杰里米·金和克里斯·科賓聯(lián)手創(chuàng)立的第一家酒店博蒙特棲身于一幢二級(jí)保護(hù)建筑中，建筑由20年代紅透半邊天的建筑師Wimperis Simpson主理，落座倫敦梅菲爾腹地。酒店由倫敦知名的Corbin King餐館旗下的著名Wolseley歐式餐館業(yè)主經(jīng)營。內(nèi)部靈感取材于其所在的建筑體及周邊環(huán)境，栩栩再現(xiàn)戰(zhàn)前梅菲爾的優(yōu)雅、魅力和個(gè)性化待客之道，還原了獨(dú)特、豐富的當(dāng)代美學(xué)。

The Beaumont， Jeremy King and Chris Corbin's first hotel， occupies a Grade-II Listed building by famed 20s architects Wimperis Simpson. It is located in the heart of London's Mayfair. The interiors of the hotel， inspired by the building and its surroundings， encapsulate the elegance， glamour and personalised hospitality of pre-war Mayfair， evoking in detail the uniquely rich aesthetics of the time.

古董大觀

Antique and Vintage Pieces

酒店里，不時(shí)可見各色不同時(shí)期的古董物件四下布列，包括游戲機(jī)、書柜、牌桌、吊燈、臺(tái)燈和藝術(shù)品。從20世紀(jì)初到20世紀(jì)50年代中期跨度半個(gè)世紀(jì)的獨(dú)創(chuàng)藝術(shù)、海報(bào)和照片等藏品量洋洋大觀。大部分的獨(dú)有古老家具物件和藝術(shù)品是業(yè)主杰里米·金在Lauren Gurvich Vintage的贊助下，遍尋四方所獲。

There are many antique and vintage pieces sourced over a period of a few years scattered throughout the hotel， including consoles， credenzas， card tables， pendant lights， table lamps and objets d'art， as well as a huge collection of original art， posters and photographs， dating from the early 1900s to the mid 1950s. Most of the unique antique pieces of furniture and works of art were sourced by owner Jeremy King， supported by Lauren Gurvich Vintage.

ROOM雕塑

ROOM Sculpture

安東尼·戈姆雷創(chuàng)作的ROOM雕塑三層樓高，是一套套房的臥室，空間誘人而神秘，能啟發(fā)藝術(shù)家“雕刻黑暗”，并撩撥得眾人心潮澎湃，意欲逃離喧囂外界，來到這里獨(dú)自靜思冥想。ROOM既是以藝術(shù)家身軀為摹本構(gòu)思的大型長方體雕塑，亦是酒店本身建筑的延伸。登完九級(jí)白色大理石臺(tái)階，撩開黑色天鵝絨窗簾，入目的是一間白色大理石浴室，色彩和擺設(shè)都對比鮮明，出得浴室，便進(jìn)入完全以黑煙橡木裹覆的ROOM內(nèi)部。毗鄰ROOM的起居室配設(shè)寬廣走廊和浴室，正如博蒙特其他房間一樣，呈現(xiàn)出審慎的裝飾藝術(shù)風(fēng)格。

Antony Gormley's ROOM forms the bedroom of a single suite. An alluring， mysterious space， its creation allowed the artist to 'sculpt darkness' ， encouraging its guests to enjoy a meditative moment of withdrawal from the busy world outside. Gormley's ROOM is both a monumental cuboid sculpture based on the artist's body and an architectural extension to the hotel. The interior， entirely clad in dark fumed oak， is approached by nine white marble steps through a black velvet curtain from a strongly contrasting white marble bathroom. Adjacent to ROOM is a sitting room with large hallway and bathroom， decorated， like all the rooms in The Beaumont， in a discreet Art Deco style.

公共區(qū)域、臥室和套房

Public Areas， Bedrooms and Suites

公共區(qū)域飾有復(fù)古臺(tái)燈和燭臺(tái)、藝術(shù)品；20、30年代時(shí)期的藝術(shù)幾乎是公共區(qū)域的主角兒。無數(shù)只黑豹和老虎盤踞大理石或黑瑪瑙基座上，威風(fēng)八面。黑檀木法國裝飾藝術(shù)書柜、雞尾酒柜和飲料車都精致到骨子里。臥室是黑白照片的天下。床頭上方，大幅全景照有著讓人瞠目結(jié)舌的功效，多數(shù)重現(xiàn)20、30年代的團(tuán)體或人群景象，如美國沙灘美女、高中同學(xué)聚會(huì)或體育賽事，洋溢一種別開生面的熱鬧滋味。

The public areas are adorned with vintage lamps and sconces， objets d'art， and art from the 1920s and 1930s predominantly. There are numerous panthers and tigers in bronze on marble or onyx bases； French Art Deco credenzas in Macassar ebony； cocktail cabinets and drinks carts. The bedrooms feature black white photographs， with notable large panoramas above the beds， mostly depicting group and crowd scenes from the 20s and 30s， whether of American beach belles， High School reunions or sporting events.

羅斯福套房

The Roosevelt Suite

博蒙特的羅斯?？偨y(tǒng)套房可以全方位打開，將5間臥室合并一起，恢宏大氣的場景，喚起人們對跨大西洋航班輝煌時(shí)代的追憶。起居室空間闊達(dá)；餐廳單獨(dú)另設(shè)，可容8人落座；套房還配有廚房餐具室和客用浴室。奶油漆板、實(shí)木復(fù)合地板、嚴(yán)冬送暖的壁爐，都叫人一眼掃過去便心下暗贊。寬大的露臺(tái)，俯視Brown Hart花園，自帶一種睥睨之姿。套房多功能劃分又超然舒適，酒店整個(gè)總統(tǒng)樓層可全部布置為套房，私密，安全。

The Beaumont's presidential suite， which can be opened up to incorporate five bedrooms， evokes the glamorous era of the great Transatlantic liners. With an expansive sitting room and a separate dining room seating eight， plus a pantry kitchen and guest bathroom， it features cream lacquer panelling， parquet flooring， a working fireplace and a large terrace overlooking Brown Hart Gardens. Hugely versatile and supremely comfortable， the suite can also be arranged to incorporate the entire presidential floor of the hotel， in total privacy and security.

美國酒吧

he American Bar

美國酒吧的墻壁覆滿300多幅知名人士黑白照，他們就職各行各業(yè)，如戲劇、文學(xué)、電影、音樂、設(shè)計(jì)、體育及媒體、政治、商貿(mào)；也有臭名昭著的人物混跡其間。20年代中期到50年代中期，這些嬉皮雅士頻頻到此，體味杯酒人生。

The walls of the American Bar are entirely covered by over 300 black white photographs of prominent public figures from the fields of the theatre， literature， cinema， music， design， sports， as well as the media， politics， business and commerce， and notorious society figures， who all might have frequented the establishment from the mid-Twenties to the mid-Fifties.

殖民地?zé)疚?/p>

The Colony Grill Room

美國藝術(shù)家約翰·馬托斯受邀為博蒙特餐廳The Colony Grill Room創(chuàng)作了兩條截然不同的主題脈絡(luò)。首先，他繪就大型壁畫，畫中，載入史冊的各處體育場所正上演著名目不一的美國運(yùn)動(dòng)賽事：紐約市跳板潛水、亞利桑那州斯科茨代爾的灰狗競賽、肯塔基州路易斯維爾的賽馬、佛羅里達(dá)基韋斯特的馬林捕魚、俄亥俄州辛辛那提的飛翔競賽、加利福尼亞州圣巴巴拉市的馬球賽、內(nèi)華達(dá)州太浩湖的機(jī)動(dòng)船比賽、印第安納波利斯的500英里汽車比賽及愛達(dá)荷州太陽谷的高山滑雪。各大賽事熱火朝天，呼之欲出。他還繪制出一系列20世紀(jì)20、30、40年代著名人物的黑白卡通畫，共48張，這些人物游刃于藝術(shù)與政治圈兒，名揚(yáng)大西洋兩岸。

1973年，舊金山藝術(shù)家約翰·馬托斯獲得第一個(gè)卓越圖像獎(jiǎng)；從此后，他獲譽(yù)無數(shù)，囊括150多個(gè)獎(jiǎng)項(xiàng)，包括紐約藝術(shù)指導(dǎo)俱樂部金獎(jiǎng)和紐約插畫家協(xié)會(huì)金獎(jiǎng)。由他創(chuàng)作的“火箭專家”海報(bào)被美國電影協(xié)會(huì)評為有史以來的100幅最佳電影海報(bào)之一。

American artist John Mattos was commissioned to produce two distinct strands of work for The Beaumont's restaurant， The Colony Grill Room：First of all， he produced large murals depicting American sporting scenes at legendary sporting venues： Spring Board Diving in New York City， Greyhound Racing in Scottsdale-Arizona， Horseracing in Louisville- Kentucky， Marlin Fishing at Key West-Florida， Flying Races in Cincinnati-Ohio， Polo at Santa Barbara-California， Powerboat Racing at Lake Tahoe-Nevada， the 500 Mile Auto Race at Indianapolis and Downhill Skiing in Sun Valley-Idaho. He also produced a series of 48 black white cartoons of famous characters from the 1920s， 30s and 40s， who were prominent on both sides of the Atlantic， in the worlds of arts and politics.

San Francisco-based artist John Mattos received his first award for graphic excellence in 1973 and has since received over 150 awards， including Gold Medals from the New York Art Directors Club， and The New York Society of Illustrators. His \"Rocketeer\" poster was selected as one of the 100 best Movie Posters of all time by the American Film Institute.