建筑設(shè)計(jì)：基梅爾·埃謝科羅特建筑事務(wù)所

設(shè)計(jì)團(tuán)隊(duì)：Michal Kimmel Eshkolot , Etan Kimmel,Ilan Carmi, Limor Amrani

主持建筑師：Limor Amrani

業(yè)主：特拉維夫大學(xué)

面積：地面10 000 平方米，地下14 000 平方米

結(jié)構(gòu)工程：拉哈特工程協(xié)調(diào)管理有限公司，

Eliezer Rahat, Daniel Rahat

承包商：Rom-Geves, Shitufit

景觀設(shè)計(jì)：Braudo Maoz

照明設(shè)計(jì)：Shiri Ziv

攝影：Amit Geron

Architecture: Kimmel Eshkolot Architects

Design team : Michal Kimmel Eshkolot , Etan Kimmel, Ilan Carmi, Limor Amrani

Architect in charge: Limor Amrani

Client: Tel Aviv University

Area: above ground: 10 000 m2; Underground parking: 14 000 m2

Structural engineering: S.BEN-ABRAHAM Engineering

Construction manager: E.D. Rahat Engineering Coordination and Management Ltd.Eliezer Rahat, Daniel Rahat

Contractors: Rom-Geves, Shitufit

Landscape architecture: Braudo Maoz

Lighting Design: Shiri Ziv

Photographer: Amit Geron

新的博物館將成為特拉維大學(xué)自然歷史類收藏品的新家，該建筑設(shè)計(jì)包含展覽和研究?jī)煞N功能。通常未展出的收藏品都會(huì)放置在一個(gè)大木箱里——珍貴的植物和動(dòng)物標(biāo)本儲(chǔ)存箱。設(shè)計(jì)師正是借鑒了標(biāo)本箱這一形象，將建筑體打造成一個(gè)神秘的寶箱，邀請(qǐng)人們進(jìn)入?yún)⒂^。盒子式建筑體象征著永恒，兼具歷史與未來(lái)兩種象征意義。建筑立面覆蓋著工業(yè)木板，這樣的設(shè)計(jì)可以保護(hù)收藏品，減少氣候?qū)Σ仄返挠绊憽?/p>

博物館位于特拉維大學(xué)植物園的入口處，設(shè)計(jì)師為此特意建造了一個(gè)新的入口通道，便于通達(dá)博物館，同時(shí)，引導(dǎo)人們將花園和博物館結(jié)合參觀。建筑物如同懸浮在地面上，將花園的景色展現(xiàn)給路人。博物館展區(qū)分布較廣，一部分暴露在陽(yáng)光下，通過(guò)斜坡與中庭相連，另一部分則位于較暗的房間內(nèi)。這些坡道都設(shè)計(jì)較寬，且坡度較緩，方便游客（包括殘疾人士）進(jìn)入?yún)⒂^，同時(shí)體驗(yàn)不同的空間氛圍。博物館樓頂有露臺(tái)，在這里人們可以俯瞰整個(gè)植物園，然后直接前往公共廣場(chǎng)，繼續(xù)游覽花園。

研究實(shí)驗(yàn)區(qū)位于博物館的上層，這樣的設(shè)置方便研究人員能夠看顧所有的館藏。研究人員的通道是單獨(dú)設(shè)置的，與游客的游覽通道分開(kāi)。但在通道最高處，游客和研究人員可以產(chǎn)生交集，進(jìn)行交流。

As a new home for the spectacular natural history collections of Tel Aviv University, the building combines exhibition spaces and research activities. The collections, which were never before on display, were placed in a large wooden chest - a treasure box of valuable specimens offiora and fauna. The building enfolds the box and offers it to the public as an enigmatic object, invited to be explored. The box itself,which aspires to be of timeless qualities, concurrently ancient and futuristic, is covered with industrial wooden panels that highly insulate the collections and keep them under strict climate control.

The building is located at the entrance to the Botanical Gardens of Tel Aviv University, creating a new entryway for them and suggesting a combined visit to the gardens and to the museum. Floating above the ground, the building exposes the gardens and ‘pulls’ them to the street.

The exhibition of the museum spans across a diverse path which is in part exposed to daylight in ramps that open to the main atrium, and in part positioned within darker spaces. The ramps are wide and with minimal slope, allowing visitors, including those with disabilities, to walk up to the treasure box while experiencing the different spaces of the building. The visit ends on the rooftop terrace,overlooking the botanical gardens, from which visitors can go directly down to a public square and enter the gardens.

Placed in the upper levels, the research laboratories give researchers access to the entire collections.They are separated from visitors with independent circulation paths. However, within the treasure box,at the peak of the museum path, visitors and researchers are exposed to one another in series of choreographed encounters.