Y

ou Can Easily Become an Aman Addict

說起和安縵結(jié)識(shí)，約可追溯至2008年，初涉職場的黃毛丫頭跟著設(shè)計(jì)泰斗看世界的第一站是印度尼西亞爪洼島。在Amanjiwo羅馬柱環(huán)繞的金箔大廳早餐，視線穿過椰林，遠(yuǎn)及初生的太陽如一顆咸蛋黃不偏不倚從波羅浮屠頂空升起，一霎赤色融入澄藍(lán)，醍醐千年滄桑。是那一刻的震撼，顛覆了對(duì)頂級(jí)酒店的固有認(rèn)知。它不僅應(yīng)帶來足夠的舒適度與美感，更能喚醒人們對(duì)歷史人文的深層感知共鳴。

法云村早在明朝就是隱士文人的隱居之地，以此為主導(dǎo)的文化脈絡(luò)貫穿47棟院落，每一棟都有自己的名字：逍遙、函亭、三九、樂陶、清泉等，分布在沿溪的法云徑兩側(cè)。它在15年前的最后一刻逃過大拆遷的厄運(yùn)，并于7年前加入安縵。命運(yùn)由此瞬變。

這里所有的客房都是獨(dú)棟院落，作為Jaya Ibrahim最愛的遺作之一，法云極簡古樸，最大程度保留了十八世紀(jì)杭州原始村落木、磚、瓦的屋舍結(jié)構(gòu)；據(jù)悉原本每家每戶雜居，房型朝向、外墻顏色都不盡相同，修復(fù)時(shí)覓來老匠人用泥和稻草混合，摻夾糯米以增粘性，復(fù)辟外墻。房間內(nèi)部也只稍作融葺，值得一提的是在素凈的地磚下鋪了地暖，設(shè)計(jì)深入淺出，并沒有忽視現(xiàn)代人居應(yīng)有的舒適度。

Speaking of getting acquainted with Aman， it may be dated back to 2008. At that time， as an entry-level green hand， I followed a design master to see the world， and our first stop was Java Island of Indonesia. When having breakfast at the gold foil hall with Roman columns surrounded in Amanjiwo， I witnessed through the coconut trees the rising sun was evenly rising from the top of Temple of Borobodur， just like a salted egg yolk； in a twinkle， the red was melting into the clear blue and enlightening us about the thousand-year vicissitudes of life. It was that moment of shock that overturned my inherent understanding about top hotel. A top hotel should bring about enough comfort level and sense of beauty， and also should awaken people's deep perception and resonance to historical humanism.

Fayun village had been a hideaway for hermit scholar as early as the Ming dynasty， which hideaway cultural context was penetrated into these 47 courtyards as the dominant context. Distributed on the two sides of Fayun path along the stream， every courtyard has its own name， for example， Xiao Yao （English meaning： leisure）， Han Ting （English meaning： letter pavilion）， San Jiu （English meaning： the third nine-day period after the winter solstice）， Le Tao （English meaning： joyful pottery） and Qing Quan （English meaning： clear spring）. This village escaped the misfortune of demolition at the last moment 15 years ago， and survived. It joined Aman 7 years ago， and its destiny had changed instantly since then.

All guest rooms at here are single-family courtyards. Being one of Jaya Ibrahim's favorite posthumous works， with the minimal and primitive simplicity styles， Fayun preserved the house structure consist of wood， brick and tile of Hangzhou original village in the 18th century to the greatest extent； it is reported that， originally， every family lived together at here， and every house had different types and orientations and their external walls also had different colors. Veteran craftsmen had been invited to restore the houses， and they restored the external walls with mud mixed with straw as well as sticky rice for enhancing viscosity. The internal rooms also just had been made a little adjustment and repair. It is worth mentioning that underfloor heating system has been paved beneath the plain floor tile. The simple design did not ignore the due comfort level of modern residential environment.