建筑設計: ALA建筑師事務所
ARCHITECTS: ALA Architects
1 外景/Exterior view
克爾頓演藝中心集中了這個城市所有的演藝機構:這里將為 克里斯蒂安森交響樂團設置一座1 200座席的音樂廳,地區(qū)性團體阿格德爾劇團的700座席劇場也將坐落于此,這里還將容納一座配備有高聲學質(zhì)量和先進設備的舞臺。
劇院可以變換為可進行歌劇表演的舞臺以容納南方歌劇團在此進行演出。同時,這里還設有一座專門上演實驗戲劇的小舞臺,以及一座位于地面層的多功能廳。
克爾頓演藝中心為來訪者帶來的是迥然不同的空間體驗。這一設計集中關注音樂廳、劇場和多功能廳是如何與設備服務區(qū)域相互結合的。各演出大廳根據(jù)不同的功能被設置成一排,設備服務區(qū)域通過合理的穿插和組織,使得所有的大廳可以在不相互影響的前提下共同使用這些設備和后勤服務。設備服務區(qū)域位于一座大廳與另一座大廳的休息室之間。不同形狀的音樂廳被覆蓋在同一座曲線幕墻之下。這座采用了當?shù)禺a(chǎn)橡木制成的墻體具有紀念性的抽象形態(tài),將幻想與現(xiàn)實分隔開來。穿過這面墻,觀眾們就從真實的自然景觀進入到表演藝術的空間。這面墻在吸引了觀眾的同時表達了共存于這一建筑之內(nèi)不同種類的表演藝術各自的特性,更體現(xiàn)了它們相互結合產(chǎn)生的力量。這面墻體由呈螺旋狀相互交疊的板狀構件構成,在體現(xiàn)了戲劇化效果的同時展現(xiàn)出了堅實的觸感,并提高了音樂廳的聲學環(huán)境。其他立面采用黑色材質(zhì)以突出曲面墻體的效果。整棟建筑仿佛是為其所容納的“樂器”量身定做的盒子?!酰ɡ瞽[ 譯)
Kilden will gather together all the city's institutions of performing arts. Kristiansand Symphony Orchestra will have at its disposal a concert hall designed to accommodate 1 200 attendees. Agder Theater, a regional group, will have a theater with a capacity of 700, excellent acoustics and advanced equipment with a stage tower.
The theater can be transformed to accommodate opera performances and will also house the ensemble Opera South. In addition, there will be a small stage for experimental theater and a multipurpose hall with a level floor.
Kilden produces experiences. The core of its architecture is the way the concert, theater and multi-purpose halls are coordinated with the service areas. The halls are arranged in a row according to their functions, and the organization of the service areas allows common production equipment to serve all halls efficiently and without interference. The service areas are located on one side of the halls and the foyer on the other. The varying forms of the auditoria will be covered by a curved wooden wall.The monumental abstract form of the wall, made of local oak, separates reality from fantasy. Passing through, the audience will move from natural landscape to the realm of performing arts. The wall allures the audience and expresses the diversity of artistic performances housed by the building as well as the power induced by their combination. The wall made of spiral overlapping boards is not only a disguised theatrical effect but a concrete tactile artifact, which also improves the acoustics of the foyer. The infinite blackness of the other facades emphasizes the spectacle of the curved wall in the foyer. The building is like an exclusive case for the instruments it encloses.□
功能/Program: 24 600m2: 1 200座音樂廳/Concert hall with 1 200 seats, 750座劇場/Theatre-/Opera hall with 750 seats, 多功能廳與小劇場/Multipurpose hall and small theatre hall, 辦公室/Offices, 工作坊/Workshops, 排練廳/Rehearsal spaces, 400車位停車場/Car park for 400 cars.
業(yè)主/Client: Teater og Konserthus for S?rlandet IKS
團隊/Team: ALA Architects in collaboration with
SMS Arkitekter. ALA: Juho Gr?nholm, Antti Nousjoki,Janne Ter?svirta, Samuli Woolston with Niklas Mahlberg (project architect at construction phase),Pekka Sivula, Pauliina Rossi, Pauliina Skytt?, Sami Mikonheimo, Jani Koivula,Auvo Lindroos, Aleksi Niemel?inen, Erling Sommerfeldt, Tomi Henttinen,Harri Ahokas, Anniina Koskela. SMS: Erik Sandsmark,Wenche Aabel, Jan T?rres B. Gr?nnings?ter, Eirin Zachariassen, Hanne Alnes. Ext: Birger Gr?nholm(comp.phase theatre expertise), Julle Oksanen(lighting concept) & Klaus Stolt (scale models).
合作者/Collaborators: WSP Multiconsult AS (structural engineering), Arup Acoustics (concert hall acoustics),Brekke Strand Acoustics (acoustics), Sweco Gr?ner(mechanical engineering), Cowi (electrical engineering), TPC (theater technical engineering)
2 夜景/Night view(1、2 攝影/Photos: ALA Architects)
3 1層平面/1st floor plan
4 剖面/Section
5 內(nèi)景/Interior view(攝影/Photo: Iwan Baan)
6 劇院剖面/Theatre hall section
7 內(nèi)景/Interior view(攝影/Photo: ALA Architects)
8 內(nèi)景/Interior views(攝影/Photos: Iwan Baan)
9 內(nèi)景/Interior views(攝影/Photos: Iwan Baan)