建筑設(shè)計(jì)：倫佐·皮亞諾建筑工作室

ARCHITECTS: Renzo Piano Building Workshop

洛杉磯州立藝術(shù)博物館的（LACMA）一期改造工程持續(xù)多年，統(tǒng)一并擴(kuò)展了博物館園區(qū)，改造后便于參觀者經(jīng)由美術(shù)館和廣場(chǎng)輕松橫穿8hm2（20英畝）的園區(qū)，觀看博物館百科全書(shū)般的藏品，當(dāng)然也包括布羅德當(dāng)代藝術(shù)博物館（BCAM)。布羅德當(dāng)代藝術(shù)博物館畫(huà)廊的增建提升了洛杉磯州立藝術(shù)博物館的策略，它將現(xiàn)代藝術(shù)融入展覽和公共項(xiàng)目之中，并探索我們時(shí)代的藝術(shù)與過(guò)去藝術(shù)之間的相互關(guān)聯(lián)。此外，由于布羅德當(dāng)代藝術(shù)博物館的存在，在劃出大規(guī)?？臻g用于當(dāng)代藝術(shù)的展示而非用于其他百科全書(shū)式的博覽方面，洛杉磯州立藝術(shù)博物館是領(lǐng)先的。

布羅德當(dāng)代藝術(shù)博物館畫(huà)廊的增建，激發(fā)了洛杉磯州立藝術(shù)博物館的空間轉(zhuǎn)換，重組了其中幾個(gè)主要的收藏空間，其中的藏品包括由現(xiàn)代工廠創(chuàng)造的新型350片裝置，德國(guó)表現(xiàn)主義羅伯特·戈?duì)柦鸬轮行牡牟仄?，以及新近從拉札羅夫收藏中心獲得的藏品。新設(shè)施位于煥然一新的阿曼森館之中，占地約2 044m2（2.2萬(wàn)平方英尺）。另外，在洛杉磯州立藝術(shù)博物館豐富的美國(guó)藏品中，包括近來(lái)收集到的著名的托馬斯·伊肯斯和喬治·貝洛斯的作品，它們?cè)?007年被重新安置，并與裝飾藝術(shù)、設(shè)計(jì)、攝影、繪畫(huà)以及雕塑相結(jié)合。今年稍晚一些，整個(gè)拉丁美洲的藏品將會(huì)安置在這些畫(huà)廊之中，個(gè)案的設(shè)計(jì)和建造將由洛杉磯的藝術(shù)家豪爾赫·帕爾多完成?！酰ɡ钶?譯）

Phase I of the Los Angeles County Museum of Art's (LACMA) multi-year Transformation unifies and expands the museum's Campus, integrating its enables visitors to easily traverse the galleries and plazas across the twenty-acre campus to view the museum's encyclopedic collection, as well Museum (BCAM). The addition of the BCAM galleries advances LACMA's strategy to integrate contemorary art into its exhibitions and public programs and to explore the interplay of the art of our time with that of the past. Further, with BCAM, LACMA leads the field in devoting a greater share of its space and programming to contemporary art than any other encyclopedic museum.

The addition of the BCAM gallery space has enabled LACMA to shift and reorganize several major areas of its collections, including the creation of the new 350-piece installation of modern works,encompassing objects from the Robert Gore Rifkind Center for German Expressionist Studies and the newly acquired Lazarof Collection. The new installation occupies 22 000 sqrare feet of space in the dramatically

refurbished Ahmanson building. In addition,LACMA's robust American collection, which includes notable recent acquisitions of works by Thomas Eakins and George Bellows, was reinstalled in 2007, integrating decorative arts, design, and photography with painting and sculpture. Later this year, the entire Latin Americans collection, which will reside in galleries and case work designed and built by Los Angeles artist Jorge Pardo.□

業(yè)主/Client: Los Angeles County Museum of Art（LACMA）

合作/Collaborators: Gensler Associates（Santa Monica）

設(shè)計(jì)團(tuán)隊(duì)/Design Team: A.Chaaya（Partner in charge）with J.Boon, D.Graignic-Ramiro, A.Knapp,S.Joly, B.Malbaux G.Perez, M.Pimmel, D.Prasilova,M.Reale and A.Jankovic, A.King, K.Ramirez, E.Vélez,M.Watabe; O.Aubert, C.Colson, Y.Kyrkos（models）顧問(wèn)/Consultants: Arup（結(jié)構(gòu)和設(shè)備/Structure and Services）; Advanced Structures Incorporated（立面/Facade）; Davis Langdon（造價(jià)顧問(wèn)/Cost Consultant）; KPFF（土木工程/Civil Engineering）

1 總平面/Site plan

2 外景/External view（攝影/Photo: Nic Lehoux）

3 外景/External view（攝影/Photo: Nic Lehoux）

4 夜景/Night view（攝影/Photo: Nic Lehoux）

5 北立面/North elevation

6 外景/External view（攝影/Photo:Michel Denance）

7 東立面/East facade（攝影/Photo: Michel Denance）

8 屋頂細(xì)部/Roof detail

9 立面細(xì)部/Facade detail（攝影/Photo: Nic Lehoux）