BY SUN JIAHUI (孫佳慧)

CHARACTER ACTORS

BY SUN JIAHUI (孫佳慧)

Mainstream television relies on stereotypes and Chinese TV is no exception: Women are always victims, waiting to be rescued by men; intellectuals are usually pedantic, dull, or laughable;and fuerdai, or the “second-generation rich,” are shallow, condescending bullies. Here are some of the most infamous Chinese TV character clichés, as de fined by netizens.

MARY SUE (瑪麗蘇)

The popular Mary Sue (Mǎlìsū) refers to the idealized female lead: She is beautiful, virtuous, and has it all.Men swoon over her, women scheme against or idolize her, and while she herself would never stoop to plotting,it seems that wealth, power, and fame simply fall into her lap.

The name comes from the 15-yearold heroine of Paula Smith’s 1973 fanfic “A Trekkie’s Tale,” in which Lieutenant Mary Sue becomes the youngest, smartest person to graduate from Star fleet Academy. It was originally meant to satirize unrealistic characters in Star Trek fanfiction.

My God! Emperor Wu Zetian was portrayed as a Mary Sue!Tiān a! Nǚhuáng Wǔ Zétiān jūrán bèi yǎn chéng le Mǎlìsū!天啊!女皇武則天居然被演成了瑪麗蘇！

Mary Sue has a male counterpart: Jack Sue (杰克蘇 Jiékèsū). He’s smart,rich, powerful, and handsome—women want him, men want to be him, viewers want to hit him.

WHITE LOTUS (白蓮花)

In Chinese culture, the lotus symbolizes the purity of heart and virtue of the soul. The “white lotus”(báiliánhuā) character is morally perfect, kindhearted, and harmless.They have no dark side, even if they leave “unintended” casualties behind them. For example, in Fantasies Behind the Pearly Curtain, the female lead Ziling claimed she never meant to steal her sister’s boyfriend, she just couldn’t hold back her strong feelings.Or maybe they make mistakes just because they are likeable, clumsy fools: There is even a term for this trait, 傻白甜 (shǎ bái tián), meaning “silly,innocent, sweet.” Their characteristics are a child-like nature, optimistic attitude, outspoken nature, and simple but big heart. By itself, 傻白甜 can be regarded as a neutral term and whether it’s complimentary or derogatory depends on the context.Some people find their innocence endearing:

This “silly innocent sweet” heroine is truly adorable.Zhège shǎ bái tián nǚzhǔ zhēn de hěn kě’ài.這個(gè)傻白甜女主真的很可愛。

Others dislike a “sweet idiot,”because they regard kindness as a form of stupidity.He is nothing more than a sweet idiot.Tā zhǐbuguò shì ge shǎbáitián éryǐ.他只不過(guò)是個(gè)傻白甜而已。

As the famous Song dynasty essay“My Love for Lotus” (《愛蓮說(shuō)》) puts it, the white-lotus character is often described as “rising unsullied from mud,” making those around them seem like the dirt from which the unique “white lotus”proudly blossoms. As charming as this term seems, it,too, can have an acerbic edge in certain contexts, where it might suggest hypocrisy or pretense.

I’ve had enough of this heroine, acting like a “white lotus” all the time.

Wǒ zhēnshi shòubuliǎo zhège nǚzhǔjué le. Tā yìzhí zài zhuāng báiliánhuā.

我真是受不了這個(gè)女主角了。她一直在裝白蓮花。

BELLY BLACK (腹黑)

“One may smile and smile, and still be a villain” as Hamlet noted, and the “belly black” (fùhēi) is just this kind of character, always scheming, while trying their best to appear harmless or friendly (think Iago, or Littlefinger). The classic caricature of a “belly black” is a handsome man in a smart suit, wearing wire-rimmed glasses and a polite smile, who is practically omniscient and running his own schemes on the side. Originally, this term was supposed to be negative, but since a belly black is always good-looking and astute, audiences have found that being a little dark and heartless only makes them sexier. If you hear someone refer to a character as 腹黑,chances are they’re a fan.

This “belly black” protagonist is so charming!Zhège fùhēi de nánzhǔ zhēnshi tài shuài le!

這個(gè)腹黑的男主真是太帥了！

HOLY MOTHER (圣母)

Our last cliché is the “holy mother,” or 圣母 (shèngmǔ).This can refer to either a man or a woman—and it’s certainly not endearing. Holy mothers are goody-twoshoes, too virtuous and big-hearted to be believable.They will sacrifice themselves for a complete stranger, forgive any enemy any slight, and expect the same moral uprightness from others (The classic holy mother was Princess Ziwei from Princess of Pearl, whose famous line was “The greatest virtue is forgiveness.”). So why do audiences dislike the holy mothers? Quite simply, they are boring and predictable, lacking the well-developed complexity of a memorable character.

Even your father’s killer can be forgiven? That’s so “holy mother!”

Shā fù chóurén yě yuánliàng? Zhè yě tài shèngmǔ le ba!

殺父仇人也原諒？這也太圣母了吧！

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