Yasmina Reza劇作《藝術(shù)》（Art）的舞臺(tái)，該劇作由荷蘭阿爾梅勒的“郊外”劇組表演。

這一項(xiàng)目預(yù)算很低，但我們卻非常享受整個(gè)設(shè)計(jì)過程。臨時(shí)舞臺(tái)（一個(gè)月）搭建在阿爾梅勒一個(gè)城市公園中。借助劇作的魅力，以及獨(dú)特的選址，這一項(xiàng)目除了審美上的效果，更成為一座場(chǎng)景式建筑。我們的設(shè)計(jì)以劇中的情節(jié)為出發(fā)點(diǎn)。

這部劇給人印象最深的就是不同的人對(duì)不同的事物有不同的價(jià)值觀，這就是引發(fā)矛盾的原因。這部劇講述的是一個(gè)人正沉迷于自己所買的一幅畫，然而他的朋友們卻對(duì)這幅畫嗤之以鼻，尤其是對(duì)這幅畫的價(jià)格。

從藝術(shù)形式上來說，無論是戲劇、畫作、美術(shù)，還是建筑，都有三個(gè)關(guān)鍵要素：客體、主體、以及兩者間的互動(dòng)。這個(gè)劇院對(duì)第三個(gè)關(guān)鍵要素，也就是主體與客體之間的互動(dòng)，體現(xiàn)的比較隱晦。從劇院外面看過去，一邊是觀眾（主體），另一邊是演員（客體）。以整個(gè)郊區(qū)為框架，在兩者之間，你（沒有）看到的就是這種互動(dòng)。

實(shí)際上，整個(gè)建筑就像是一副描繪觀眾與演員之間互動(dòng)的畫作。也正是這種抽象的互動(dòng)，能夠驅(qū)使一個(gè)人花大價(jià)錢買一副白色的畫。

Podium for the play ‘kunst’ (art) by Yasmina Reza, performed by theatre group ‘suburbia’ in Almere,the Netherlands.

The project was an extremely low budget assignment, on which we worked with great pleasure. The temporary (one month) stage was placed in a field in one of Almere’s city parks. The power of the play and the location where used to create an experience for the visitor, turning this project into an architecture of scene’s, more then of aesthetic refinement. The plot of the play was the starting point of our design.

The first thing I got out of the play was the conflict that arises when different people attach different values to different things. This play is about someone who is fascinated by a painting, a fascination that his friends do not share, especially for the amount of money to be paid for it.

In considering any art form, be it theatre, painting, fine arts or architecture, there are three key elements; the object, the subject, and the interaction between the two. This theatre shows in relatively trivial terms that third and I think key element, the interaction. Seen from outside you see on the one hand the public (subject) and on the other hand, the player (object). What you (don’t) see between them, framed in the countryside, is the interaction.

Actually the building is nothing but a painting in which the interaction between audience and actors of the play is depicted, the same interaction that makes someone buy a white painting for a lot of money.