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        卡斯卡拉橋,馬德里,西班牙

        2016-04-11 09:22:07建筑設(shè)計(jì)West城市規(guī)劃與景觀設(shè)計(jì)事務(wù)所MRIO建筑師事務(wù)所ArchitectsWestMRIOarquitectos
        世界建筑 2016年3期
        關(guān)鍵詞:天花馬德里實(shí)景

        建筑設(shè)計(jì):West 8 城市規(guī)劃與景觀設(shè)計(jì)事務(wù)所,MRIO建筑師事務(wù)所Architects:West 8,MRIO arquitectos

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        卡斯卡拉橋,馬德里,西班牙

        Cascara Bridges,Madrid,Spain,2007

        建筑設(shè)計(jì):West 8 城市規(guī)劃與景觀設(shè)計(jì)事務(wù)所,MRIO建筑師事務(wù)所Architects:West 8,MRIO arquitectos

        1 實(shí)景/Bridge view

        2 實(shí)景/Bridge view

        3 立面/Elevations

        West 8事務(wù)所與MRIO建筑師事務(wù)所合作設(shè)計(jì)完成了馬德里M30高速公路隧道上方的填河開(kāi)發(fā)地以及新城區(qū)域的規(guī)劃。其中,阿爾甘蘇埃拉公園和薩隆德皮諾斯由兩座慢行橋——卡斯卡拉橋——連接在一起。

        與一般強(qiáng)調(diào)實(shí)用性的基礎(chǔ)設(shè)施式步行橋不同,這兩座橋打造了一個(gè)真正能夠體驗(yàn)河流的場(chǎng)所。兩座橋像是兩個(gè)巨大而粗糙的混凝土穹頂。它們的尺度與公園景觀相呼應(yīng),而不與其他基礎(chǔ)設(shè)施產(chǎn)生刻意的聯(lián)系。100余根纜繩像鯨須似地覆滿了鋼制橋面。

        步入橋內(nèi),就能看到它精致的細(xì)部。天花上裝飾著西班牙藝術(shù)家丹尼爾·卡諾加的馬賽克作品。天花邊緣內(nèi)安裝了燈光,照亮藝術(shù)作品的同時(shí)也通過(guò)反射照亮了橋面。(張?jiān)O?譯)

        4 縱剖面/Long section

        5 天花反向平面/Reflected ceiling plan

        6 平面/Plan

        項(xiàng)目信息/Credits and Data

        客戶/Client:馬德里市/City of Madrid

        設(shè)計(jì)合作/Partners:MRIO arquitectos(Burgos & Garrido,Porras & La Casta and Rubio & álvarez-Sala)

        顧問(wèn)/Consultants:FHECOR-Hugo Corres

        團(tuán)隊(duì)設(shè)計(jì)/Design Team:Adriaan Geuze,Edzo Bindels,Christian Dobrick,Joost Koningen,Juan Figueroa Calero,Karsten Buchholz,Perry Maas

        攝影/Photos:Jeroen Musch(fig.1,2,7),West 8(fig.8,9)

        評(píng)論

        房木生:設(shè)計(jì)者對(duì)“橋”的設(shè)計(jì)似乎從來(lái)都不甘心于僅僅是“基礎(chǔ)設(shè)施”,而應(yīng)是某種哲思的表達(dá)。乍看之下,這兩座橋是具有當(dāng)代性的廊橋。廊橋是橋,也是具有灰空間的建筑,在為人們提供跨越兩岸的交通便利的同時(shí),也給人們?cè)谄鋬?nèi)部駐留、觀賞風(fēng)景營(yíng)造了舒適的場(chǎng)所。混凝土殼形穹頂、橋面以及連接它們的鋼纜組合一體,形成虛實(shí)相間且具備獨(dú)特氣質(zhì)的水上建筑。雖然美麗程度無(wú)法相提并論,但這兩座橋讓我聯(lián)想到了同樣是水邊的悉尼歌劇院。

        劉晨:“你在橋上看風(fēng)景,看風(fēng)景的人在樓上看你。”樸素直白的詩(shī)句蘊(yùn)含的哲理與意象,在這里得到了另一種映現(xiàn):看與被看的關(guān)系更微妙曲折,樓上的風(fēng)景是一道,橋上的風(fēng)景卻有兩道,一內(nèi)一外,亦真亦幻。若不從橋上走過(guò),樓上的人哪里會(huì)想到灰溜溜的混凝土穹頂之下別有洞天。暮靄四合,馬賽克裝點(diǎn)的穹頂化作精靈的星空,它不僅裝飾了過(guò)橋人的夢(mèng),它本身就是盜夢(mèng)空間。與之相比,浩浩蕩蕩的濱河景觀大道不但乏味,甚至都顯得俗氣了。

        7 實(shí)景/Bridge view

        8 天花細(xì)節(jié)/Detail of ceiling

        9 橋面細(xì)節(jié)/Detail of deck floor

        West 8,working together with MRIO arquitectos,designed the master plan for the reclaimed riverbanks and the new urban area above the tunnels of the M30 highway in Madrid Arganzuela Park and the Salon de Pinos are connected by two slow traffic bridges,the Puentes Cascara.

        In contrary to usually technical and pragmatic pedestrian infrastructural bridges,they create a place where the river is really experienced.They are designed as a massive concrete dome with a rough texture.The bridges have the scale of park elements and not of the infrastructure.More than one hundred cables resembling whale baleens wearing the slim steel deck.

        The fine detailing becomes visible when entering the bridge.The ceilings have a mosaic of the Spanish artist Daniel Canogar.In the edge of the ceiling,lighting is included which illuminates the artwork and the deck by reflection.

        Comments

        FANG Musheng:The bridge designed by West 8 seems to be far more than just an "infrastructure",but a presentation of some wise thought.At the first glance,the two bridges feature modern gallery bridges.Incorporating the function of a bridge into a functional building ,the gallery bridge offers a convenient access across both banks,as well as a comfortable place to pause inside to enjoy the scenery.The concrete shell dome and the bridge deck combined with the steel cables connected thereof forms a water building featuring unique temperament and abstract and concrete forms.The two bridges remind me of the Sydney Opera House set up on the water's edge,through neither can rival the building in beauty.

        LIU Chen:"When you watch the scenery from the bridge,the sightseer watches you from the balcony." The imagery and philosophy contained in these simple,straightforward verses are reflected here in an alternative way; the correlation between "seeing" and "being seen" becomes subtler:while the balcony view remains singular,the bridge view is doubled.Looking out the balcony,one could hardly imagine what fantastic scenery is hidden beneath the rough concrete dome of the bridge.When the night falls,the dome is turned into a fairy-like heaven with its mosaic ceiling blinking like clusters of stars.Compared to its dreamy otherworldliness,the pompous riverbank promenade seems too dull and tasteless to merit a comment.

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