Atelier and I 坂本一成研究室

散田之家，是坂本一成研究生時期的出世之作。正方形的平面直接被確立，方形屋架置于其上。支配內(nèi)部空間的象征性要素來自于平面中心的圓柱與對角線上的斜梁。從中可一窺其恩師——建筑家篠原一男對坂本的影響，以及坂本試圖從中脫離的意圖。坂本使用“封閉的箱體”來闡述其設計的概念，但是住宅面向外部的大開口，卻并非給人一種強烈封閉的印象。這種出現(xiàn)在坂本之后作品中互相矛盾的要素，已在此住宅作品中顯現(xiàn)。

House in Sanda is Sakamoto’s debut work,completed while still a graduate student.It is built up from a square-shaped plan and topped with a square roof.A central column and diagonal beams establish symbolic order in the interior.The influence -as well as an attempt to escape it -of Sakamoto’s mentor,Kazuo Shinohara,can be inferred from the design’s posture.Sakamoto explains the design concept as a“closed box”;however,this impression of being closed is negligible due to its large openings.The presence of mutually contradictory elements,observable in Sakamoto’s later works,can already be seen emerging here.

業(yè)主：個人

建設地點:日本，東京都八王子市

建筑設計：坂本一成

總建筑面積：113.0m2

設計時間：1968.04-1969.03

建成時間：1969.08

攝影/圖片版權：新倉孝雄、Atelier and I 坂本一成研究室

1 南側(cè)外觀

2 二層南側(cè)窗邊俯視室內(nèi)

“封閉的箱體”

1960年代，環(huán)境污染開始成為社會問題。這個設計的意圖誕生于這樣的社會背景下，目的是在喧囂的都市環(huán)境中確保居住的空間。盡管同時代的建筑家也有著同樣設計封閉式住宅的傾向，但是坂本的建筑卻擁有著更大的開窗。由此可見，“封閉”的概念絕非是依附外觀表現(xiàn)的。

Closed box

As environmental pollution arose as a key issue of social conditions during the 1960s,there was an aim to design dwelling spaces shielded from the hustle and bustle of the city.A tendency toward insular residential designs can be seen in the architects of this generation;however,in the work of Sakamoto,with its abundance of large windows,it can be understood that such“closed”concepts were never expressed for form's sake alone.

3 一層平面圖

4 南北方向剖面圖

5 一層北側(cè)望向主室