朱瑩瑩

科技的發(fā)展，加速了城市與人的溝通速度，卻也擴(kuò)大了人與城市的邊界。過去由什么組成，未來又如何定義？2020年金秋，一場名為“城市輸入中……”的展覽在寧波舉行，講述的就是城市與人的對話。

中國美術(shù)學(xué)院雕塑與公共藝術(shù)學(xué)院纖維藝術(shù)系教授阿薩杜爾·馬克洛夫（Assadour Markarov，保加利亞），帶著自己的團(tuán)隊制作的藝術(shù)裝置《映象寧波》前來參展。作品以人與城市的關(guān)系為主題，圍繞人們對城市空間的感知方式展開創(chuàng)作。

設(shè)計師范江的藝術(shù)作品《@》，則展現(xiàn)了小小鍵盤記錄下的這個高速發(fā)展時代的數(shù)據(jù)。

Science and technology boost the communication between man and city and， on the other hand， they also widen the horizons of man and city. An exhibition titled ?in Ningbo in the autumn of 2020 tried to present a dialogue between man and city， in a bid to answer questions such as “What is the past？” “How do we define future？”

Assadour Markarov， a Bulgarian professor with the Fiber Art Department， School of Sculpture and Public Art， China Academy of Art， installed ?with the assistance of his team. The artistic installation featured the relationship between man and city as the major theme and presented the way people felt about urban space. The installation highlighted urban culture， residential communities， behaviors and postures， and individual images of different regions， exploring the symbolic use of architecture， public space， symbols and decorations， and patterns seen in art， craftsmanship and design. ， an artwork by designer Fan Jiang， presented the keyboard symbolizing data and personal life in our time flooded by information.