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        When Dunhuang Murals Meet Daily Lacquerware

        2020-12-08 06:41:39姜曉巖
        關(guān)鍵詞:藝術(shù)設(shè)計(jì)山東省

        【abstract】China is the first country in the world to use lacquer to make lacquerware,during which the Chinese nation has created a splendid lacquer art history. At the same time,Dunhuang also has a deep cultural heritage,rich in art content,exquisite painting art,and has unique aesthetic characteristics,reflecting the national tradition. Dunhuang decorative patterns can be well used in the design of daily lacquerware. The combination of Dunhuang culture and the practicality of daily-use lacquerware continuously meets the demand for innovation,thereby increasing the social recognition of lacquer art,thereby improving peoples spiritual and material lives,and continuously expanding the market,making daily-use lacquerware with Dunhuang cultural symbols in Play a new role in modern development.

        【Keywords】Dunhuang;Group pattern;Daily lacquerware;innovation

        1.Analysis of Dunhuang Regiment's Pattern Model

        As the name suggests,the outer contour is the basic identification feature. It is stipulated that the pattern is generally circular,and the interior is roughly a flower pattern with a radial central symmetric structure. It can also be a balanced pattern,and its basic component is petals. In the daily use lacquerware,most of them are regular cylinders or square or rectangular parallelepipeds. Ancient Chinese pay attention to the beauty of symmetry. The application of daily lacquerware conforms to the aesthetic law. Lacquerware has a certain degree of competitiveness in the world market,redistributing the unique charm of Chinese lacquerware and traditional Chinese culture.

        2.The Application Value and Significance of Daily Lacquerware

        Lacquerware continues to develop and innovate on the basis of inheriting traditional culture. Innovation must be combined with the background of the current era. This also has a certain degree of promotion for the emerging lacquer art research. The design of daily-use products is mainly manifested in the thought,culture and spirit of creation. China's unique creation spirit can be combined with modern aesthetics to design daily products that conform to the public's aesthetics. The combination of Dunhuang patterns and daily-use lacquerware adds the cultural quality of traditional lacquer art to daily-use products,which conforms to the aesthetics of modern people.

        3.Research on the Innovative Application of Daily Lacquerware with Dunhuang Regiment Patterns

        (1)The Application of Dunhuang Decorative Patterns in Daily Lacquerware

        The special meaning of Dunhuang patterns is given to daily-use lacquerware. The use of patterns such as the symmetry and balance of the Dunhuang decorative patterns,the manifestation of changes and unified relationships,integrated into the design of daily lacquerware,can give play to its aesthetic value,better reflect the national character of the work,and can once again enhance the depth of the lacquer culture. Breadth. In today's era,traditional culture is vigorously promoted,and the revival of Chinese lacquer culture plays an important role in people's more intuitive and comprehensive understanding of Chinese traditional culture. Conducive to the continued inheritance and development of Chinese traditional culture and culture throughout the world.

        (2)The Method of Applying Dunhuang Tuan Patterns in Daily Lacquerware

        2.1Use of symbolic meaning

        The patterns of the Dunhuang regiment are not only strongly decorative,but also rich in culture. The group pattern embodies people's expectations for a better life,and this meaning is expressed through the pattern's symbol and homophony. There are many different patterns that are repeated and matched. Each pattern has a different meaning and embodies different emotions.

        2.2Modeling,color extraction and composition

        Dunhuang pattern decorations have a variety of forms,which can be combined with design deformation methods. Through the analysis,extraction and selection,decomposition,refining,breaking,and reconstruction of the pattern patterns,the Dunhuang pattern is well combined with the daily lacquerware. designing. In this way,the lacquer works not only reflect the national character of the traditional oriental patterns,but are not too traditional.

        (3)Application value of daily lacquerware of Dunhuang regiment pattern

        The application of traditional lacquer art to modern design not only makes use of the practical value and aesthetic value of large lacquer craftsmanship,but also promotes the progress of human civilization and witnesses the historical development of society. Its existence is more than just a visual Art. At the same time,the Dunhuang pattern has a long historical and cultural background,and has a certain cultural nature. It is not only a special cultural symbol,but also a manifestation of the profoundness and profoundness of Chinese culture. The combination of Dunhuang regiment patterns and daily lacquerware is the embodiment of traditional national culture and spiritual symbols.

        3.Summary

        The traditional cultural elements are applied to the modern daily-use lacquer design. At the same time,the shapes and patterns are subjectively processed to enhance the modern aesthetic experience while retaining the traditional charm. The modeling elements of the Dunhuang regiment pattern are refined and processed,and they can be used as Japanese Using the shape and styling elements of lacquerware products,lacquerware products that conform to modern characteristics and are stylish and simple are designed. Make daily-use lacquerware have the connotation characteristics of traditional culture,and at the same time inherit and carry forward the traditional culture.

        References:

        [1]Zhao Shengliang. Introduction to Dunhuang Grotto Art [M]. Lanzhou:Gansu Education Publishing House,2013:24.

        [2]Ni Jianlin. Lacquerware Art·Painted Lacquerware[J]. Southwest Normal University Press,2009.6

        作者簡介:

        姜曉巖(1997.09),女,漢族,山東省德州市,齊魯工業(yè)大學(xué)(山東省科學(xué)院)藝術(shù)設(shè)計(jì)學(xué)院,19級碩士研究生,專業(yè):藝術(shù)設(shè)計(jì)。

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