大舍建筑設(shè)計(jì)事務(wù)所

地點(diǎn)：上海市徐匯區(qū)龍騰大道3398號(hào)

主創(chuàng)建筑師：柳亦春

設(shè)計(jì)團(tuán)隊(duì)：陳屹峰，王龍海，王偉實(shí)，伍正輝，王雪培，陳鹍

建筑面積：33,007m2

設(shè)計(jì)時(shí)間：2011.11-2012.07

竣工時(shí)間：2014.03

攝影：蘇圣亮，陳顥，夏至，田方方，Hufton+Crow

Location:3398 Longteng Avenue,Shanghai

Principal Architect:LIU Yichun

Project Team:CHEN Yifeng,WANG Longhai,WANG Weishi,WU Zhenghui,WANG Xuepei,CHEN Kun

Floor Area:33,007 m2

Design Period:2011.11-2012.07

Completion Time:2014.03

Photos:SU Shengliang,CHEN Hao,XIA Zhi,TIAN Fangfang,Hufton+Crow

龍美術(shù)館西岸館位于上海市徐匯區(qū)的黃浦江邊，基地以前是運(yùn)煤的碼頭?，F(xiàn)場(chǎng)有一列被保留的1950 年代所建長(zhǎng)約110m、寬10m、高8m 的煤料斗卸載橋和兩年前施工完成的兩層地下停車(chē)庫(kù)，地面以上原來(lái)計(jì)劃的建筑還沒(méi)有建造。

原本的設(shè)計(jì)為適應(yīng)停車(chē)的經(jīng)濟(jì)性而采用了8.4m×8.4m 標(biāo)準(zhǔn)柱網(wǎng)的框架結(jié)構(gòu)，新的設(shè)計(jì)決定在充分利用原有結(jié)構(gòu)的基礎(chǔ)上展開(kāi)。美術(shù)館的功能性最終被體現(xiàn)在靈活布局的墻體結(jié)構(gòu)上，以創(chuàng)造一種自由漫行的觀(guān)展體驗(yàn)。這些獨(dú)立且分散布局的墻體采用清水混凝土澆筑，向上延展為如傘如拱的獨(dú)立懸臂方形覆蓋，“傘拱”之間留有縫隙，向下則插入原有的地下室并與原有框架結(jié)構(gòu)柱澆筑在一起，地下一層的原車(chē)庫(kù)空間也由于這些剪力墻的介入而轉(zhuǎn)換為展覽空間，地下二層則仍是車(chē)庫(kù)空間，只有少部分墻體伸入到地下二層。機(jī)電系統(tǒng)都被整合在“傘拱”結(jié)構(gòu)的空腔里，形成了純凈的室內(nèi)空間，室內(nèi)的墻體和天花均為清水混凝土表面，垂直的墻體和水平的天花之間由一道橢圓的拱面過(guò)渡，但天花在室內(nèi)所見(jiàn)的水平面已經(jīng)很少。

結(jié)構(gòu)、機(jī)電系統(tǒng)與空間意圖的整合所形成的架構(gòu)和基地里現(xiàn)存的煤料斗卸載橋具有一種類(lèi)比性，它們都是一種目的性非常明確且直接展現(xiàn)了建造結(jié)構(gòu)的建筑形式。

評(píng)委評(píng)語(yǔ)

龍美術(shù)館以獨(dú)立“傘拱”懸挑結(jié)構(gòu)及墻體穿插的自由布局，營(yíng)造了獨(dú)特的多樣性展覽空間，并通過(guò)層層遞進(jìn)的豎向空間、純粹的整體清水混凝土墻頂結(jié)構(gòu)體系和機(jī)電管線(xiàn)系統(tǒng)的一體化整合，賦予美術(shù)館純凈質(zhì)樸和豐富的空間體驗(yàn)，原存的地庫(kù)結(jié)構(gòu)和工業(yè)遺址通過(guò)技術(shù)、文化的雙重思考被巧妙地加以利用，成為美術(shù)館功能和空間的有機(jī)體。龍美術(shù)館以空間、技術(shù)和開(kāi)放性功能體系的獨(dú)到構(gòu)建，為城市公共空間和文化生活帶來(lái)了持續(xù)的活力，取得了建筑學(xué)創(chuàng)新思考的突出成就。

Located in Xuhui District in Shanghai,the site for the Long Museum West Bund was originally a coal wharf on the Huangpu River.A hopper bridge for unloading coal,which is about 110 metres long,10 metres wide,and 8 metres high and built in the 1950s,has been preserved.Adjacent to the bridge is a twostorey underground parking garage,which was built two years before the planning of the Long Museum was part of an unrealised building missing the above-ground floors.

The new design reuses and develops the potentials of the existing column grid of 8.4 metres by 8.4 metres of the original underground parking garage's standard spatial optimization.Free-floating wall structures in the space create an experience of promenade for visitors to the exhibition,fulfilling the new museum's functional performance.These dispersed and autonomous walls are formed by cast-in-situ fair-faced concrete.Each rises vertically and extends out to form umbrella-vaulted canopies.A horizontal seam visibly separates each unit of a cantilevered umbrella-vault structure from the next.

These walls extending downward from the ground floor to the basement merging with the existing column grid structure.The configuration of the shear walls,thus,transforms the first basement floor into an exhibition space.The second basement floor remains as parking space,with only some of the walls extending to the parking floor as needed.The mechanical system is integrated into the cavity between the walls of the vault-umbrella units,freeing the interior as an uninterrupted space for exhibition.The surface of the walls and the ceilings are both made by fair-faced concrete,and are transitioned by a smoothed half oval vault.The visible horizontal ceiling appears minimal in the interior.

2 從美術(shù)館入口處望向江面 View from the entrance to the river

3 草圖 Sketch

4 圖解 Diagram

5 美術(shù)館西南立面 Southwest fa?ade

6 主展廳 Main exhibition hall

The integration of structure,the mechanical system,and the spatial intention together form a "volumetric structure".In this sense,this integration achieves a clarity of expression similar to the coal-unloading hopper bridge on the original industrial site.

Jury Statement

The Long Museum features a unique and diverse exhibition space with an independent "umbrella arch" cantilevered structure and a free layout of interspersed walls.Through the integration of progressive vertical spaces,a monolithic fair-faced concrete wall top structure system,and mechanical and electrical piping systems,the museum is endowed with a pure,simple and rich spatial experience.The existing structure and industrial sites were cleverly utilised through a dual consideration of technology and culture,becoming an organism of function and space for the Museum.The Long Museum is a unique combination of space,technology and open functional systems,bringing sustainable vitality to the public space and cultural life of the city,and reaching an outstanding achievement in innovative architectural thinking.□(Translated by WANG Xinxin)

7 一層展廳 Ground floor exhibition hall

8 下沉展廳 Sunken exhibition hall

9 首層平面 Ground floor plan

10 結(jié)構(gòu)平面 Structure plan

11 二層展廳 First floor exhibition hall

12 地下一層展廳 Basement exhibition hall

13 美術(shù)館入口空間 Entrance space

14 美術(shù)館臨江立面 Riverfront fa?ade

15 雪中的美術(shù)館 Long Museum in the snow

16 剖面 Section

17 結(jié)構(gòu)單元 Structure unit

18 被激活的濱江公共空間 Activated public space on the riverfront