亚洲免费av电影一区二区三区,日韩爱爱视频,51精品视频一区二区三区,91视频爱爱,日韩欧美在线播放视频,中文字幕少妇AV,亚洲电影中文字幕,久久久久亚洲av成人网址,久久综合视频网站,国产在线不卡免费播放

        ?

        Composition of Modern English Novels

        2016-05-30 14:25:28何君王衛(wèi)平
        校園英語·上旬 2016年2期

        何君 王衛(wèi)平

        【Abstract】Conversation is one of the most commonly used languages in novels. We can know about the fictional world through the characters direct speech because communication between fictional characters is the device used by the author to communicate with his readers. This paper aims at studying the features of Conversation in Modern English Novels.

        【Key words】conversation; composition; Modern English Novels

        Fiction is the kind of imaginative literature many people are most familiar with; it is a generic term and includes short stories, novellas and novels. I will be focusing mainly on novels written in late 80s of the 20th century.

        From the point of view of linguistics, the language in novels is also a discourse. The narrative discourse provides a ‘window on reality. It presents the world of the text to the reader as if it were part of exterior reality. So the narrator can present the character.

        Generally speaking, “the narrator” in a novel can take the first person or third person. The first person: I saw… I did… The “I” in the story is a character that the author has created to tell the story. This character is known as the narrator or storyteller.

        Unlike first person narrator, third person narrator does not take part in the story. The narrator refers to the characters either by name or in the third person, e.g. he felt… they did….Third person narrators are very powerful and can be divided into the omniscient narrator, the limited narrator and the impersonal narrator.

        The following is an extract from a novel written by means of the first person:

        I knew as I watched Harry mindlessly burrowing into the sports section of the News that the moment had come to make a break for freedom. I had to say “Good-bye” ……. Suddenly I pushed back my chair, choked out a rather faint “So long, Harry” through a last mouthful of toast……

        “I” herein is a character in the novel named Alice, Harry, was unable to maintain their marital life and, after a breakfast, announced to live apart on her own.

        If the above description about Alice and Harry was given by means of “the omniscient narrator”, the words would be completely different:

        Sometimes an apparently insignificant moment brings to a head all of those unresolved problems we face in our daily lives. Such was the case with Harry and Alice that morning as they sat at breakfast over their coffee and toast. They seemed perfectly matched, but in reality, they merely maintained marital harmony by avoiding bringing up anything unpleasant.

        “The omniscient narrator” herein started the description with a philosophic comment and introduced the characters Harry and Alice. The narrator is the “spokesman” of the writer, instead of a character in the novel. He takes the status of “knowing everything”, not being limited by the time and location of the scenario in the novel.

        The narration is totally different by means of the limited omniscient narrator:

        Harry glanced quickly at the Cubs score in the News only to be disappointed by another loss. “Now where is that woman,” he thought, as he trudged over, annoyed, to open the door. But the emptiness had already entered, drifting by him unnoticed, into the furthest reaches of the house.

        As the point of view in such a description or depiction was based on one character, it has a certain limitation.

        The following is by means of the impersonal narrator:

        A man and a woman sat at opposite sides of a chrome and vinyl dinette table. Suddenly, the woman pushed back her chair, “so long, Harry.” She walked quickly to the suitcase, picked it up. ……

        It can be seen from the above analysis that persons and the point of view in description or depiction have direct influence on the selection of elements of the language.

        Conversations in novels can be further divided into monologue and conversation. Seeking for personalization of speeches for characters is the notable characteristics of the language in novels. The so-called personalization of speeches for characters means to let a character express his / her thought, experience and personality through his / her own speeches. The language is through the conversations between characters that readers know better about different characters in a novel.

        In Richard Ohmanns opinion, a literary work creates a ‘world (1971). This includes the imagined physical and social world which the quasi-descriptions refer to and within which the imagined characters act. When characters speak to one another, their utterances create the fictional world for readers. We can know about the fictional world through a characters direct speech. Therefore, the conversation in English novels obviously reflects the nature of the fictional conversation characteristics.

        References:

        [1]Abercrombie,David,Conversation and spoken prose,London, OUP,1965.

        [2]Burbules,N.,Dialogue in Teaching Theory and Practice,New York,1993.

        久久精品亚洲成在人线av乱码| 亚洲av综合av国产av| 亚洲无线一二三四区手机| 久久中文字幕无码专区| 老太脱裤让老头玩ⅹxxxx| 国产精品98福利小视频| 蜜桃在线观看免费高清完整版| 日本高清色一区二区三区| av免费播放网站在线| 中文字幕人妻被公上司喝醉| 自拍偷拍亚洲一区| 一本大道综合久久丝袜精品| 日本免费三级一区二区| 水蜜桃男女视频在线观看网站| 免费播放成人大片视频| 日本少妇春药特殊按摩3| 狠狠做深爱婷婷久久综合一区| 亚洲av国产精品色午夜洪2| 五月天精品视频在线观看| 欧美国产日本精品一区二区三区 | 国色天香中文字幕在线视频| 久久水蜜桃亚洲av无码精品麻豆 | 国产精品美女一区二区三区| 精品国产高清a毛片无毒不卡 | 久久精品国产免费观看| 精品三级久久久久久久电影| 久久道精品一区二区三区| 一片内射视频在线观看| 国产我不卡在线观看免费| 国产精品女同一区二区免费站| 精品国产一区二区三区av性色| 色拍自拍亚洲综合图区| 国产精品久久久久久妇女6080 | 男ji大巴进入女人的视频小说| 久久精品免费一区二区三区| 亚洲天堂免费视频| 国产高清女人对白av在在线| 国产白浆一区二区三区佳柔| 女人高潮久久久叫人喷水| 天堂sv在线最新版在线| 亚洲香蕉av一区二区蜜桃|