李亮聰/Anderson Lee

聚舍，佛山，中國(guó)

李亮聰/Anderson Lee

Tapered House, Foshan, China, 2012

1.2 草圖/Sketches

這些草圖都是在5×7吋的速寫本上畫的，它們表現(xiàn)了在順德建造單戶住宅的設(shè)計(jì)理念和思考過(guò)程。這些草圖從最初的設(shè)計(jì)階段開始，直到項(xiàng)目建成才最終停筆；表現(xiàn)出不斷發(fā)展的思維過(guò)程，并在同一時(shí)間依次推敲項(xiàng)目場(chǎng)地、朝向、景觀、建筑體量、室內(nèi)外形象、材料和光影。有些草圖畫得比其他更細(xì)，是為了表現(xiàn)設(shè)計(jì)理念的各個(gè)方面。比如，場(chǎng)地草圖的文字說(shuō)明和數(shù)據(jù)就多一些，如指北針、日照軌跡和建筑策劃；而其他草圖只用寥寥幾筆來(lái)表現(xiàn)樓梯或光影的對(duì)比。不管怎樣，這些草圖絕不能照搬紙面，而要在項(xiàng)目成形時(shí)把握應(yīng)當(dāng)保留的“精髓”。

這些草圖在整個(gè)設(shè)計(jì)過(guò)程中不斷深化、反復(fù)修改。其目的有二：展望與回顧。通過(guò)建成的形式把握草圖中的精髓（回顧）是很重要的，同時(shí)草圖也為我們的實(shí)踐指明了未來(lái)的項(xiàng)目方向（展望）。我們常常會(huì)回顧特殊項(xiàng)目的草圖，從中挖掘潛在的設(shè)計(jì)思想，以便充實(shí)未來(lái)的項(xiàng)目?！酰ㄉ袝x譯）

These sketches were all done on a 5"×7" sketch book which revealed the design ideas and thinking process of a single family house built in Shunde, China. They started at the very beginning of the design stage but never concluded nor stopped until the project was finished. They were illustrations of a continuously evolving mental process, a somewhat simultaneous and sequential studies of the project site, orientation, landscape, building mass, exterior, interior,materials, light, shade and shadow. Some sketches are drawn more detailed than the other, it was because they represented different aspects of the design idea, e.g. the site sketch has more written text and data such as the "North" arrow, sunpaths, building programming while other have only a few"minimal" pencil strokes to represent the "presence" of a staircase, or the contrasting elements of shade and shadow.Nonetheless these sketches are never meant to be interpreted in the most literally sense, but rather to capture the "essence"needed to be preserved when the project materialised.

These sketches were developed, drawn and redrawn throughout the entire design process. The purposes of these sketches are two-fold: forward looking and backward refection.While it is important to capture the essence from the sketches through the built form (backward refection), they also served as arrows pointing to the next projects to be developed in our practice (forward looking). Often we would look back on the sketches we developed for a particular project and scrutinised on any "hidden" design ideas that were yet to be further developed in our next projects.□

3 外景/Exterior view

4.5 內(nèi)景/Interior views

項(xiàng)目信息/Credits and Data

建筑設(shè)計(jì)/Architect: 李亮聰，翁世俊，郭善禧，趙啟聰/Anderson Lee, Yung Sai Chun, Bart Kwok, Ronnie Chui

攝影/Photos: Hunga Chan, Hong Kong Cultural Imaging Workshop LTD.