艾森施塔特國(guó)會(huì)文化中心奧地利艾森施塔特

Eisenstadt Culture Congress Center Eisenstadt, Austria

業(yè)主：BELIG Beteiligungs- und Liegenschafts GmbH

日期：設(shè)計(jì)啟動(dòng)：2009年/施工：2010年/

竣工：2012年11月

面積：基地面積：3 296.24 平方米/建筑面積：9 534.41平方米/占地面積：2 992.35平方米

建筑容積：57 997.77立方米

攝影：Roland Halbe

該項(xiàng)目外部設(shè)計(jì)的構(gòu)想是通過(guò)在向外延伸的大型要素外部一層看似多孔的外觀，使整個(gè)項(xiàng)目看起來(lái)是一座完整的建筑。這種設(shè)計(jì)方法強(qiáng)調(diào)了建筑群的緊湊性，但也考慮了與外部的城市環(huán)境的協(xié)調(diào)配合。

這個(gè)建筑的主要部分集中在與現(xiàn)有建筑物的直接相連處，然后逐級(jí)平緩?fù)ㄏ蛏婕皡^(qū)域東南部的小型結(jié)構(gòu)物。

讓整個(gè)建筑分布在不同高度，可以在這個(gè)城市的這個(gè)地區(qū)提供充足的光線(xiàn)和空氣，同時(shí)也使這座建筑整體上與Osterwiese的宏觀布局協(xié)調(diào)一致。該區(qū)域作為Festival大樓的東側(cè)前院，其設(shè)計(jì)在城市規(guī)劃中得到了新的闡釋?zhuān)匚灰驳玫搅颂嵘＿B續(xù)的透明外墻讓這座建筑看起來(lái)不像“后院”，透明外墻上甚至可以投影，這樣，Osterwiese甚至可以說(shuō)成了一座露天禮堂或夏季室外電影院或其他類(lèi)似的場(chǎng)所。無(wú)論如何，這座建筑的設(shè)計(jì)初衷是把這座城市新延伸的地區(qū)與Schubertplatz 之間（以及相鄰的步行區(qū)）之間很好地連接起來(lái)。在（Osterwiese）變電站前面造一道樓梯，是市議會(huì)改善城市交通的一項(xiàng)舉措。這個(gè)項(xiàng)目不但有效地實(shí)現(xiàn)了城市規(guī)劃的整體升級(jí)，而且也為在Osterwiese上停放汽車(chē)的游客提供了前往文化中心的良好通道。

沿著幾乎整個(gè)通道行人都可以看到Landesgalerie，景觀本身也提升了這條通道的魅力。

在面向Schubertplatz的一側(cè)，這座建筑物最高的兩層形成了一個(gè)U形庭院般的區(qū)域，與鄰近建筑物圍繞庭院形的縮進(jìn)式開(kāi)放空間分組布局的風(fēng)格遙相呼應(yīng)。沿著走廊中的盥洗室和門(mén)廳以及上一層新酒吧所在區(qū)域和相鄰的會(huì)議室、售票處及書(shū)店，可以看到這些依次排列的凹凸有致的構(gòu)建物。

在較低的樓層，垂直百葉窗外新安裝的連續(xù)玻璃構(gòu)成了Schubertplatz 的主立面，清晰地表明了這座建筑的公用設(shè)施的特點(diǎn)。外部的公共廣場(chǎng)與建筑物內(nèi)部有機(jī)聯(lián)動(dòng)，使這座建筑成為公共空間的組成部分，在外面的游客看來(lái)，門(mén)廳也是一個(gè)社交場(chǎng)所。

與這個(gè)立面相連的一座新建造的天橋利用了多個(gè)現(xiàn)有的空間和結(jié)構(gòu)連接處，與現(xiàn)有的的天橋相對(duì)，這座新建的漏斗形的天橋不斷變寬，伸向上一層的門(mén)廳。

在這座天橋下方，新建的與現(xiàn)有布局相似的主入口設(shè)計(jì)為一個(gè)有棚頂?shù)膮^(qū)域。

Client: BELIG Beteiligungs- und Liegenschafts GmbH

Year: Start of Design: 2009 / Start of Construction: Nov. 2010 /

Completion: Nov 2012

Areas: Site Area: 3,296.24 m2/ Floor Area: 9,534.41 m2/

Built-up Area: 2,992.35 m2

Cubage: 57,997.77 m3

Photos: Roland Halbe

This project is conceived so that externally it looks like a single entity. This is achieved by wrapping a perforated envelope around large parts of the extension and the existing building. Although this design approach strongly emphasizes the compactness of the building complex, clear references to the urban context are also made.

The major part of the volume is concentrated at the immediate point of connection to the existing building and then steps down to the small-scale structure to the south-east of the planning area.

Stepping the building in height helps to provide sufficient light and air for this area of the city, while the mass of the building responds more to the larger scale of the Osterwiese. The new significance of this area as the eastern forecourt of the Festival Building is both articulated and upgraded in urban planning terms. By cladding it with a continuous transparent screen the building at this point no longer seems like a “rear”. It is even conceivable that projections could be shown here, which would give the Osterwiese the function of an open-air auditorium, a summer outdoor cinema or similar.

Whatever the case, it is planned to create a good connection between the new extension and Schubertplatz (and consequently to the pedestrian zone). Building a front stairs over the transformer station (on the Osterwiese site) is intended as the town council’s contribution to improving urban circulation. Here an efficient symbiosis is achieved between an overall upgrading in urban planning terms and providing a good connection to the Cultural Centre for visitors who park their cars on the Osterwiese.

The attractiveness of this route is further heightened by the fact that, along almost its entire length, pedestrians have a view inside the Landesgalerie (where the nature of exhibits makes this possible).

On the side facing onto Schubertplatz a U-shaped, courtyard-like area cut out of the two uppermost floors of the building responds to the way the neighbouring buildings are grouped in clusters around courtyard-shaped, indented open spaces. These indentations, transformed in scale, are encountered again in the foyer in the layout of the cloakrooms, the ticket desks and the bookshop, and on the upper floor in the area of the new bar and the adjoining seminar rooms.

On the lower floors the new continuous glass front of vertical louvers forms the main fa?ade onto Schubertplatz, where the public character of the building is clearly expressed. The public square flows inside the building, making it a part of public space, while for viewers from outside the foyer is revealed as a place of social interaction.

A new bridge developed out of this fa?ade uses the existing spatial and structural linking points. In contrast to the existing bridge the new element widens like a funnel towards the foyer on the upper floor. Below this bridge, analogous to the existing fabric, the new main entrance is conceived in the form of a covered area.

總圖 master plan

首層平面圖 ground floor plan

地下層平面圖 level-1 floor plan

二層平面圖 level+1 floor plan

三層平面圖 level+2 floor plan

東立面圖 east elevation

南立面圖 south elevation

北立面圖 north elevation

縱剖面圖 longitudinal section

橫面圖B cross section B

橫面圖C cross section C