亚洲免费av电影一区二区三区,日韩爱爱视频,51精品视频一区二区三区,91视频爱爱,日韩欧美在线播放视频,中文字幕少妇AV,亚洲电影中文字幕,久久久久亚洲av成人网址,久久综合视频网站,国产在线不卡免费播放

        ?

        從新批評(píng)的角度剖析《認(rèn)真的重要性》的語言藝術(shù)

        2012-12-29 00:00:00楊永青李倩
        劍南文學(xué) 2012年11期

        作者簡介:楊永青,女,云南師范大學(xué)外國語學(xué)院助教,研究方向?yàn)楝F(xiàn)當(dāng)代英美文學(xué)。

        (Yunnan Normal University Yunnan Kunming 650504)

        Abstract:The Importance of Being Earnest written in 1895,is Oscar Wildes most popular work,which is also one of the most famous comedies.This play jeers at Victorian values,most of all,the idea of earnestness.Wilde not only satirizes the hypocrisy of Victorian virtue but also mocks its authentic representation.So the genre,especially the language in this work plays a very important role,and the author will discuss it from the perspective of new criticism in order to dig his master of language and the satire.

        Key words:The Importance of Being Earnest,Oscar Wilde,New Criticism,genre

        中圖分類號(hào):K254 文獻(xiàn)標(biāo)識(shí)碼:A 文章編號(hào):1006-026X(2012)11-0000-01

        Ⅰ.Introduction

        Oscar Wilde(1854-1900),born in Dublin,playwright,poet,essayist and wit,is now as famous for his flamboyant lifestyle and idioms as for his plays,poems and fiction.Besides his plays,Wilde also wrote some famous fictions,such as The Picture of Dorian Gray(1891),Lady Windermeres Fan(1892),A Woman of No Importance(1893),An Ideal Husband(1895),and his last play,Salome.

        The paper consists of five parts.This introduction serves as the first part.The second part gives a literature review,among which the discussions on some critics opinions in the view of new criticism.The third part introduces some important concepts proposed by the theories of new criticism and Cleanth Brooks.The fourth part examines how Oscar Wilde enacts the ability of mastering language,form and structure.And the final part is the conclusion,in which there will be main findings,limitations of research and the tendency in the future study.

        Ⅱ.Literature Review

        Ⅱ.1 International Studies

        The Importance of Being Earnest was in danger of becoming embalmed in porphyry (or whatever other substance Wilde might have preferred) as the anodyne Victorian stage classic,passively digested today without reference to its potentially subversive tendencies,notably its ethical and social implications.It is a point of some importance as to whether or not the exhaustive labors required to ‘place’ the piece so comprehensively in its historical setting pander to such a response(Tydeman 1997:414).

        The irony of the situation is compounded by the fact that Wilde makes fun of determinism in The Importance of Being Earnest.When Algernon proposes to Cecily,he discovers to his surprise that they are already engaged: Cecily,irritated by Algys “entire ignorance”of her existence,“determined to end the matter one way or the other”and accepted him (394).Since Algernon was not around to write any love letters,she wrote them for him and mailed them to herself! Algys future,in brief,did not wait for him to bring it about;he tarried,so it occurred without him!(Nassaar 2000:91,Binongo 1999:781)

        Ⅱ.2 Domestic Studies

        Oscar Wilde has been a frequent topic in the Westren critical world.In the 1950s,studies of him basically followed the way of earlier research by concentrating upon his personal life,his style and such anecdotes as his homosexual disputes,litigations and legal procedures that led to his early death.After the 1960s,the research is more and more focused on the form of his text.From the 1980s up to the present,the study has been demonstrating a cultural and increasingly multi-dimensional tendency.(張介明 2004:26-30)

        The Importance of Being Earnest fully shows Wildes artistic style and comic capability.Starting from its humorous language,his stylistic analysis based on the relationship between linguistic form and its aesthetic function.And the dualities in the comedy has been recognized.(吳琦 2004:81-83,李勤 1998:32-34)

        Wildes ways of mirroring life elicited responses that became themselves subjects to be mirrored.The legendary one-man theatrical impersonations and the frequent practice of staging Wildes comedies with one character dressed as Wilde himself are often random characterizations extending from the biases inherent in each production.(李元 2003:61-66,李元 2007:47-51,袁霞 1997:82-85)

        Oscar Wilde,with determined subversion of the late Victorian Bourgeois culture and ideology,attacks the fixed norms of identity,marriage and gender in his time and construct a carnivalized world full of dandies,his ideal embodiment of ascetic expression.(周小儀 1994:95-101)

        Ⅱ.3 Summary

        Based on the literature review above about the research at home and abroad,it is easy to get to the point that some critics discuss this play from some perspectives such as the language,subversion,and social meanings.The author would like to absorb their experiences and useful material,longing to do some research academically and practically on the basis of new criticism.

        Ⅲ.Theoretical Approach

        New Criticism involves the close and careful reading and interpretation of individual literary texts.

        With adopting some useful elements from Formalism,New Criticism studies the relationships between a texts content and its form,between what a text conveys and the way it adopts.The New Critics “may find tension,irony,or paradox in this relation,but they usually resolve it into unity and coherence of meaning.”(Biddle,F(xiàn)ulwiler 1989:100)

        New Criticism is “a ‘formalist’ approach to literature — that is,it pays close and careful attention to the language,form,and structure of literary texts while regarding individual texts (rather than historical context or broad generic trends) as the principal object of critical investigation.”(Booker 1996:14)

        The New Critics argued that the meaning of literary texts resides primarily in the texts themselves.They insisted that literature should be read “in special ways because style,form,and technique play roles in literary texts that are different from (and more important than) the roles they play in ordinary discursive texts.”(Booker 1996:14)

        “Their continual focus on the organic unity of the work of art and on the relative independence of art from the social and political world is typical of the New Critical project as a whole.”(Booker 1996:20) For the New Critics,a successful work of literature is always that which “employs a number of complex literary strategies to indicate a multiplicity of possible meanings but then resolves these multiple possibilities through the close integration of the various elements of the work into a coherent whole.”(Booker 1996:20)

        Ⅳ.Discussion

        This part,concentrating on the languages in The Importance of Being Earnest through the approaches applied by New Criticism,aims to interpret and appreciate the skillful diction and expressional characteristic.

        Wilde always uses some humorous expressions to give the atmosphere of comedy.Take some paragraphs for example:

        “Algernon: What on earth do you do there?

        Jack(pulling off his gloves): When one is in town one amuses oneself.When one is in the country one amuses other people.It is excessively boring.”(Wilde 1994:8)

        From the above,we can see that Wilde shows the cynical attitude to Jack.And the following example will show lady Bracknells acerbic attitude and hypocritical appearance.

        “Lady Bracknell:…What is your income?

        Jack: Between seven and eight thousands a year.

        Lady Bracknell(makes a note in her book): In land,or in investments?

        Jack: In investment,chiefly.

        Lady Bracknell: That is satisfactory.What between the duties expected of one during ones lifetime,and the duties exacted from one after ones death,land has ceased to be either a profit or a pleasure.It gives one position,and prevents one from keeping it up.Thats all that can be said about land.”(Wilde 1994:20-21)

        The famous critic of new criticism Cleanth Brooks summarizes that there are three main assumptions about New Criticism.Firstly,the critics interest ultimately should be focused on the work itself,not the authors intention,nor the readers response.Secondly,the purpose of this attention is to expose the works unity;every element should support its unifying theme.Thirdly,the work should also have some sort of complexity;great literature unifies ambiguities,ironies,and tensions.

        When lady Bracknell knew that Ceily has a large amount of fortune,she quickly changed her mind to accept her as the wife of her nephew,though Ceily and Algernon has been toget,her not lasting one hour.

        “Lady Bracknell: To speak frankly,I am not in favour of long engagements.They give people the opportunity of finding out each others character before marriage,which I think is never advisable.”(Wilde 1994:59)

        New Criticism stresses “the autonomy of the individual work,its creation of meaning internally through language and structure,and its organic unity.It is concerned with the relation between the form of the novel and the meaning of its tragic experience.”(Harvey 2003:160)

        The New Critics “prefer ‘difficult’ works that contain apparently illogical and troubling material.They prefer works that stay away from social and historical subject matter and that deal rather with private,personal,and emotional experience.They prefer indirect representation—symbolism,metaphor,connotation—to realistic representation”(Griffith 1998:135).

        Ⅴ.Conclusion

        The genre in Oscar Wildes The Importance of Being Earnest has been discussed through the methodology and theory of New Criticism,especially by Cleanth Brooks theory.In this short essay,the author mainly talks the language as well as the form,structure in this play,showing another view of researching Oscar Wildes The Importance of Being Earnest.

        In the process of writing this essay,the author finds out that there are many short comings for the author to look for the whole source about Oscar Wilde,and the author could not get the higher level in doing research.The author believes that in the future study,some more materials will be achieved,which will do some favor to the research.And the author thinks that the inner side of the female characters will be paid more attention,because from their point of view,the readers can get another mind of this play.

        Bibliography:

        [1] Bain,Ted.1998.Oscar Wilde: Myths,Miracles,and Imitations [J].Toronto: Modern Drama 41(3): 501.

        [2] Biddle,Arthur W. Toby Fulwiler.1989.Reading,Writing antd the Study of Literature[M].New York: Random House.

        [3] Binongo,Jose Nilo G. M.W.A.Smith.1999.A Bridge between Satistics and Literature: The Graphs of Oscar Wildes Literary Genres[J].Journal of Applied Statistics 26(7): 781.

        [4] Booker,M.Keith.1996.A Practical Introduction to Literary Theory and Criticism[M].New York: Longman.

        [5] Griffith,Kelley.1998.Writing Essays about Literature[M].New York: Harcourt Brace.

        [6] Harvey,Geoffrey.2003.The Complete Critical Guide to Thomas Hardy[M].London: Routledge.

        [7] Nassaar,Christopher.2002.Wildes The Importance of Being Earnest[J].Washington: The Explicator 60(2): 78.

        [8] Nassaar,Christopher S.2000.Wildes The Importance of Being Earnest and Stoppards Rosencrantz and Guildenstern Are Dead[J].Washington: The Explicator 58(2): 91.

        [9] Tydeman,William.1997.Oscar Wildes The Importance of Being Earnest: A Reconstructive Critical Edition of the First Production,St.Jamess Theatre,London,1895[J].Oxford: The Review of English Studies 48(191): 414.

        [10] Wilde,Oscar.1994.The Importance of Being Earnest[M].London: Penguin Books.

        [11] 李勤,1998,從《真誠的重要性》看王爾德喜劇的特點(diǎn)[J]。四川師范學(xué)院學(xué)(5):32-34。

        [12] 李元,2003,唯美主義的浪蕩子——解析王爾德的矛盾性與自我塑造[J]。四川外語學(xué)院學(xué)報(bào)19(5):61-66。

        [13] 李元,2007,浪蕩子的狂歡——簡論《認(rèn)真的重要》中奧斯卡·王爾德對(duì)傳統(tǒng)的顛覆與重構(gòu)[J]。四川外語學(xué)院學(xué)報(bào)23(1):47-51。

        [14] 吳琦,2004,論奧斯卡·王爾德《認(rèn)真的重要》中的雙重性[J]。新鄉(xiāng)師范高等??茖W(xué)校學(xué)報(bào)18(4):81-83。

        [15] 袁霞,1997,唯美主義文藝觀的生動(dòng)體現(xiàn)——試評(píng)王爾德的喜劇[J]。南京師大學(xué)報(bào)(4):82-85。

        [16] 張介明,2004,當(dāng)代西方的王爾德研究[J]。外國文學(xué)評(píng)論(4):26-30。

        [17] 周小儀,1994,唯美主義與消費(fèi)文化:王爾德的矛盾性及其社會(huì)意義[J]。外國文學(xué)評(píng)論(3):95-101。

        国产无遮挡又黄又爽无VIP| 亚洲首页一区任你躁xxxxx| 天天碰免费上传视频| 国产人妻久久精品二区三区| 成 人 色综合 综合网站| 国产一极毛片| 午夜精品一区二区久久做老熟女| 日韩人妻系列在线观看| 少妇愉情理伦片高潮日本| 日韩成人大屁股内射喷水| 国产喷水福利在线视频| 亚洲成a∨人片在线观看无码| 国产精品国产三级国产三不| 白浆高潮国产免费一区二区三区| 午夜精品久久99蜜桃| 色窝窝亚洲av网在线观看| 国产丶欧美丶日本不卡视频| 国产av日韩a∨亚洲av电影| 黑丝美女被内射在线观看| 一区二区三区国产黄色| 国产农村乱辈无码| 99视频全部免费精品全部四虎| 久久婷婷夜色精品国产| 天堂资源中文网| 国产精品jizz视频| 亚洲国产综合专区在线电影| 国产精品久久婷婷免费观看| 亚洲av日韩av激情亚洲| 最近最好的中文字幕2019免费| 国产伦精品一区二区三区视| 性色av手机在线观看| 99久久精品人妻少妇一| 男人的天堂中文字幕熟女人妻| 少妇人妻偷人精品视蜜桃| 永久免费的拍拍拍网站| 丰满人妻被持续侵犯中出在线| 国产对白国语对白| 香蕉久久福利院| 911国产在线观看精品| 91一区二区三区在线观看视频| 又色又爽又高潮免费视频观看|