2019年，三部利用搖滾樂創(chuàng)作的音樂劇點燃了北京觀眾的熱情，第一部是百老匯風(fēng)格的《謀殺歌謠》，第二部是法國風(fēng)格的《搖滾莫扎特》，第三部是百老匯風(fēng)格的《搖滾學(xué)?！??！吨\殺歌謠》體現(xiàn)了室內(nèi)劇的小成本與實驗性，《搖滾莫扎特》在音樂和舞臺呈現(xiàn)上廣泛借鑒了古典元素又不失現(xiàn)代，而《搖滾學(xué)?！犯嗟厥怯猛ㄋ椎囊魳穪硭茉炱胀ㄈ说墓适?。3月22日到4月14日，《搖滾學(xué)?！吩诰┭莩?，搖滾之聲響徹北京天橋藝術(shù)中心。整體來說，《搖滾學(xué)校》更具搖滾范兒，當(dāng)然，它也不只是搖滾，借搖滾表達(dá)音樂的力量才是這部劇帶給觀眾最直觀的感受，也是其魅力所在。

In 2019,three musicals created with rock & roll music have ignited the enthusiasm of the Beijing audiences.The first was the Broadway-styleMurder Songs,the second was the French-styleRock & Roll Mozart,and the third was the Broadway-styleSchool of Rock& Roll. TheMurder Songsembodies the small cost and experimentation of indoor dramas.Rock & Roll Mozartdraws on classical elements and modernity in music and stage presentations,whileSchool of Rock & Rollis more shaped with popular music to depict the story of ordinary people. From March 22ndto April 14th,School of Rock & Rollwas performed in Beijing,featuring the sound of rock and roll resounding through the Beijing Tianqiao Art Center. On the whole,School of Rock & Rollpresents more elements of such styles. Of course,it is not just rock and roll. Employing the rock & roll to express the power of music is the most intuitive feeling that this drama brings to the audiences,which is the very charms of the show.