建筑設(shè)計(jì)：Square One建筑事務(wù)所

1 內(nèi)景/Interior view

2 剖面/Section

建筑位于布加勒斯特的老城中心，有悠久而復(fù)雜的歷史。它始建于19 世紀(jì)初，最初是一家銀行，后來(lái)在1950-1990 年代之間變?yōu)橐患曳b店。在過(guò)去的20 年中，由于服裝店關(guān)閉，建筑逐漸被廢棄，如今它被改造為一個(gè)書(shū)店而獲得新生。我們認(rèn)為這座建筑的外殼是永恒的，而我們的介入是其歷史的一個(gè)片段。在最終設(shè)計(jì)中，我們保留了一些近期修復(fù)的構(gòu)件，包括地下室的混凝土墻和輪廓梁的一部分，以呈現(xiàn)這座建筑所經(jīng)歷的連續(xù)的變化。

作為零售空間的建筑的主要功能組件是室內(nèi)家具。在層高允許的條件下，我們置入了夾層平臺(tái)，使之成為定義和塑造空間的風(fēng)格元素。

我們必須利用現(xiàn)狀元素，找尋創(chuàng)造視覺(jué)沖擊力和雕塑效果的方法，同時(shí)凸顯建筑的古典元素。我們創(chuàng)造了一個(gè)有機(jī)、流動(dòng)的形式，它穿梭于現(xiàn)有的結(jié)構(gòu)元素之間，時(shí)而退到柱子后面，時(shí)而出現(xiàn)在柱子之間。夾層平臺(tái)的欄桿由等距的金屬桿件組成，與平臺(tái)的曲線形式保持一致。隨著視角和平臺(tái)曲度的變化，欄桿呈現(xiàn)半透明的狀態(tài)。

我們采用了暖色調(diào)的精準(zhǔn)照明系統(tǒng)。看似隨機(jī)的燈具在經(jīng)過(guò)計(jì)算后能滿足各種銷售商品的照明需求。我們通過(guò)光度計(jì)算得出家具附近和樓梯上方所需的燈具，提供純功能性的燈光，也計(jì)算得出其他提供環(huán)境光的燈具。啟發(fā)我們的照明設(shè)計(jì)靈感的圖像是繁星點(diǎn)點(diǎn)的天空，正如人們?cè)谕砩贤高^(guò)中央天窗所看到的夜空?！?/p>

（母卓爾 譯）

項(xiàng)目信息/Credits and Data

設(shè)計(jì)/Design: Adrian Cancer-Zeana, Sabin Dumitriu

設(shè)計(jì)團(tuán)隊(duì)/Design Team: Ioan Vladescu, Vlad Cretu, Andrei Palita

修繕工程/Restoration: Capitel Avantgarde

結(jié)構(gòu)工程/Structure Engineer: Pop si Asociatii

建筑面積/Floor Area: 1000m2

預(yù)算/Budget: 500,000 USD

建成時(shí)間/Completion Time: 2015

攝影/Photos: Cosmin Dragomir

The building is located in the old city centre of Bucharest, and has a long and intricate history. Built in the 19th century, it started as a bank and then it became a clothing shop between the 1950s and the 1990s. In the past 20 years, after the clothing shop closed, the building became slowly a ruin,before it regained life as a bookstore. We saw it as a permanent shell and our intervention as a fragment in its history. Pieces of recent restorations were kept visible in our final design, the concrete walls in the basement and several components of outline beams, as an expression of the building's continuous metamorphosis.

Being a retail space, the main functional component is the furniture. The height of the floors made possible the addition of intermediary platforms, serving as the stylistic elements that define and shape the space.

We had to play with the existing elements and managed to create visual impact and sculptural value, while empowering the classical elements of the building. We created an organic fluid form that winds through the existing structural elements,sometimes withdrawn behind the existing pillars and other times emerging in the spaces between them. The platforms have a railing composed of equally spaced metal rods that follows the form and is both opaque and transparent, depending on the angle of view and the curvature of the shape.

We opted for a punctual lighting system with a warm spectrum. Seemingly random, the arrangement of luminaries has been calculated to fulfill the illumination needs of various products.The photometric calculations resulted a number of bodies in the proximity of the furniture and above circulations - purely functional light - and another number of bodies that give the ambient light. The image that inspired the artificial lighting design is that of a starry sky, like the one seen through the central skylight at night.□

3 內(nèi)景/Interior view

4 首層平面/Ground floor plan

5 三層平面/Second floor plan

6.7 內(nèi)景/Interior views

8 地下層平面/Basement plan

評(píng)論

徐?。涸诒３謿v史建筑外觀不變的前提下，對(duì)室內(nèi)空間重新塑造是一個(gè)通常的做法，本案例的出眾在于準(zhǔn)確地理解和吸收原有巴洛克裝飾風(fēng)格的前提下，將現(xiàn)代元素巧妙嵌入其中，不顯突兀，和諧而雅致，營(yíng)造出時(shí)空蒙太奇的夢(mèng)幻效果。室內(nèi)的夾層是設(shè)計(jì)的亮點(diǎn)，書(shū)架的分隔使得原有的空間層次更加豐富，水平線條得到延伸，律動(dòng)的白色欄桿穿梭于原有結(jié)構(gòu)之間，統(tǒng)一而富于變化，形成主要的視覺(jué)元素，新增加的元素很簡(jiǎn)約且收斂，其曲線吸取巴洛克風(fēng)格的特色，對(duì)原有室內(nèi)裝飾風(fēng)格起到了烘托和強(qiáng)化的效果。

王逸凡：現(xiàn)狀古典元素的精巧形狀在面對(duì)時(shí)光的沉積時(shí)是十分脆弱的，不過(guò)卻隱含著材料的可塑性。建筑師在改造時(shí)借助曲線實(shí)體半透不透的狀態(tài)，創(chuàng)造出一種由視線的柔和流動(dòng)所形成的建筑，一種與觸感相通的視覺(jué)體驗(yàn)。層與層之間的加建模糊了視線、柔化了焦點(diǎn)，曲線欄板用最細(xì)的桿件組成，將這種實(shí)體的消融與風(fēng)格的連貫推到了極致。

Comments

XU Jian:Under the condition of not changing the appearance of a historic building, the usual way is to recreate the interior space. The design is outstanding in that it accurately understands and seizes the essence of the original baroque decoration style, and delicately engraves modern elements into it, which are not precipitous but harmonious and elegant, creating a dreamy space-time montage effect. The interlayer of the interior space is the highlight of the design. The use of bookshelves to separate the space enriches the original spatial hierarchy, and the horizontal lines are extended. Rhythmical white handrails are interwoven among existing structure, unified yet full of changes,which form the primary visual element in the space.The newly added elements are plain and withdrawn.Arranged in a curve absorbing the feature of baroque style, they set off contrast and stress the original decoration style of the interior space. (Translated by QIAN Fang)

WANG Yifan:The intricate shapes of the existing classical elements are vulnerable to deposits, and yet at the same time implies the ductility of their materials.The architects create an entity that is both opaque and transparent, imagining an architecture formed by the soft fluid of the gaze - a more tactile experience of vision. The addition of intermediary platforms further blurs the view, and softens the focus. The railing, composed of the most delicate rods, takes this dissolution of material and continuation of style to the extreme.

9 內(nèi)景/Interior view