譯/愛(ài)藝

Jaroslava, Mucha’s first child, was born in 1909 in New York, during the family’s stay in America. She appears in numerous pictures and designs, including Czechoslovak banknotes.

[2] In this half-length frontal portrait(oil on canvas, 73cm × 60cm, c.1927-1935), Jaroslava sits in an elaborate white headscarf with her chin in her hands.

[3] When Mucha was working on The Slav Epic at Zbiroh, Western Bohemia,Jaroslava not only posed for the paintings, but also worked as her father’s technical assistant. This early training may have helped her pursue her career as a conservator of fi ne art. ■

雅羅斯拉娃是穆夏的第一個(gè)孩子，1909年出生在紐約，當(dāng)時(shí)穆夏一家旅居美國(guó)。她的身影出現(xiàn)在很多圖畫(huà)和設(shè)計(jì)作品中，包括捷克斯洛伐克的鈔票上。

[2]在這幅半身正面肖像（布面油畫(huà)，73厘米×60厘米，約1927—1935年）中，雅羅斯拉娃呈坐姿，頭裹一塊精致的白色頭巾，雙手托腮。

[3]穆夏在西波西米亞茲比羅赫繪制《斯拉夫史詩(shī)》系列組畫(huà)時(shí)，雅羅斯拉娃不僅為父親的創(chuàng)作充當(dāng)模特，還是父親的技術(shù)助理。這種早期的訓(xùn)練可能對(duì)她后來(lái)一直從事藝術(shù)保護(hù)工作很有幫助。 □