the volume ratio of 2.0, the architects wanted to create a traditional Chinese garden courtyard of the combination of feeling and high-density community into consideration, the hall and community pedestrian mouth in the southeast corner of village land use scale is small, around the green garden road west side of the relatively low density, with a low level on the second floor scale introduction of stream of people, through the treatment hall courtyard space landscape, the speed and scale of urban down through the entrance to the courtyard.

In the narrow space, the architect tries to learn from the treatment methods of traditional garden, such as small medium and large, borrowing sceneries and space infiltration, so that the limited space can be processed into an infinite sense. From the entrance space, from the outside to the inside, from the inside to the outside,the use of translucent glass, hollowed-out view wall, vertical cable setting, increase the depth and fuzziness of the space.The green planting wall at the entrance is interspersed with the white wall under the eaves, which weakens the scale of the hall and increases the richness and complexity of the street under the small street scale of the west cuiyuan road. The green planting wall takes into account the effect of northern winter and USES hollow-out weave texture in different seasons.Materials suitable for the growth of green plants, breathable high strength breathing concrete block masonry, forming a continuous hollow effect.Stair is in the core position in the plane, put outdoors, more experience is the pleasure of space walk.The second part of the staircase kicks with different slopes, the first kick runs a relatively gentle 15 degrees, similar to the feeling of the slope walk. In the second paragraph, kick 30 degrees to form a spatial walking variation. In order to refiect the lightness of the stairs, the stair tread and the stair tread are made of perforated aluminum. In order to emphasize the hazy and implicit space.