An Eclectic Style of Rooms Suites – The Beauty of Harmony

巴黎諾林斯基酒店位于歌劇院大街16號(hào)，由一棟臨街的六層公寓改建而來(lái)。出酒店門，向左走700米是盧浮宮，向右走850米是折衷主義建筑登峰造極的巴黎歌劇院。囊括全球時(shí)尚品牌的購(gòu)物新坐標(biāo)圣奧諾雷街（香榭麗舍大街租金太過(guò)昂貴，眾多精品店搬家至此）更近，只隔了一條街?？腿俗≡谶@里，仿佛出門就會(huì)遇見(jiàn)最好的巴黎。

毫無(wú)疑問(wèn)，酒店需要和所處的位置產(chǎn)生一種邏輯，使酒店與環(huán)境自然融合，表現(xiàn)出巴黎的美感。諾林斯基酒店由法國(guó)新生代設(shè)計(jì)師Jean Louis Deniot操刀設(shè)計(jì)，他的作品一向以折衷主義美學(xué)著稱，不拘泥于一種風(fēng)格的純粹，不追求過(guò)度的奢華，不極簡(jiǎn)主義，而是博采眾長(zhǎng)隨興所至，在舒適的基礎(chǔ)上形成一種平衡的美感。

酒店擁有45間客房包含9間套房，在設(shè)計(jì)師慣用的灰色調(diào)之上，各房間分別采用綠色、草莓紅、藍(lán)色、米黃色、淺黃褐色等顏色搭配，互不重復(fù)，每間客房都成為獨(dú)一無(wú)二的巴黎寓所，呈現(xiàn)鮮明的個(gè)性。厚絲絨窗簾和長(zhǎng)絨編織地毯的運(yùn)用使房間顯得溫馨私密，加利福尼亞沙灘別墅的床頭板和上世紀(jì)70年代路易十六樣式的家具共處一室，將現(xiàn)代的清爽和古韻的優(yōu)雅融合在一起?？头?jī)?nèi)獨(dú)立擺放的minibar采用了銀行保險(xiǎn)箱的造型，創(chuàng)意近乎匪夷所思，卻又顯得順理成章。木漆衣柜用黃銅收邊處理，看上去像某個(gè)遙遠(yuǎn)時(shí)代的大旅行箱，上面擺放著造型迥異的雕塑和陶瓷工藝品，引人遐思。衛(wèi)生間則回歸灰白兩色瓷磚裝飾，復(fù)古的設(shè)計(jì)正是地道的巴黎老派風(fēng)格。

整體來(lái)看，房間的材質(zhì)、配色和平面處理都經(jīng)過(guò)精心思考，在漸變的搭配和對(duì)比中構(gòu)建出和諧，在現(xiàn)代和復(fù)古中尋求一種平衡，通過(guò)有型的設(shè)計(jì)塑造無(wú)形的意象，喚起人的美好情感。

Located on 16 Avenue de l'Opéra， the predecessor of the Nolinski is a six storey apartment building. The hotel is moments away from several famous landmarks， the Louvre is 700 meters to the left， and the iconic eclectic architecture of The Paris Opera House is 850 meters to the right. The hotel is one street away from the famous Rue Saint Honoré where all global fashion brands gathered （the high rent of Champs Elysees street has moved many boutiques here）. Staying here means the best part of Paris is guaranteed.

There is no doubt that certain logic needs to exist between the hotel and the location， so to allow the natural integration of the hotel and the environment， and to bring out the beauty of Paris. Nolinski Paris is designed by a new generation French designer Jean Louis Deniot， whose works have always been known for its eclectic aesthetic. The design doesn't adhere rigidly to just one style， and is not in excessive pursuit of luxury， nor minimalism， but derives the styles from a wide range of sources and has since created a harmonious beauty based on comfort.

The hotel has 45 rooms including 9 suites. Aside from the usual grey tone the designer used， each private apartment employs different colors of green， raspberry， beige and tawn， so that no rooms repeat themselves and each is a unique Parisian accommodation with a distinct personality. The use of thick velvet curtains and plush carpet adds to the intimate feel of the room. The California Beach Villa headboard and Louis XVI-styled furniture from the 70s in the room bring together the fresh modernism and ancient elegance. The independent minibar is styled after a bank safe， which is a fantastic idea； out-of-the-blue indeed， yet looks rather logical. The brass-edged lacquered wardrobe has the look of a big suitcase from a distant era， bearing sculptural and ceramic souvenirs from its travels in faraway lands. In the bathroom， the marble on the ground is link with white floor and grey crackled on the wall， a retro design that is the authentic old Parisian style.

In a whole， the room is a collection of many beautiful things that elicit beautiful emotions from people. The designs of material， color and graphic are carefully thought through， and have built up a harmony amongst the gradual contrasts and collocations； a balance between the modern and the ancient； and mostly， an intangible symbolic meaning through the tangible designs.