◇|文本刊記者 胡 婷|圖 游 宇受訪者提供

段勝峰

Duan Shengfeng

1993年畢業(yè)于四川美術(shù)學(xué)院，現(xiàn)任四川美術(shù)學(xué)院設(shè)計藝術(shù)學(xué)院院長，教授，兼任重慶工業(yè)設(shè)計協(xié)會常務(wù)理事。曾獲第十一屆全國美展（首屆中國美術(shù)獎）金獎、第十屆全國美展優(yōu)秀獎、第十二屆全國美展提名獎等。

Duan Shengfeng,graduated from Sichuan Fine Arts Institute in 1993,is currently a professor and the dean of School of Design and Art,as well as the managing director of the Industrial Design Association of Chongqing. In addition to these honors,he is also the recipient of the 11th National Artworks Exhibition’s Gold Award,the 10th National Artworks Exhibition’s Good Design Award and a nominee of the 2nd National Artworks Exhibition.

“一只橡皮，一支筆，它們是獨立分開的，有一天，當橡皮直接放在了筆上，就有了帶橡皮的鉛筆，這就是工業(yè)設(shè)計的思維?！?992年，當時還是江南大學(xué)工業(yè)設(shè)計專業(yè)教授的吳翔來到四川美術(shù)學(xué)院，他的話，讓當時尚在讀大三的段勝峰印象深刻。

橡皮與鉛筆的組合，深深打動了段勝峰。從那時起，段勝峰開始對工業(yè)設(shè)計產(chǎn)生興趣。

隨著時代的發(fā)展，工業(yè)設(shè)計的內(nèi)涵也逐步完善豐富，從原來的外觀設(shè)計到內(nèi)在邏輯思維，再到城市建設(shè)等領(lǐng)域的運用，工業(yè)設(shè)計有了更廣闊的發(fā)展空間。

段勝峰目睹并深度介入了工業(yè)設(shè)計的發(fā)展，樂在其中。他相信，未來，工業(yè)設(shè)計會有更多的可能。

Duan Shengfeng’s story with industrial design started here. Wu Xiang,a professor of Jiangnan University’s Industrial Design Major,visited Sichuan Fine Arts Institute in 1992.“Eraser and pencil are two different and independent things,but there will be a new product after combining them together.That is called thinking of industrial design.”

Professor Wu’s words deeply impressed this junior,Duan Shengfeng. From that time,he was interested in industrial design and his dream began to take root.

With gradually improved connotation,industrial design was able to expect a broader space of development in exterior design,internal logic thinking,urban construction and other fields.

Duan Shengfeng witnessed and greatly promoted the development of industrial design. As a participant,he found pleasure and sense of pride in this process. He believed that in the future,industrial design would enjoy a brighter and broader prospect.

工業(yè)設(shè)計進入快車道Gradual Development of Industrial Design

段勝峰是四川瀘州市古藺縣人，標準的“70”后。小學(xué)二年級開始，在課間玩武將，將小人書剪下來。但那時候并沒有那么多小人書，為了繼續(xù)玩這個游戲，他就開始學(xué)著自己用鉛筆畫武將。

“為了贏得比賽，我將自己武甲的槍畫得最長，錘子畫得最大?！倍蝿俜寤貞?。也就從那時起，段勝峰開始對畫畫產(chǎn)生興趣，最大的愿望是考上宜賓師專，因為那里有繪畫專業(yè)。

他沒能考上宜賓師專。1989年，段勝峰以優(yōu)異的成績考入了四川美術(shù)學(xué)院工業(yè)設(shè)計學(xué)院。

在這之前，他對工業(yè)設(shè)計一無所知。

段勝峰所學(xué)專業(yè)叫“工業(yè)設(shè)計藝術(shù)”，當時中國關(guān)于工業(yè)設(shè)計的概念是從西方翻譯過來的，對工業(yè)設(shè)計的定義還停留在外觀造型的范疇。

“工業(yè)設(shè)計在當時并沒有太多的發(fā)展空間，就是簡單地設(shè)計榨汁機，或者門把手，而且沒有知識產(chǎn)權(quán)的保護。”畢業(yè)后，全班同學(xué)除了他因為留校當老師繼續(xù)從事工業(yè)設(shè)計，其他人都進了廣告和裝修領(lǐng)域。

隨著經(jīng)濟社會的發(fā)展，各高校關(guān)于工業(yè)設(shè)計的學(xué)術(shù)定位開始發(fā)生變化，工業(yè)設(shè)計迎來了春天，重回大眾的視野。當時，川美和宗申成立了宗申川美工業(yè)設(shè)計研究所，段勝峰任所長。

段勝峰重回工業(yè)設(shè)計領(lǐng)域后的2004年，他的作品《風(fēng)影》系列摩托車設(shè)計獲第十屆全國美展優(yōu)秀獎。

Duan Shengfeng,born in 1970,was a native of Gulin County,Luzhou City,Sichuan Province. From the second grade of elementary school,he cut paper characters from comic books and played a game called martial armor with these characters. But he couldn’t collect enough characters from comic books. To continue this game,he began to draw martial armor with pencil by himself.

In Duan Shengfeng’s memory,to let his own characters win the game,he painted the longest lance and the biggest hammer for them. Since then,out of interest in painting,Yibin Teachers College became his dream,for he could learn professional painting skills here.

Unfortunately,Duan Shengfeng was not admitted to Yibin Teachers College. In 1989,he became a student of Sichuan Fine Arts Institute’s School of Industrial Design with excellent scores.

Before entering Sichuan Fine Arts Institute,he knew nothing about industrial design.

Duan Shengfeng majored in Industrial Design and Art. Concepts related to industrial design in China were translated from western concepts. In China,understanding and definition of industrial design were still limited to exterior design.

Duan Shengfeng said,“When I was a college student,there was not much room for industrial design. We just did some simple designs,like juicer and door handle. Our designs even didn’t have intellectual property protection.” After graduation,he became a teacher of Sichuan Fine Arts Institute and continued to devote himself to industrial design. But his other classmates gave up industrial design and worked in fields of advertising and decoration.

With the development of economy and society,academic orientation of industrial design in various universities and colleges changed. Industrial design ushered in spring and returned to the public's vision.Then,Sichuan Fine Arts Institute and Zongshen Industrial Group jointly established a Research Institute of Industrial Design,with Duan Shengfeng to be its director.

In 2004,Duan Shengfeng won the 10th National Artworks Exhibition’s Good Design Award for “Wind and Shadow” series design of motorcycles. The title director of the institute and this award symbolized his return to industrial design field.

設(shè)計貫通城市動脈Reflection of Design Thinking on Urban Transportation

在設(shè)計領(lǐng)域，設(shè)計師只需要三分之一的美術(shù)功底，其他的都是關(guān)于工程、機械等方面的知識儲備。

“設(shè)計是一個系統(tǒng)問題，需要統(tǒng)籌考慮，就像空間設(shè)計，它包括了家具擺放的合理性，人在其中走動的考量，色彩的搭配，人的習(xí)慣，心理上的暗示等等。”段勝峰解釋。

當設(shè)計融入城市建設(shè)，在重慶就又了“現(xiàn)實版”。比如，各大輕軌站的圖畫、雕塑，同樣也是設(shè)計的成果。

2010年，重慶軌道交通集團找到段勝峰，說準備在重慶輕軌所有站點進行文化建設(shè)，請他設(shè)計。

于是，以軌道二號線較場口站“開篇”，以山城歷史為主題，重點打造“記憶中的老重慶”系列設(shè)計。

段勝峰印象最深的，是五里店輕軌站，“一首詩對應(yīng)一幅畫，總共100首，從漢代到唐宋?！睘榇_保準確性，段勝峰專門找重慶文史方面的專家學(xué)習(xí)、核對。

每個站點都要根據(jù)綜合因素來考量。每個站的設(shè)計工程，都有10～20個備選方案。從設(shè)計到最后出成果，都要大半年時間。

在重慶機場T2航站樓，有重慶市民的100張笑臉，包括田亮、李云迪等等，代表著“重慶歡迎你”；磁器口是外來者了解重慶的一個窗口，在磁器口輕軌站臺墻壁上滿了重慶言子兒：“莽子”“燈兒晃”“逮貓兒”……包羅萬象，幽默風(fēng)趣。

Designers need to have some drawing and color matching skills,but knowledge related to engineering,machinery and other fields are more important to them.

As Duan Shengfeng explained,design needed to be considered systematically and coordinately.For instance,a coordinate space design should take various aspects into consideration,such as reasonable arrangement of furniture,appropriate space for daily activities,matching of colors,people's habits and psychological hints.

Chongqing successfully integrated design with urban construction. Drawings and statues in Chongqing’s light railway stations embodied thinking of design.

In 2010,Chongqing Rail Transit (Group)Co.,Ltd. entrusted Duan Shengfeng to design for cultural construction of all light railway stations in Chongqing.

Jiaochangkou,a station on line 2,was designed on the basis of Chongqing’s history,focusing on a series of designs of “Old Chongqing in Memory”.

Wulidian Station’s design left Duan Shaofeng the most memorable impression. At this station,100 poems from Han Dynasty to Tang Dynasty and Song Dynasty painted on the walls were matched with corresponding drawings. To ensure corresponding matches of each poem and drawing,he even invited some Chongqing experts in literature and history to teach him relevant knowledge and to check accuracy of these drawing and poems.

The design of each station must consider comprehensive factors. There were 10 to 20 alternatives for the design of each station. From design to completion,it took about half a year.

At T2 passenger terminal of Chongqing Airport,there were 100 smiling faces of Chongqing citizens,including Tian Liang (a gold medal winner of several Olympics) and Li Yundi (a famous pianist). These smiling faces represented Chongqing citizens’warm welcome. Ciqikou ancient town was a window for foreigners to know about Chongqing. Walls of Ciqikou Station were covered with Chongqing dialects,humorous and interesting.

作品中傾注人文關(guān)懷Pure Humanistic Care into Designs

段勝峰不愿把自己當作一個藝術(shù)家，更愿意把自己當作一個設(shè)計師，“藝術(shù)家的作品可以引起大眾的共鳴，就是好作品。而設(shè)計師是為他人提供服務(wù)，在不浪費多余材料的前提下，為大眾提供更簡便和更高質(zhì)量的生活?！睂Χ蝿俜鍋碚f，設(shè)計更是一種兼具社會性的工作。

2008年“5·12”地震發(fā)生后， 段勝峰就在想，如果能設(shè)計一種適合多山地區(qū)、集通過與救護功能為一體的工程車，就可以解決救援機具和物質(zhì)進入災(zāi)區(qū)的難題。

隨后的6月，段勝峰就帶領(lǐng)孫元明、許沖兩個學(xué)生進入災(zāi)區(qū)，對災(zāi)區(qū)道路、海拔、地形、建筑、運輸、工程作業(yè)、救援救護等情況進行調(diào)研。2009年7月，設(shè)計出了《全地形突擊救援車》。

它最大的特點在于整合了不同功能。在全地形車平臺基礎(chǔ)上，整合工程救援與醫(yī)療救護功能模塊，實現(xiàn)工程作業(yè)、耐候越障、緊急醫(yī)護等災(zāi)后應(yīng)急救援需求，是集越障通過、工程救援與醫(yī)療救護于一體的專業(yè)救援車輛。

段勝峰翻出《全地形突擊救援車》效果圖，車體采用橙紅金屬專用色彩，多功能清障系統(tǒng)具有鏟挖、破鉆等功能。他指著車體兩側(cè)說：“這里可擴展成6個充氣帳篷，可作為80～100人的臨時醫(yī)院模塊，對傷者進行有效救護。獨立持續(xù)工作可達120小時，用以展開震后救護和防疫工作?！?/p>

“真正的經(jīng)典設(shè)計，是直面突發(fā)而來的現(xiàn)實，用智慧和勇氣解決復(fù)雜問題，用情感和溫度傾注人文關(guān)懷，用專業(yè)素養(yǎng)和職業(yè)精神錘煉出的好設(shè)計?！敝O(shè)計教育家陳汗青，曾這樣評價段勝峰設(shè)計的《全地形突擊救援車》。

《全地形突擊救援車》獲得第十一屆全國美術(shù)作品展暨首屆中國美術(shù)獎金獎，同時也是全國美術(shù)展覽歷史上第一個工業(yè)設(shè)計金獎作品，為重慶直轄以來獲得的首個美術(shù)類最高獎。

Compared with artist,Duan Shengfeng was more willing to treat himself as a designer. In his mind,artists created works that resonated with the public,while designers provided a simpler and higher quality life for people without wasting excess materials. Design was a work combined with social needs.

After the 5.12 earthquake in 2008,Duan Shengfeng was thinking that if he could design an engineering vehicle with functions of entering into mountainous areas,crossing road obstacles and rescuing,then rescue equipment and materials were able to be transported to disaster areas.

In June 2008,Duan Shengfeng went to disaster area with two students,Sun Yuanming and Xu Chong to investigate roads,elevations,terrains,constructions,transportation,engineering works,rescue conditions. With unremitting efforts,in July 2009,the design “All-Terrain Rescue Vehicles”came out.

“All-Terrain Rescue Vehicles” are characterized by the integration of various functions.In addition to developing a flat ground for medical personnel,“All-Terrain Rescue Vehicles”also have such functions as obstacles crossing,engineering rescue and medical rescue. With these useful functions,these professional rescue vehicles meet demands of emergency rescue after disaster.

According to rendering of “All-terrain Rescue Vehicles”,vehicles’ bodies were painted with tangerine. “All-Terrain Rescue Vehicles” were equipped with multifunctional obstacle-removing systems with such functions as shoveling,digging and drilling. He pointed to the two sides of vehicles on the rendering and said,“Six inflatable tents can be opened on both sides of vehicles’ bodies as a temporary hospital for 80 to 100 people,which effectively protects the injured. These tents can continuously work for 120 hours to carry out rescue and epidemic prevention work after earthquake.”

Chen Hanqing,a famous designer and educator,highly praised Duan Shengfeng’s “All-Terrain Rescue Vehicles”,“A truly classic design is aimed at solving complex problems with designers’wisdom and courage when facing sudden situations.A truly classic design contains humanistic care with emotion. A truly classic design is created with designers’ professional qualities and dedication.”

The design “All-Terrain Rescue Vehicles”,as the first industrial design won gold award in the history of the National Art Exhibition,acquired honors of Gold Awards of the 11th National Art Exhibition and the First China Art Award. It was the first and the highest award Chongqing citizen obtained in art field since Chongqing became a municipality.