建筑設(shè)計(jì)：倫佐·皮亞諾建筑工作室

ARCHITECTS: Renzo Piano Building Workshop

1 外景/External view（攝影/Photo: Nic Lehoux）

改造的二期工程主要為博物館與增建的琳達(dá)與斯圖爾特·雷斯尼克展覽館的統(tǒng)一，并為藝術(shù)展示提供一種靈活、自然的照明結(jié)構(gòu)。連同在一期工程中已經(jīng)完工的布羅德當(dāng)代藝術(shù)博物館（BCAM）在內(nèi)，自2008年以來(lái)，洛杉磯州立藝術(shù)博物館已經(jīng)增加了將近9 290m2（10萬(wàn)平方英尺）的展示空間。早在一期工程中就已成為改造重點(diǎn)的室外藝術(shù)項(xiàng)目，在二期工程中繼續(xù)扮演著必要的角色，如增加了 “大規(guī)模的漂浮2006－2009”，以及始于2008年的羅伯特·歐文的棕櫚花園的擴(kuò)建。另外，BP入口大廳將逐漸演變?yōu)榘ㄒ蛔蓚愖簟て喼Z設(shè)計(jì)的玻璃幕墻餐廳和一個(gè)獨(dú)立的票務(wù)區(qū)。

二期工程包括：

琳達(dá)與斯圖爾特·雷斯尼克展覽館的建造。這是一個(gè)室內(nèi)無(wú)支撐、約4 180m2（4.5萬(wàn)平方英尺）的單層建筑，位于布羅德當(dāng)代藝術(shù)博物館（BCAM）的正北，普里茨克停車庫(kù)的頂部，后兩者都建造于一期工程；其特征在于自然光線照亮建筑的首層平面，混凝土樓板以及一個(gè)帶有垂直玻璃窗的鋸齒形屋頂；它由倫佐·皮亞諾設(shè)計(jì)，于2010年10月2日向公眾開(kāi)放。

周圍公園的整修。作為凱利和羅伯特日間公園的一部分，包括有將羅伯特·歐文的棕櫚樹(shù)網(wǎng)格向雷斯尼克館和洛杉磯州立藝術(shù)博物館園區(qū)其他建筑的延展。

BP 入口大廳的空間重組，包括一個(gè)由倫佐·皮亞諾設(shè)計(jì)的新餐廳以及一個(gè)集中的票務(wù)區(qū)。它們將沿著由玻璃和鋼結(jié)構(gòu)組成的入口大廳的東側(cè)布置?，F(xiàn)有的票務(wù)亭是由船運(yùn)集裝箱改造的，屆時(shí)將被移走。餐廳計(jì)劃在2011年1月開(kāi)放。

邁克爾·黑澤的“大規(guī)模的漂浮2006－2009”作品安裝。這是一個(gè)重約310t（68.3萬(wàn)磅）的巨石，將懸掛在兩個(gè)混凝土軌道上，參觀者可以從其下面穿過(guò)。它正好位于雷斯尼克館的北面，石板于2011年秋天安裝。

二期未來(lái)的計(jì)劃還包括洛杉磯州立藝術(shù)博物館西翼（30萬(wàn)平方英尺的原來(lái)五月公司的建筑）的整修，藝術(shù)家項(xiàng)目的增加，比如詹姆士·特勒爾的“復(fù)飛”和布雷的“晶錠”，二者都計(jì)劃布展在洛杉磯州立藝術(shù)博物館西翼，另外還有杰夫·昆斯的“列車”。后者為1940年代機(jī)車的約21m（70英尺）的復(fù)制品，經(jīng)由49m（161英尺）高的吊車懸掛起來(lái)，正位于靠近BP入口大廳的北廣場(chǎng)上，每天發(fā)出3次軋軋聲（引擎排氣聲）。這個(gè)項(xiàng)目的可行性研究，可能是由愛(ài)林伯格基金會(huì)擔(dān)綱，即將完成?！酰ɡ钶?譯）

The second phase of Transformation builds upon the unification of the museum with the addition of the Lynda and Stewart Resnick Exhibition Pavilion, a flexible, naturally lit structure dedicated to the presentation of art. When combined with the Broad Contemporary Art Museum (BCAM), which was completed during Phase I, LACMA has added nearly 100,000 square feet of gallery space since 2008. Outdoor artist projects, a keystone of the Transformation initiated in Phase I, continue to play an integral role in Phase II with the addition of Levitated Mass 2006-2009 as well as the extension of Robert Irwin's Palm Garden, begun in 2008.Additionally, the BP Grand Entrance will evolve to incorporate a glass-walled restaurant designed by Renzo Piano and a single ticketing area.

Phase II Includes:

The construction of the Lynda and Stewart Resnick Exhibition Pavilion, a free-standing, 45,000 square foot single-story building, located directly north of the Broad Contemporary Art Museum (BCAM)and atop the Pritzker Parking Garage, both built in Phase I; featuring a naturally lit open floor plan,concrete floor, and a saw-tooth roof with vertical glazing; designed by Renzo Piano and opens to the public October 2, 2010.

The rehabilitation of the surrounding park, as part of the Kelly and Robert Day Gardens, which include the expansion of Robert Irwin's grid of palm trees to the areas around the Resnick Pavilion and other buildings on LACMA's campus.

The reconfiguration of space in the BP Grand Entrance, including a new restaurant designed by Renzo Piano and a centralized ticketing area. Both will be sited along the eastern side of the Grand Entrance in a glass and steel structure. Existing ticketing booths, repurposed shipping containers,will be removed. Restaurant is scheduled to open January 2011.

The installation of Michael Heizer's Levitated Mass 2006-2009, a boulder weighing 683,000 pounds that will be suspended on two concrete rails, enabling visitors to walk through the carvedout earth underneath; to be sited just north of the Resnick Pavilion and slated to be installed fall 2011.

Future plans for Phase II also include the renovation of LACMA West (the 300,000-square-foot former May Company building) and the addition of artists projects such as James Turrell's Missed Approach and Boulee's Boule, both slated for LACMA West, and Jeff Koons's Train. The latter, a seventyfoot replica of a 1940s locomotive to be suspended from a 161-foot-tall crane, would dangle over the north piazza adjacent to the BP Grand Entrance,releasing steam, rotating wheels, and chugging three times a day. Feasibility studies for the project,made possible by the Annenberg Foundation, are nearing completion.□

業(yè)主/Client: Los Angeles County Museum of Art（LACMA）

合作/Collaborators: Gensler Associates（Santa Monica）

設(shè)計(jì)團(tuán)隊(duì)/Design Team: A.Chaaya（Partner in charge）, A.Gallissian（Associate）, with J.Loman,A.McClure, J.B.Mothes, M.Pimmel and N.Delevaux,T.Gantner, D.Graignic-Ramiro A.Knapp, B.Malbaux;O.Aubert, C.Colson, Y.Kyrkos（Models）

顧問(wèn)/Consultants: Arup（結(jié)構(gòu)和設(shè)備/Structure and Services）; Davis Langdon（造價(jià)顧問(wèn)/Cost consultant）; R.Irwin（景觀/Landscaping）

2 總平面草圖/Sketch site plan

3 剖面草圖/Sketch - section

6 鳥(niǎo)瞰/Aerial view（攝影/Photo: Ph. Warren Air Video & Photography Inc.）

7 東立面/East elevation

8 西立面/West elevation