亚洲免费av电影一区二区三区,日韩爱爱视频,51精品视频一区二区三区,91视频爱爱,日韩欧美在线播放视频,中文字幕少妇AV,亚洲电影中文字幕,久久久久亚洲av成人网址,久久综合视频网站,国产在线不卡免费播放

        ?

        SOUNDS OF A CENTURY

        2018-10-20 10:46:20陸丹
        關(guān)鍵詞:博物館歷史音樂

        陸丹

        A singular museum in north China offers a rare insight into its musical history

        在遼寧旅順的留聲機(jī)博物館內(nèi),收藏著一段屬于老館長(zhǎng)王心偉的音樂歷史

        Wang Xinwei tosses a coin into a black hat, and the hurdy-gurdy man slowly cranks into life, playing the kind of novelty song last heard on the streets of New York in the early 20th century.

        But the organ grinder is an animatronic model, manufactured in the Netherlands in 1918, and the location is a museum in Lüshun, a small city at the extreme southern tip of the Liaodong Peninsula, with its own singular history.

        “Lets give a cheer for these magical sounds from 100 years ago!” cries Wang, encouraging his audience of some 20 tourists, whove come from around the world to explore his phonography museum, a damp storage building that Wang, a retiree in his 60s, has converted into a unique private collection.

        Dating from 1887 to 1979, over 25,000 records and antique phonographs offer a unique insight into musical and military history.

        Surrounded by ocean on three sides, Lüshun was a strategic seaport in several conflicts, including the First Sino-Japanese War (where it was the site of an infamous massacre), the Russo-Japanese War of 1904, and World War II. Named Port Arthur, after Royal Navy Lieutenant William C. Arthur, who surveyed the area in 1860, Lüshun was a fortified area guarding the approach to Manchuria, and thus vital to power plays in the Far East.

        Successively administered by the Russian and Japanese empires, then the Soviet Union until 1953 (its now the Lüshunkou district of Dalian), Lüshun was settled by thousands of foreigners in the early 20th century, among them merchants, diplomats, journalists, artists, and army officers. Many owned phonographs and records produced in the US, Europe, and China, considered high-end entertainment in the early 1900s.

        Born in 1953, the descendant of a wealthy and music-loving Qing dynasty family, Wang remembered having a gramophone at home, which he could already take apart and put back together by age seven. After school, he would cut grass to sell for cattle feed, earning 3.7 RMB after many months—enough to buy phonograph in a pawn shop.

        Since then, phonographs have never been out of Wangs life. The story of how he came by—and kept—his complete collection is remarkable.

        Some records he inherited, but most he bought cheaply from his neighbors and, later, antique markets; they were left behind by Chinese and foreign families that fled the country during the events of the 20th century.

        In the 1930s, Lüshun became part of Japanese-controlled Manchuria, roughly equivalent to todays Dongbei. During the occupation, Lüshuns citizens were not allowed to speak Chinese in public and forced to learn Japanese at school. Records that preserved Chinese culture, such as traditional Peking or Yue opera, were a source of comfort during those dark days of colonial oppression—although their ownership and recording was strictly controlled by the South Manchuria Railways Company.

        Decades later, Wang received donations from the sons and daughters of many eyewitnesses to that dark period. “People in Old Town know all about Mr. Wang, and his good heart,” one 80-year-old visitor told TWOC. “Thats why, after my father passed away, I gave his beloved phonographs to Wang.”

        During the Cultural Revolution, Wangs records faced another threat, as foreign culture was declared a form of “spiritual pollution” and considered “counterrevolutionary.” But when the Red Guards set out to “smash the olds,” as Mao had instructed in 1966, Wang had an ingenious defense.

        “When [they] came to confiscate my phonographs, I told the Red Guards, ‘These magical instruments can sing Chairman Maos songs! Fortunately, the first record I picked out was ‘The East is Red,” Wang told TWOC, referring to the famous paean to Mao. Though he said hed been “breathless with anxiety,” the ruse worked—so well, in fact, that he was invited to join the Red Guards, and entrusted with the task of helping to identify, critique, and eradicate pre-Liberation phonographs from Lüshun.

        Wang could scarcely believe his luck. He went about confiscating contraband vinyl, such as foreign or “feudal” music, from local residents; only instead of demolishing them, he secretly hid the records.

        Although Lüshuns tragic history as a locus of siege and slaughter is an inerasable scar on 20th-century China, Wangs museum manages to evoke what warmth and culture existed during this turbulent period. For Wang, the records are “l(fā)oyal witnesses” to history, and can awaken powerful memories for future generations to learn from.

        Many, including the first generation of wax and lakh (or gum) records made in China in the 1900s, are highly valuable, and contain musical masterpieces from contemporaneous artists such as Tan Xinpei, Mei Lanfang, Ma Lianliang, and Zhou Xuan. Other collectors have frequently approached Wang, determined to buy them at any price, but he says he has refused to sell.

        However, as a private museum, Wang must rely on the public to cover operational expenses, due to a lack of government funding. Chinese regulations have encouraged the establishment of private museums in recent years, but subsidies vary by region, and Lüshun is not prosperous. Instead, local officials offered Wang the building at a discount, and ticket sales cover most of the rest. Phonographs degrade every time when they are played, but Wang does the maintenance himself—and is even training an apprentice.

        “Collecting and preserving phonographs and records has been my lifelong hobby,” Wang tells TWOC. “Unlike most residents at my age, Im not interested in mahjong, poker, or chess. Even in my youth, I didnt go to ballrooms or karaoke.”

        “Am I strange? Maybe,” he muses. “Ive always hoped to establish a museum for my beloved items—and now Ive achieved it.”

        猜你喜歡
        博物館歷史音樂
        博物館
        圣誕音樂路
        兒童繪本(2017年24期)2018-01-07 15:51:37
        新歷史
        全體育(2016年4期)2016-11-02 18:57:28
        音樂
        露天博物館
        歷史上的6月
        歷史上的八個(gè)月
        歷史上的4月
        音樂
        博物館
        久久精品国产亚洲av不卡国产| 国产高清精品自在线看| 黑人巨大亚洲一区二区久| 深夜福利国产精品中文字幕| av无码一区二区三区| 人与嘼交av免费| 99久久久精品免费| 国产尤物自拍视频在线观看| 女人高潮久久久叫人喷水| 免费观看又色又爽又黄的韩国| 久久这里都是精品一区| 亚洲综合精品一区二区| 新婚少妇无套内谢国语播放| 精品一区二区三区免费播放| 全部免费国产潢色一级| 国产我不卡在线观看免费| 亚洲成av人片天堂网无码| 国产免费午夜a无码v视频 | jiZZ国产在线女人水多| 蜜桃网站免费在线观看视频| 亚洲av久久久噜噜噜噜| 性夜夜春夜夜爽aa片a| 日本中文字幕av网址| 国产av久久在线观看| 国产又黄又爽又色的免费| 国产精品亚洲A∨天堂不卡| 亚洲小少妇一区二区三区| 日本一本免费一二区| a级毛片毛片免费观看久潮喷| 狠狠躁夜夜躁人人爽天天不卡| 亚洲av激情一区二区| 亚洲国产天堂久久综合| 亚洲美女影院| 国产午夜福利av在线麻豆| 亚洲国产精品无码aaa片| 成在人线av无码免观看麻豆| 91热爆在线精品| 亚洲国产精品国自产拍性色| 免费1级做爰片1000部视频| 中文字幕网伦射乱中文| 最新亚洲av日韩av二区|