陳晶

憑闌觀史 挽袖作詞

Exhibition Showcases Womens Life in the Ming and the Qing

最美人間四月天，與君挽袖作新詞。

杭州工藝美術(shù)博物館“憑闌觀史”系列展二——“挽袖作新詞·明清閨閣文化展”在中國扇博物館舉行。展覽共計展出119件展品，其中包含76組挽袖、19件服飾和12件書畫等，從閨閣女子的繡品、衣物、詩詞，嘗試為觀眾營造出一個動人、動情的閨秀女性空間，解讀明清閨閣的文化內(nèi)涵。

本次展覽有兩件一級文物亮相，分別為清惲冰的《玉洞仙株圖軸》和明柳如是的白端寫經(jīng)硯。惲冰是清代惲氏畫家中聲譽較高、傳世作品最多的女畫家，她深得惲氏沒骨畫家傳，潛心于花鳥畫創(chuàng)作，與馬荃并稱為女性花鳥之“二絕”。柳如是為明末清初女詩人，被譽為“秦淮八艷”之首，工詩善畫，著有《戊寅草》《柳如是詩》等。國學大師陳寅恪曾在他的《柳如是別傳》中評價說，柳如是具有優(yōu)異突出的文學才能。

， a part in a series of exhibitions presented by Hangzhou Arts and Crafts Museum， started on April 25 and will run through July 26. The venue is the second-floor hall at China Fan Museum in Hangzhou. Altogether there are 119 exhibits on display， including seventy-six? pieces （decorative silk embroideries for sleeves）， nineteen dresses and twelve artworks of painting and calligraphy. Among the exhibits are two class-one national treasures. One is a painting by Yun Bing， a woman artist of the Qing Dynasty （1644-1911）. The other is an ink-stone once used by Liu Rushi， a woman poet and artist whose life spanned the last years of the Ming Dynasty （1368-1644） and the early years of the Qing. The two exhibits are loaned from Zhejiang Museum.